/items/browse/page/11?output=atom <![CDATA[91ĚŇÉ«ĘÓƵ]]> 2025-08-21T00:22:47-04:00 Omeka /items/show/361 <![CDATA[Institute of Notre Dame]]> 2018-11-27T10:33:53-05:00

Dublin Core

Title

Institute of Notre Dame

Subject

Education

Curatescape Story Item Type Metadata

Lede

The Institute of Notre Dame is a Baltimore landmark that has educated young women for over 150 years.

Story

Originally established in 1847 as the Collegiate Institute of Young Ladies, the Institute of Notre Dame High School (IND) was founded by Baltimore’s own Mother Theresa – the Blessed Mother Theresa of Jesus Gerhardinger.

A native of Munich, Bavaria, Mother Theresa helped to found the School Sisters of Notre Dame (SSND) in Germany and came to Baltimore with a small group of sisters to educate the children of immigrants and minister to the poor. Mother Theresa purchased the original convent building from the Redemptorist priests assigned to nearby St. James in 1847 and soon expanded the convent into a boarding school when the sisters discovered two orphans left on their doorstep. By 1852, the sisters had built the school that still stands today.

The school continued to grow through the years: adding an auditorium in 1885, a chapel in 1892, additional classroom space in 1926, and their gymnasium in 1992. Since the first graduation ceremony on July 24, 1864, over 7,000 alumnae have graduated from IND including House Speaker Nancy Pelosi (1958) and Sen. Barbara Mikulski (1954) who later recalled, “They taught me more than geography or mathematics; they taught me to help those in need of help. They inspired my passion for service.”

Official Website

Street Address

901 Aisquith Street, Baltimore, MD 21202
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/items/show/360 <![CDATA[Friends Burial Ground]]> 2020-07-20T09:51:07-04:00

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Title

Friends Burial Ground

Curatescape Story Item Type Metadata

Subtitle

Baltimore's Oldest Cemetery

Story

Contained on a little less than three acres across from Clifton Park in northeast Baltimore, the Friends Burial Ground tells the stories of generations Baltimore's Quaker families across their 300 years of rich history in our city. Established in 1713 on a tract of land known as Darley Hall when the Friendship Meetinghouse was built on what is today Harford Road, the cemetery has been in continuous use ever since.

While small, and a bit unassuming, the Friends Burial Ground has approximately 1,800 graves with the earliest legible marker dating from 1802 and, without a doubt, many date from the 1700s. The stone wall around the grounds and the Sexton's House both date back to the 1860s and, in 1926, 122 graves were moved from a Friends cemetery at the Aisquith Street Meeting House in Old Town.

The many notable interments include Louisa Swain, who made history in Wyoming on September 6, 1870 as the first woman to vote in a general election in the United States at age 69, and Dr. Thomas Edmondson who lived in a grand estate that eventually became Harlem Park in West Baltimore. Dr. Edmondson recently resurfaced in the public light as his collection of Richard Caton Woodville’s artwork was exhibited at the Walters Art Museum.

Related Resources

Official Website

Street Address

2506 Harford Road, Baltimore, MD 21218
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/items/show/359 <![CDATA[Emory Grove]]> 2018-11-27T10:33:53-05:00

Dublin Core

Title

Emory Grove

Subject

Religion

Curatescape Story Item Type Metadata

Story

Emory Grove, located in Glyndon, has provided its summer residents with spiritual inspiration and respite from 91ĚŇÉ«ĘÓƵ City's summer heat for over 145 years. Originally founded in 1868 as a Methodist camp meeting site during the religious reawakening that swept the nation in the aftermath of the Civil War, the Grove now welcomes campers of any denomination. The camp’s 47 rustic cottages only recently saw the installation of flush toilets and electric lights but the lush setting in a cool wooded 62-acres has made it an idyllic retreat for generations of Marylanders.

The Emory Grove Hotel, built in 1887, is a stately Victorian structure on the National Register of Historic Places. At the center of the Grove is an open-air tabernacle that is the heart of the community. Religious services are held weekly along with sing-alongs and dance recitals.

Official Website

Street Address

102 Waugh Avenue, Glyndon, MD 21071
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/items/show/358 <![CDATA[Gundry/Glass Hospital]]> 2019-09-13T15:17:20-04:00

Dublin Core

Title

Gundry/Glass Hospital

Subject

Health and Medicine

Curatescape Story Item Type Metadata

Subtitle

Grand Gundry Sanitarium

Story

Dr. Alfred T. Gundry established the Gundry Sanitarium on his family farm in the late 1800s, and the Gundry family continued to operate the facility up through 1990. Dr. Gundry served as the medical superintendent at nearby Spring Grove Hospital from 1878 to 1891, where he was a pioneer in ending the use of mechanical restraints on psychiatric patients.

One advertisement from 1903 described the santitarium:

“Splendidly located, retired and accessible to Baltimore, surrounded by 28 acres of beautiful grounds. Buildings modern and well arranged. Every facility for treatment and classification. Under the medical management of Dr. Alfred T. Gundry.”

Street Address

2 North Wickham Road, Baltimore, MD 21229
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/items/show/357 <![CDATA[William Donald Schaefer on Edgewood Street]]> 2019-05-09T23:25:52-04:00

Dublin Core

Title

William Donald Schaefer on Edgewood Street

Subject

Politics

Curatescape Story Item Type Metadata

Story

Born on November 2, 1921, William Donald Schaefer lived most of his life in a modest rowhouse on Edgewood Street. The only child of William Henry and Tululu Irene Schaefer, he attended Lyndhurst Elementary School, 91ĚŇÉ«ĘÓƵ City College and the University of Baltimore.

After serving in Europe during WWII, Schaefer made two unsuccessful attempts for a seat in the Maryland House of Representatives. In 1955, local political king-maker Irvin Kovens, nicknamed the "The Furniture Man" for his West Baltimore furniture store, and Phillip H. Goodman, founder of the Dandy Fifth Democratic Club, recruited Schaefer to run for the Fifth District 91ĚŇÉ«ĘÓƵ City Council seat. From this modest beginning, Schaefer went on to become 91ĚŇÉ«ĘÓƵ City Council President, then Mayor, and Governor of Maryland.

Related Resources

Street Address

620 Edgewood Street, Baltimore, MD 21229
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/items/show/355 <![CDATA[Saint John's in the Village]]> 2018-11-27T10:33:53-05:00

Dublin Core

Title

Saint John's in the Village

Subject

Religion

Creator

Saint John's Church

Curatescape Story Item Type Metadata

Subtitle

A Waverly Landmark since 1843

Story

The Episcopalian congregation of Saint John's Church has worshiped together on the same site in Waverly since 1843. At that time the area was the small village of Huntingdon, Maryland: a collection of about seventeen large estates, and the more modest homes of a new and emerging middle class.

The village extended from Huntingdon Avenue (present day Remington) on the west to Harford Road on the east; from Huntingdon Avenue (25th Street) on the south to Boundary Avenue (42nd Street) on the north. In 1888, 91ĚŇÉ«ĘÓƵ City annexed the area from 91ĚŇÉ«ĘÓƵ County and the post office was renamed Waverly, after Sir Walter Scott's popular Waverly novels.

In November 1843, the Episcopal Bishop of Maryland, William Rollinson Whittingham, sent Reverend W. A. Hewitt to Huntingdon. Local resident Thomas Hart requested the appointment because he wanted his grandchildren baptized but did not want to travel to the parish church, Saint Paul's, in 91ĚŇÉ«ĘÓƵ City. The bishop happily obliged since he was eager to establish new congregations in Maryland embodying the ideals of the Oxford Movement, which sought to reinstate older Christian traditions in the Anglican Church.

The congregation at Saint John's Church held their first service the “barracks”: a powder magazine and post for federal troops located a short distance southwest of the present church building. On July 10, 1844, Saint John's Church was legally incorporated as a diocesan mission church within the bounds of Saint Paul's parish and by 1845 became an independent congregation. The congregation laid the cornerstone for its first church in April 1846, and was consecrated by Bishop Whittingham on November 11, 1847. The church opened as a “free church”—rejecting the then-common practice among Anglican, Catholic, and Presbyterian churches of raising money by charging parishioners "pew rents".

For the first two years the rector returned his stipend to the treasurer as his offering toward the building expenses. He also installed a furnace at his own expense, assuring the warm devotion and gratitude of his flock. However, on May 15, 1858, just eleven years after its consecration, the church caught fire and burned to the ground.

Poorer but undaunted, the congregation worked to rebuild and Bishop Whittingham laid cornerstone of the present church on September 11, 1858. The first service in this building was held on May 22, 1859, and its consecration was on All Saints' Day in 1860. The congregation prospered and the church added a Parish House (1866) and a Rectory (1868) in a matching Gothic style. In 1885, the church built an orphanage for boys but the institution closed in 1912 and the building has been demolished. An 1850s cemetery still survives on the property.

The design of the church was influenced to the principles of the Cambridge Camden Society (later known as the Ecclesiological Society) which promoted revival of the Gothic style in architecture. The church was enlarged in 1875 with the addition of transepts (creating the classic cruciform shape visible today), a baptistery (the present Lady Chapel), sacristy, enlarged sanctuary, and a bell tower and spire. The interior decoration was completed in 1895 in the same Gothic Revival style.

After several modernizations of the decor, a whitewash, and years of neglect, the restoration of much of the original decoration was undertaken from 1983 to 1985 by the Reverend R. Douglas Pitt, the eleventh rector. This work was resumed in 1994 under the Reverend Jesse L. A. Parker, twelfth rector. All of the restoration work has been accomplished by the well-known decorative artist Janet Pope, of J. Pope Studios, Baltimore, which specializes in historic decorative restoration.

Official Website

Street Address

3009 Greenmount Avenue, Baltimore, MD 21218
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/items/show/353 <![CDATA[Corpus Christi Church]]> 2018-11-27T10:33:53-05:00

Dublin Core

Title

Corpus Christi Church

Curatescape Story Item Type Metadata

Subtitle

A Mount Royal Landmark by architect Patrick Keeley

Story

Corpus Christi Memorial Church was built in 1891 in memory of Thomas and Louisa Jenkins by their children. Their goal was to build the most exquisite church in Baltimore. Patrick Keeley, the foremost architect of Catholic churches in his day, designed the building.

The interior, designed by John Hardman & Company of London, glitters and glows with colorful mosaics accented with gold tessera, stained glass windows, and a high vaulted ceiling with clerestory windows. Famous for its large Florentine style mosaics adorning the chancel, Corpus Christi also has smaller mosaic Stations of the Cross as well as a charming mosaic depicting the founding of Maryland. There are four chapels and a baptistery that boast gold mosaic ceilings, marble walls, statues of saints, and stained glass windows.

Official Website

Street Address

110 W. Lafayette Avenue, Baltimore, MD 21217
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/items/show/351 <![CDATA[Strawbridge United Methodist Church]]> 2018-11-27T10:33:53-05:00

Dublin Core

Title

Strawbridge United Methodist Church

Subject

Architecture
Religion

Creator

Eli Pousson

Curatescape Story Item Type Metadata

Story

The Strawbridge United Methodist Church has a rich history. First established in 1843 as the Howard Street Station, the church moved to a grand sanctuary on Park Avenue under the leadership of Rev. John F. Goucher in 1881. Unfortunately, over the past several years, the church deferred essential but costly maintenance resulting in a damaged roof and deteriorating interior. The building has been stabilized for now but estimates by the Methodist Church suggest that a substantial rehabilitation is urgently needed. A committee of neighbors from the Mount Royal Improvement Association is currently working to find a permanent solution for the preservation and rehabilitation of the building.

Strawbridge Memorial Methodist Church first began in June 1836, when Maryland's growing Methodist community established a Sunday school in the home of William Coulter at 850 North Howard Street near Richmond Market. In 1839, the community built a small frame building for the school on the opposite side of Howard Street for $1,000 and held a dedication in February 1840. In April 1843, the Howard Street Station formally incorporated as a Methodist Episcopal Church and began making plans for a new building. The congregation bought a lot at Linden (then Garden) and Biddle Streets and laid the cornerstone in a ceremony on September 4, 1845. The church began holding services on the ground floor the following year, completed the auditorium by 1847, and dedicated the building in November 1848.

In 1860, Howard Street Station changed their name to the Strawbridge Methodist Episcopal Church in honor of Robert Strawbridge an Irish evangelist credited with bringing Methodism to America. Born in Ireland, Robert Strawbridge immigrated to Maryland around 1760 and settled on Sam's Creek in what was then Frederick County (now part of Carroll County). Strawbridge established a Methodist Society and built a "Log Meeting House" near his home—a building later considered one of the first Methodist churches in America. The modest structure (a little less than 25-feet square) was replaced in 1783 but a relic of the building survived in the pulpit of Strawbridge Methodist Episcopal Church, which was made from logs salvaged from the old meeting house.

In 1880, Dr. John F. Goucher arrived at Strawbridge and titled his first sermon "Rise and Build," launching his successful effort to spur the congregation into building a new church. Goucher had previously led the relocation of the Gilmore Street Methodist congregation and helped them to build a new church on Harlem Park, a fast-growing prosperous suburb in West Baltimore.

The congregation accepted a new site at Park Avenue and Wilson Street from member Erastus Mitten and sold their Biddle Street church to an African American congregation. The building was late demolished to make way for State Center. As the new building went up, the community held services in a tent placed on an adjoining lot. Finally, in a special watchnight service on December 31, 1881, the congregation moved into their newly finished chapel.

Goucher's abilities at fundraising enabled the congregation to dedicate the church free of debt in a ceremony with Bishop Matthew Simpson in June 1882. Goucher moved on shortly after to help the Lovely Lane Methodist Church build their iconic St. Paul Street home a few years later.

The Strawbridge Church on Park Avenue added a parsonage on Wilson Street in 1885, which was eventually converted into a Guild House. The church bought a house on Bolton Street south of Wilson Street and later moved the parsonage again to 1719 Park Avenue.

Street Address

201 Wilson Street, Baltimore, MD 21217
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/items/show/350 <![CDATA[Bell Foundry]]> 2018-11-27T10:33:53-05:00

Dublin Core

Title

Bell Foundry

Subject

Industry

Creator

Eli Pousson

Curatescape Story Item Type Metadata

Subtitle

Former Factory and Former Art Space

Story

For years, the Bell Foundry operated as a cooperatively run arts space that took its name and its building from the historic McShane Bell Foundry. But, since December 2016, the building has stood vacant. After the "Ghost Ship" warehouse fire in Oakland, California, the city cracked down on code violations in local DIY art spaces and evicted the tenants at the Bell Foundry.

Henry McShane started the McShane Bell Foundry at Holliday and Centre Streets in 1856. By the late nineteenth century, when the business expanded to Guilford Avenue (then known as North Street) the firm had already produced tens of thousands of bells and chimes, shipping them out to churches and public buildings across the country.

In 1935, the Henry McShane Manufacturing Company sold the foundry to William Parker, whose son continues to operate the business today. The McShane Bell Foundry moved in 1979 to Glen Burnie, Maryland, where their total production is over 300,000 bells made for cathedrals, churches, municipal buildings, and schools in communities around the world—including the 7,000-pound bell that hangs in the dome of Baltimore's City Hall. The firm is the only large Western-style bell maker in the United States and one of a handful of bell manufacturers around the world.

The entrance to the former foundry is now on Calvert Street. For years, the Bell Foundry was a thriving art space including the building and the adjacent grounds, where there is a community garden and a communal skate park. The basement was used for shows and rehearsal space. The Castle Print Shop was located upstairs along with rehearsal space for the Baltimore Rock Opera Society. Outcry over the evictions in December 2016 prompted the creation of the Safe Art Space Task Force to address the broader issue of safety in underground art spaces. Unfortunately, no immediate repairs were available for the Bell Foundry and, in April 2017, the building's owners put it up for sale.

Street Address

1539 N. Calvert Street, Baltimore, MD 21202
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/items/show/349 <![CDATA[Stieff Silver Building]]> 2021-02-22T09:36:18-05:00

Dublin Core

Title

Stieff Silver Building

Subject

Industry

Creator

Auni Gelles

Curatescape Story Item Type Metadata

Story

For more than 85 years, the large sign atop the Stieff Silver Building has spelled out the name of a company once synonymous with Baltimore. The movement of the Stieff Company from downtown to the bucolic neighborhood of Hampden mirrored the changes that Baltimore and many other cities experienced during the twentieth century. The Kirk-Stieff Company was the oldest silversmith firm in the country when the factory closed its doors in 1999, marking the end of a tradition that had flourished in Baltimore since the early nineteenth century. Entrepreneur Charles Clinton Stieff founded the company in 1892 at 110 W. Fayette Street. After several name changes, the Stieff Company became a major player in the silver manufacturing business. In 1894, Stieff opened a showroom at 17 N. Liberty Street near the Howard Street shopping district, which turned Stieff into a familiar name for generations of Baltimoreans. Watch our Five Minute Histories video on this site! Charles C. Stieff’s son Gideon took over in 1914 around the same time automobiles were changing the pace of city life. A few years later, a trip to Druid Hill Park would forever change the face of Stieff Silver. Gideon and his future wife Claire were enjoying an outing at the park when she pointed out a plot of land that she thought would suit the company’s plans for a new factory. They were looking at the mill village of Hampden, just across the Jones Falls from the park. Although the city annexed this community in 1888, it still remained relatively isolated well into the twentieth century. This sylvan streetcar suburb attracted the Stieffs, who marketed the new building’s “out-of-the-congested district” location with unlimited parking to appeal to shoppers in the mid-twentieth century. The Stieff Company purchased the land from Mount Vernon Mill in 1922 and broke ground on the project in 1924. Production began at the Hampden location in 1925 and was so successful, the company decided to double the size of the factory in 1929. They might have reconsidered the addition had they been able to predict the Great Depression, but the company managed to hang on during the difficult economic times of the 1930s. A degree of stability was established in 1939 when Stieff signed a contract to reproduce silver for Colonial Williamsburg. During World War II, when the federal government took control of the nation’s silver supply, the company made surgical equipment and aluminum ice trays to remain solvent. They began working with pewter in the 1950s, which quickly became the majority of their business. Demand for silver and pewter was high in the postwar period when the company opened a retail store on the 200 block of N. Howard Street and, in 1970, built a large addition to the Hampden factory. They purchased S. Kirk and Son, another Baltimore silversmith firm that had been in the business since 1815, and assumed the name Kirk-Stieff in 1979. The company, like many other industries in Baltimore and across the U.S., faced serious challenges in the 1980s and 1990s. The Howard Street showroom closed in 1981, adding yet another vacant storefront to the once bustling commercial center. The Kirk-Stieff Company ceased operations in January 1999. Local developers Struever Bros. Eccles & Rouse bought the building for $1.5 million in 2000. After investing $13.2 million to renovate the interior into office space, several nonprofit groups moved to the Wyman Park Drive location in 2002. Although its occupants have changed, the large electric sign atop the Stieff Silver Building remains an icon for many Baltimoreans.

Watch on this site!

Street Address

810 Wyman Park Drive, Baltimore, MD 21211
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/items/show/348 <![CDATA[Grove of Remembrance Pavilion]]> 2020-10-16T11:30:07-04:00

Dublin Core

Title

Grove of Remembrance Pavilion

Subject

Parks and Landscapes

Creator

Allyson Schuele

Curatescape Story Item Type Metadata

Story

The Grove of Remembrance Pavilion has stood nestled amongst the trees on Beechwood Drive near the Maryland Zoo for nearly a century. Designed by architect E.L. Palmer, the rustic pavilion’s placement within the Grove of Remembrance is fitting. The grove was planted on October 8, 1919 to honor those who had died in World War I and the pavilion is a monument to First Lieutenant Merrill Rosenfeld, a prominent Baltimore attorney, killed while serving in the military during World War I. Lieutenant Rosenfeld was born in Baltimore in 1883 as the eldest son of Israel Rosenfeld and Rebecca Rosenfeld, née Stern, second generation German Jewish immigrants. Israel Rosenfeld owned a successful clothing retail business and achieved the rank of colonel serving as an aid-de-camp to Governor John Walter Smith. Merrill Rosenfeld was much like his father. He graduated from the Johns Hopkins University in 1904 and joined the Maryland Bar in 1906. He fought during the Mexican Revolution of 1910, earning the rank of top sergeant, and joined the 115th Infantry Regiment, 29th Infantry Division during World War I. Having attained the rank of first lieutenant, he was leading his men during the Meuse-Argonne Offensive when he died October 16, 1918. The U.S. government recognized his sacrifice by awarding him with a Distinguished Service Cross for “extraordinary heroism” and praised him for his “display…[of] the greatest bravery and heroism” before his death. He received further honors in 1919 when the Court of Appeals commissioned architects J.B. Noel Wyatt and William Nolting to build a bronze memorial honoring him and five other Baltimore attorneys who had died in the war and in 1921, when the Maryland Bar Association commissioned a similar memorial. When Israel Rosenfeld died on October 10, 1925, he left $10,000 for the pavilion’s construction in Druid Hill Park. Baltimore was a city with a history of tolerance towards the Jews, particularly those of German heritage, in the early 1900s. The Rosenfelds had thrived in this environment, and Israel wanted to ensure that Baltimoreans would remember his late son’s military achievements and sacrifice for years to come.

Watch our on this site!

Street Address

Beechwood Drive, Baltimore, MD 21217
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/items/show/347 <![CDATA[Richard Wagner Memorial Bust]]> 2019-05-07T13:48:00-04:00

Dublin Core

Title

Richard Wagner Memorial Bust

Subject

Music
Public Art and Monuments

Creator

Allyson Schuele

Curatescape Story Item Type Metadata

Lede

Dedicated in 1901, the Richard Wagner Bust was donated to the city by the United Singers of Baltimore who received the monument as the first prize trophy for the annual Sängerfeste choral competition.

Story

The Wagner Bust is as German as any statute could be. Cast in bronze, mounted on a granite base, and situated on the lawn of the Rogers-Buchanan Mansion, the bust of German composer Richard Wagner was created by a German-born sculptor R.P. Golde based on a portrait by German painter Franz van Lenbach. Though the bust may seem out of place for visitors to Druid Hill Park today, the placement made perfect sense when the sculpture was created.

R.P. Golde was commissioned to create the bust as the first prize for Sängerfeste, an annual choral competition held that year in Brooklyn, New York, with five thousand performers attending. The United Singers of Baltimore won with their performance of D. Melamet’s “Scheiden” (“Parting”). The Singers, who believed that their victory and prize would add to Baltimore’s glory and beauty, donated the Wagner Bust to Druid Hill Park. The bust’s dedication ceremony was a grand affair. Thirty thousand spectators gathered in attendance on October 6, 1901, to watch L.H. Wieman, an agent representing the Baltimore branch of a national, Minneapolis-based flour company, present the bust to the City of Baltimore on behalf of the United Singers. The crowd watched as the Wagner Bust, draped in German and American flags and the singing societies’ banners, was unveiled. The ceremony and the bust’s placement on the mansion lawn served as an expression of Baltimore’s pride in its singers and the German immigrants pride in their heritage and their talent.

Baltimore was home to over forty thousand German immigrants at the start of the twentieth century. Monuments to German artists, philosophers, politicians, musicians, poets, and composers decorate the landscape of many major American cities. Memorials of composers were particularly popular in the era of immigrant monument-building, partly due to the importance of singing clubs in German-American communities.

The Wagner Bust points to the popularity of singing clubs in Baltimore, as does another sculpture by R.P. Golde, that of the composer Conradin Keutzer, located in Patterson Park and also won by the United Singers of Baltimore at the 1915 Sängerfeste.

Street Address

Mansion House Drive, Druid Hill Park, Baltimore, MD 21217
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/items/show/346 <![CDATA[William Wallace Monument]]> 2020-10-16T11:28:00-04:00

Dublin Core

Title

William Wallace Monument

Subject

Parks and Landscapes

Creator

Jessi Deane

Curatescape Story Item Type Metadata

Story

On the west side of Druid Lake, opposite of the Moorish Tower, stands an imposing statue. At nearly thirty feet from the ground to the tip of the sword, the Wallace the Scot statue strikes an imposing figure. Bearing little resemblance to Mel Gibson’s “Braveheart,” the question remains of why a statue of a national Scottish hero is in Druid Hill Park. Beginning in 1905, the St. Andrew’s Society of Baltimore, or the Scottish Society, has used the Wallace the Scot statue as a site of pilgrimage. Gathering at the monument on St. Andrew’s Day, the anniversary of real William Wallace’s death, and the founding of their organization in 1806, members of the society wear traditional clothing (such as kilts or capes) and celebrate their heritage as Scottish Americans. By the 1850s, more than 100,000 Scottish immigrants were living in the United States and, between 1890 and 1910, this number grew to over a million. Successful Baltimore banker William Wallace Spence was proud of his heritage as a Scottish immigrant and claimed to be a distant descendant of William Wallace. Considering Wallace a personal hero as well as a national one, he shared how he admired Wallace’s character and saw him as a “champion of freedom whose memory not only Scotland, but all the world should honor." As the leader of the Scottish resistance against English rule, the original William Wallace spent most of his life battling with English forces for Scottish independence. His takeover of Stirling Castle is considered by many historians to be the first major victory for the Scottish resistance. Unfortunately, his victory was short lived and after a defeat at the Battle of Falkirk, Wallace was taken captive and executed in 1305. The statue itself is cast in bronze, a perfect replica of the famous William Wallace statue that stands on Abbey Craig in Scotland. Originally sculpted by D.W. Stevenson in 1881, Spence commissioned his replica at a large scale to make the figure seem more dramatic and imposing. The figure stands at an impressive fourteen feet tall, from his feet to the tip of his raised sword. The sculptor specifically chose the pose for its symbolic meaning—Wallace supposedly struck this pose at the Abbey Craig as he watched the army of Edward I gather before the Battle of Stirling Bridge. Stevenson also designed the pedestal upon which the Druid Hill Park statue now rests. The sixteen-foot tall granite base was carved of Maryland granite and is engraved with the inscription "William Wallace, Patriot and Martyr for Scottish Liberty, 1305."

Watch our on this statue!

Street Address

3100 Swann Drive, Baltimore, MD 21217
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/items/show/345 <![CDATA[St. Peter Claver Catholic Church]]> 2018-11-27T10:33:53-05:00

Dublin Core

Title

St. Peter Claver Catholic Church

Curatescape Story Item Type Metadata

Subtitle

Religion and Community Activism on Pennsylvania Avenue

Story

Saint Peter Claver Church at Pennsylvania Avenue and Fremont Street takes its’ name from a sixteenth-century Spanish priest who is considered the patron saint of slaves. The building dates back to 1888 making it the city’s second oldest African-American Roman Catholic Church. True to the inspiration of Saint Claver, the congregation and their leaders, have long been active in seeking equal rights for African Americans in Baltimore.

Father Henry Offer led the church from 1960 to 1971 and was a member of the NAACP and Urban League. In 1968, he was one of the city’s African American leaders to speak out after the riots following the death of Martin Luther King, Jr., criticizing Governor Spiro Agnew for laying blame for the unrest on local black activists. Later that same year, the parish chartered buses to transport its members, as well as community residents, to the Poor People’s March on Washington. The march, planned by the by the Southern Christian Leadership Conference before King’s death, was led by Civil Rights activist Ralph Abernathy.

In 1966, Father Philip Berrigan advocated for the disinvested urban neighborhoods from his position at the church. Berrigan, whose long career as a Catholic activist included burning Vietnam War draft cards with his brother Daniel Berrigan and others of the Catonsville Nine. In the years leading up to this, Berrigan worked from St. Peter Claver to establish the Baltimore Interfaith Peace Mission and actively lobbied and demonstrated for the city’s African American communities.

Another Civil Rights activist coming from St. Peter Claver in the 1960s was Father John Harfmann. In 1967, Harfmann, who was white, worked with Black activist Dickey Burke to provide recreation opportunities in West Baltimore through Operation CHAMP. During his tenure at the church, he also participated in integration activities with church members and actively supported efforts of BUILD (Baltimoreans United In Leadership Development) to create housing, provide job opportunities, and rebuild neighborhoods in the city. At his funeral, fellow priests remembered how Harfmann was “wholly dedicated to being a priest in the African American community,” and recalled him as “a tireless fighter for justice who did things that people said were not possible.”

Today, the church continues their long tradition of civil rights and community activism, in part, by hosting the No Boundaries Coalition that works to unite communities around the church that have historically been divided by racial and economic barriers.

Official Website

Street Address

1526 N. Fremont Avenue, Baltimore, MD 21217
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/items/show/343 <![CDATA[Astor Theater]]> 2019-06-06T10:10:51-04:00

Dublin Core

Title

Astor Theater

Subject

Entertainment

Curatescape Story Item Type Metadata

Story

Designed by prolific theater architect Frederick E. Beall, the Astor Theatre originally began in 1913 as the Astor Theater. The fast-growing around Poplar Grove Street evidently packed the 200-seat theater and, by December 1921, the owners decided to expand the building. After a major renovation converting the building to a Spanish design by architect J.F. Dusman, the theater reopened as the Astor Theater on November 14, 1927.

The movie house was equipped with a Kimball organ and, in 1929, the owners added Vitaphone & Movietone sound systems. Plans in 1930 to enlarge the theater to a grand 2,000 seats never moved forward. Unfortunately, the years after World War II proved difficult for many small Baltimore movie theaters. The Astor Theatre closed in the fall of 1953 just a few months after the U.S. Supreme Court decision in Brown v. Board of Education sparked a rapid transition in the formerly segregated white neighborhoods surrounding the establishment. In April 1954, the theater reopened under new management seeking to cater to Black audiences but closed the next year.

The former theater was eventually converted to a market. Today, only a careful observer can still find clues showing the building's origins. On Poplar Grove Street, where the original theater entrance is bricked in, there is a small white stone where the word "Astor" is still engraved. On the back is a faded sign with an even older name—Poplar Theatre—reminding today's shoppers of the theater-goers from a century in the past.

Related Resources

Street Address

613 Poplar Grove Street, Baltimore, MD 21216
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/items/show/333 <![CDATA[Hotel Brexton]]> 2018-11-27T10:33:53-05:00

Dublin Core

Title

Hotel Brexton

Subject

Architecture

Creator

Johns Hopkins

Curatescape Story Item Type Metadata

Story

The Hotel Brexton was built in 1881 for Samuel Wyman, a wealthy Baltimore merchant. The six-story Brexton was built as a residential hotel in the Queen Anne Style, with Baltimore pressed brick and Scotch sandstone. Noted architect Charles Cassell designed the building. Cassell was a founding member of the 91ĚŇÉ«ĘÓƵ Chapter of the American Institute of Architects and the designer of the Stafford Hotel on Mount Vernon Place, Stewart's Department Store on Howard Street, and the First Church of Christ Scientist on University Parkway.

This beautiful building sat vacant for over two decades before RWN Development (and local architect Donald Kann) completed a top-to-bottom restoration in 2010. The work included replacement of over two hundred windows that had rotted or disappeared and the restoration of the original spiral stair.

The Hotel now has twenty-nine rooms (including a "Wallis Warfield Simpson" suite, named after the hotel's most famous occupant) and is part of the Historic Hotels of America network.

Official Website

Street Address

868 Park Avenue, Baltimore, MD 21201
]]>
/items/show/332 <![CDATA[Druid Hill Park Superintendent's House]]> 2018-11-27T10:33:53-05:00

Dublin Core

Title

Druid Hill Park Superintendent's House

Subject

Parks and Landscapes

Creator

Johns Hopkins

Curatescape Story Item Type Metadata

Story

The Superintendent’s House in Druid Hill Park dates to 1872 and was designed by architect George Frederick (who also designed City Hall). It was built using local “Butler Stone” from 91ĚŇÉ«ĘÓƵ County and has wonderful Gothic decorations including decorative quoins and steep gables.

When the Parks and People Foundation acquired the building in 1995, it was in ruins. Multiple fires had destroyed the roof and almost all of the interior. Trees were even growing through the windows. The first step in the restoration process was to bring in a team of goats to chew through the Amazon-like vegetation so that human beings could actually get to the building.

The restoration was challenged by the decrepit state of the structure and lack of historic plans or records. Nonetheless, the project team did a remarkable job. They replaced stones; created a new roof and supporting structure; and, added back gutters, downspouts, chimneys, and the front porch. They even gave it an historically compatible set of paint colors.

The restored building is part of a new campus for Parks and People. It is helping revive the surrounding Auchentoroly Terrace neighborhood and tie this part of West Baltimore to Druid Hill Park.

Related Resources

Official Website

Street Address

2100 Liberty Heights Avenue, Baltimore, MD 21217
]]>
/items/show/331 <![CDATA[Arch Social Club]]> 2020-10-16T11:32:58-04:00

Dublin Core

Title

Arch Social Club

Creator

Johns Hopkins

Curatescape Story Item Type Metadata

Story

The Arch Social Club at Pennsylvania and North Avenues started its life as Schanze's Theater, a movie house constructed in 1912. After serving time as a Wilson's Restaurant from the 1930s through the 1960s (when the lower facade was covered over), the club bought the building in 1972. Originally located on Arch Street, the club was part of the Victorian-era Reformist Movement that promoted working class men to better themselves through lectures and cerebral recreational pursuits. In 1912, a group of African American Baltimore men founded the Arch Social Club to promote charity, friendship and brotherly love. As many reformist Clubs did, the Arch Social Club grew and evolved into a public house and event hall, uses that continue to this day. In 2013, the club brought back the building's historic façade. The newly restored facade more than sparkles at this key intersection in West Baltimore and stands as a bright reminder of the area’s great heritage and promising future.

Watch our on this site!

Official Website

Street Address

2426 Pennsylvania Avenue, Baltimore, MD 21217
]]>
/items/show/330 <![CDATA[Monumental Life Building]]> 2018-11-27T10:33:53-05:00

Dublin Core

Title

Monumental Life Building

Subject

Healthcare
Architecture

Creator

Johns Hopkins

Curatescape Story Item Type Metadata

Story

Beginning in 1928 when it was built and for 84 years afterwards, the Monumental Life Insurance Company occupied what was ubiquitously known as the Monumental Life Building. In 2012, however, Monumental Life consolidated offices downtown and moved out of Mt. Vernon. The current owner, Chase Brexton Health Services, bought the building and in short order launched an extensive rehab project.

The 6-story building at Charles and Chase Streets had undergone numerous renovations to suit evolving needs, with major additions built in 1938, 1957, and 1968. Chase Brexton worked within the historic building envelope to create a health center for patients and staff.

The work included repairing the limestone exterior, even keeping and repairing the signature gold lettering spelling out “MONUMENTAL LIFE.” The ground floor, where the most extensive historic fabric remained, included marble walls and floors, which were restored, and imitation gold leaf ceiling, which was refinished using the original methods. An original wood-paneled 1928 Board Room was fully restored after having been subdivided into offices. The upper floors had been used as utilitarian office spaces and these were retained and transformed to meet the demands of serving as space for a health clinic. Within a short year, the iconic Mount Vernon Building had not only found a new owner, but also found a new life and promises to serve as a great asset for years to come.

Official Website

Street Address

1111 N. Charles Street, Baltimore, MD 21201
]]>
/items/show/329 <![CDATA[Gunther Brewery]]>
The work, which earned state and federal historic tax credits, included restoring the facade of the Romanesque Revival-style brewhouse with its decorative arches, pilasters and an elaborate corbelled cornice. The 1949 Stock House and another smaller brewhouse dating to 1950 were also restored. The complex now encompasses five buildings with 162 apartments and retail space.]]>
2018-11-27T10:33:53-05:00

Dublin Core

Title

Gunther Brewery

Subject

Industry
Food & Drink

Description

From brewery to apartments, the reuse of the Gunther brewery complex is remarkable for its scope and quality. The building is in what’s now called, aptly, the Brewer’s Hill neighborhood east of Canton. This area started to populate with German brewers in the early 19th century and by the Civil War, it was awash with beer. After a brief respite during Prohibition, brewing was back and the original Gunther building, built around 1900, was in full swing. But breweries gradually closed in Baltimore and the Gunther was shuttered and left abandoned for many years.

The work, which earned state and federal historic tax credits, included restoring the facade of the Romanesque Revival-style brewhouse with its decorative arches, pilasters and an elaborate corbelled cornice. The 1949 Stock House and another smaller brewhouse dating to 1950 were also restored. The complex now encompasses five buildings with 162 apartments and retail space.

Creator

Johns Hopkins

Curatescape Story Item Type Metadata

Story

From brewery to apartments, the reuse of the Gunther brewery complex is remarkable for its scope and quality. The building is in what’s now called, aptly, the Brewer’s Hill neighborhood east of Canton. This area started to populate with German brewers in the early nineteenth century and by the Civil War, it was awash with beer. After a brief respite during Prohibition, brewing was back and the original Gunther building, built around 1900, was in full swing. But breweries gradually closed in Baltimore and the Gunther was shuttered and left abandoned for many years.

The work, which earned state and federal historic tax credits, included restoring the facade of the Romanesque Revival-style brewhouse with its decorative arches, pilasters and an elaborate corbelled cornice. The 1949 Stock House and another smaller brewhouse dating to 1950 were also restored. The complex now encompasses five buildings with 162 apartments and retail space.

Official Website

Street Address

1211 S. Conkling Street, Baltimore, MD 21224
]]>
/items/show/327 <![CDATA[Area 405]]> 2018-11-27T10:33:53-05:00

Dublin Core

Title

Area 405

Subject

Industry
Arts

Curatescape Story Item Type Metadata

Story

405 East Oliver Street has served as a brewery, a factory, and an upholstery shop. Today, the former factory is home to AREA 405—an arts organization dedicated to showcasing and strengthening the vitality of Baltimore's arts community. This 66,000 square feet warehouse offers unique studio and exhibition space for over 30 artists.

German immigrant Frederick Ludwig established the Albion Brewery in 1848 near Greenmount Avenue—advertised in German as "Albion Brauerei... Belvidere Avenue, nahe Greenmount Avenue, an der alten Belvidere Bruecke." The business sold several times and closed heavily in debt in 1877. Brewer Bernhart Berger picked up the mortgage in 1878 and reopened the business with Frank Molz as brewmaster and modern refrigeration equipment.

In 1904, the C.M. Kemp Company purchased the property adding a four-story brick addition right on top of the original stone brewery. The C.M. Kemp Manufacturing Company made compressed air dryers and shared their space with a wide variety of small businesses. In the 1950s, the building was occupied by Tom-Len—an upholstery and furniture manufacturing firm. In 1970, the Crown Shade Company purchased the building manufacturing thousands of window shades and venetian blinds up until 1989.

In 1989, the Crown Shade Company moved to Rosedale and sold the building to Henry's Shade Company which sold off old stock after Henry's death in 1998. When the group of artists behind Area 405 first toured the building in January 2001, they found it full from floor-to-ceiling with "...defunct machinery, debris, rolls of vinyl, old stock and detritus. Henry's telephones were still ominously blinking with messages, and even with the behemoth stockpile and the chill of vacancy, we knew we had found our home."

In March 2002, 3 Square Feet, LLC purchased the building and has undertaken a monumental renovation project to convert the building into studios. Between 2002 and 2009, they removed 133 industrial-sized dumpsters of debris along with countless tons of cardboard and wood for recycling. Two tractor-trailer loads of vinyl were sent to India to be recycled into roofing material (or possibly super hero figurines—Area 405 is not sure which!) AREA 405 officially opened their doors in February 2003 and has now been a hub of arts activity in Station North for over a decade.

Related Resources

Official Website

Street Address

405 E. Oliver Street, Baltimore, MD 21202
]]>
/items/show/326 <![CDATA[Engine House No. 36]]> 2018-11-27T10:33:53-05:00

Dublin Core

Title

Engine House No. 36

Subject

Architecture

Description

Built in 1910 of brick with stone trim in Tudor style, Fire Engine House No. 36 celebrated its 100th anniversary in 2010. Designed by architects Ellicott & Emmart and built by the Fidelity Construction Co., Engine House No. 36 reflected Baltimore's investment in modern fire-fighting facilities and technology in the aftermath of the Great Baltimore Fire of 1904.

Curatescape Story Item Type Metadata

Subtitle

Charles R. Thomas Fire Station on Edmondson Avenue

Story

Built in 1910 of brick with stone trim in Tudor style, Fire Engine House No. 36 celebrated its 100th anniversary in 2010. Designed by architects Ellicott & Emmart and built by the Fidelity Construction Co., Engine House No. 36 reflected Baltimore's investment in modern fire-fighting facilities and technology in the aftermath of the Great Baltimore Fire of 1904. Ellicott & Emmart worked on a number of public buildings around this same period including Primary School No. 37 (located at E. Biddle St. and N. Patterson Park Ave.) and the Forest Park Branch of the Enoch Pratt Free Library (1912).

Official Website

, 91ĚŇÉ«ĘÓƵ City Fire Department

Street Address

2249 Edmondson Avenue, Baltimore, MD 21223
]]>
/items/show/324 <![CDATA[Baltimore & Ohio Warehouse at Camden Yards]]> 2018-11-27T10:33:53-05:00

Dublin Core

Title

Baltimore & Ohio Warehouse at Camden Yards

Subject

Sports
Industry

Curatescape Story Item Type Metadata

Story

The iconic Baltimore & Ohio Warehouse at Camden Yards is an icon of Baltimore's industrial heritage and a unique example of creativity in historic preservation and adaptive reuse. Construction on the warehouse started in 1899. Architect E. Francis Baldwin likely served as the architect having designed warehouses for the B&O at Locust Point in 1879-80 and at Henderson's Wharf in Fell's Point in 1898. When a five-story addition was completed next to Camden Station in 1905, the narrow fifty-one-foot wide warehouse squeezed into the busy railyard by stretching four full blocks along South Eutaw Street. The company boasted that the facility could hold one thousand carloads of freight at once.

The warehouse remained in use through the 1960s but was largely abandoned by the 1970s, in favor of new single-story facilities. By the 1980s, the structure was threatened with demolition to make way for a new stadium. Baltimore Heritage and Maryland State Senator Jack Lapides led an effort to fight for the preservation of the warehouse and the rehabilitation of Camden Station. Leadership from the Maryland Stadium Authority responded and, with support from the Baltimore Orioles, architects Helmuth, Obata & Kassabaum and RTKL Associates transformed the vacant warehouse into the star attraction of the new stadium complex.

Oriole Park at Camden Yards opened on April 6, 1992 and the ballpark has remained a much-loved landmark ever since. The warehouse is now home to team offices and a private club for the Orioles. In 1993, the building even caught a long ball—a 445-foot shot by Ken Griffey, Jr. on July 12, 1993 during the 1993 All Star Game Home Run Derby—marked with a small bronze plaque matched by those on Eutaw Street for the occasions when a player has hit a ball out of the park.

Factoid

Play ball! Did you know Oriole Park at Camden Yards opened on April 6, 1992?

Official Website

Street Address

333 W. Camden Street, Baltimore, MD 21201
]]>
/items/show/323 <![CDATA[14 West Hamilton Street Club]]> 2020-05-20T12:21:00-04:00

Dublin Core

Title

14 West Hamilton Street Club

Creator

Robert J. Brugger

Curatescape Story Item Type Metadata

Story

The 14 West Hamilton Street Club, a group of Baltimoreans who enjoy good company, lively conversation, and decent meals, formed in 1925. Young Princeton graduates in the city, eager to continue the traditions of the campus eating club, and several additional members of the venerable 91ĚŇÉ«ĘÓƵ Club who enjoyed special events with speakers joined forces that year and obtained quarters on this narrow old thoroughfare, which runs for just a few blocks east and west, above Franklin Street and south of Centre, a short distance from Mount Vernon Place. The club grew slowly but confidently. It kept few records and still prides itself on having no officers and as few rules as possible. First occupying a carriage house at 9 West Hamilton Street, then a townhouse at no. 16, the club in 1936 purchased no. 14—the center building of a set of five designed and built by Robert Cary Long, Sr., probably before 1820—and has been there ever since.

The club continues, as originally it did, to draw members from journalism, architecture, medicine, the law, the arts, and scholarship. Founding and early members included, as examples, a juvenile court judge and head of Baltimore social services, Thomas J. S. Waxter; Dr. I. Ridgeway Trimble, a Baltimore native and Johns Hopkins Medical School graduate; the Haverford College star athlete and Harvard-trained member of the Baltimore bar, James Carey III; D. K. Este Fisher, a prominent Baltimore architect; former judge of the Maryland Court of Appeals William L. Henderson; a Cornell University graduate and physician, William F. Rienhoff Jr.; Hamilton Owens, editor of the Evening Sun; the Pulitzer-Prize-winning Sun cartoonist Edmund Duffy and other newspaper editors and writers, among them John W. Owens, Gerald W. Johnson, Frederic C. Nelson, Louis Azrael, William Manchester, and Robin Harriss; the Johns Hopkins research scientist and amateur musician Raymond Pearl; a Peabody concert pianist, Frank Bibb; George Boas, a distinguished Johns Hopkins University philosopher; Sidney Painter, renowned Johns Hopkins medievalist; a University of Maryland Law School dean, Robert H. Freeman; the writer/historian Hulbert Footner; Wilbur H. Hunter, director of the Peale Museum; John Dos Passos and Ogden Nash; and a succession of heads of the Johns Hopkins Medical School—Lewis Weed, Alan M. Chesney, Thomas B. Turner (who celebrated his one-hundredth birthday at the club in 2002), and Philip Bard. Gilbert Chinard, a student of French history and culture at Johns Hopkins, expounded on the delights of French cooking before taking a faculty position at Princeton. The editorial page editor and food critic at the Sunpapers, Philip M. Wagner, established Boordy Vineyards, the first successful vineyard in modern-day Maryland. William W. Woollcott, a free spirit and wit who worked for the family chemical company, once observed, "Here I am, the only businessman in the club, surrounded by parasites." In all, members have shared intellectual curiosity, irreverence, and a devotion to those fine things that deans of liberal arts colleges remind us to cherish—truth, justice, and beauty.

At mid-twentieth century, a Sunpapers columnist and early club member, Francis F. Beirne, published a volume entitled The Amiable Baltimoreans, in which he sketched a portrait of the club. Early in World War II, he reported, a member had explained to a guest that, at Hamilton Street, anyone was entitled to say anything he wanted and talk for as long as he wished, although no one had to listen. The visitor, Lord Lothian, announced that he knew of such a place at home—the House of Lords.

H. H. Walker Lewis, lawyer and anointed club scribe, wrote a delightful history of the club on its fiftieth anniversary in 1975. Not long afterward the club departed long practice and admitted women. To capture the story of that decision and the searching it inspired, Bradford McE. Jacobs, an Evening Sun editorial page editor, contributed a mock-heroic codicil to Walker’s history entitled "A Chronicle of a Certain Episode Which Occurred at Fourteen West Hamilton Street."

Official Website

Street Address

14 W. Hamilton Street, Baltimore, MD 21201
]]>
/items/show/322 <![CDATA[Roosevelt Park and the FRP]]> 2018-11-27T10:33:53-05:00

Dublin Core

Title

Roosevelt Park and the FRP

Subject

Parks and Landscapes

Creator

Allen Hicks

Curatescape Story Item Type Metadata

Story

Today, Roosevelt Park is a quiet, green space with mature trees, playing fields, gardens, a recreation center, and a community skate park. The park dates back to the late nineteenth century when it was known as West Park. In 1920, a year after it was incorporated into the 91ĚŇÉ«ĘÓƵ City Recreation and Parks system, the site was rededicated as Roosevelt Park.

A large part of the park was for many years completely under water and served as an important reservoir for North Baltimore. When the Jones Falls Expressway was built during the 1960s and 1970s, the extra dirt was used to fill in the reservoir. Initially the city planned to turn the filled in reservoir into a department of Aviation heliport, but public outcry forced them to retract the project.

In 1997, it was rumored that Mayor Kurt Schmoke planned to sell the eighteen acre Roosevelt Park to developers to build luxury condominiums and turn the recreation center—an important community meeting space for residents since 1911—into a PAL (Police Athletic League). The mayor himself would not comment on the plan, but many Hampden residents were nevertheless worried about the future of the park and its aging recreation center.

In response, Hampden resident Allen Hicks founded a community action group called the Friends of Roosevelt Park (FRP). During a media event in 2001, more than 500 Hampden residents held hands in a giant circle around the park, protesting the city’s intentions. Additionally, the FRP gathered 1,000 signatures for a petition and reached out to the 42nd Maryland District representatives for assistance in the campaign. Additionally, the Knott Foundation provided the initial funding for a monthly newsletter.

Over the next several years the Friends of Roosevelt Park held many public meetings to determine what the people liked and did not like about Roosevelt Park. They also met with city officials, budget experts, outside consultants and the Baltimore Development Corporations (through its participation in the Baltimore Main Street program). These meetings led to the creation of a master plan for Roosevelt Park in 2003, including expanded public gardens, new playing fields, a skate park, a $700,000 renovation of the Roosevelt Park recreation center, a $2 million swimming pool complex, $100,000 for a new children’s playground, and a $500,000 bond issue on the election ballot.

Official Website

Street Address

1221 W. 36th Street, Baltimore, MD 21211
]]>
/items/show/321 <![CDATA[Hampden Branch, Enoch Pratt Free Library]]> 2019-05-09T21:29:16-04:00

Dublin Core

Title

Hampden Branch, Enoch Pratt Free Library

Subject

Libraries

Creator

Nathan Dennies

Curatescape Story Item Type Metadata

Subtitle

Robert Poole's Gift to Hampden Readers

Lede

Enoch Pratt Free Library Branch No. 7 opened its doors on July 2, 1900, 17 years after industrialist Robert Poole and fellow businessmen established Woodberry’s first community library. In 1899, Poole donated the land, the books from the old library, and $25,000 towards erecting the new branch of Enoch Pratt Free Library on Falls Road.

Story

The doors at Branch No. 7 of the Enoch Pratt Free Library opened to patrons on July 2, 1900, seventeen years after industrialist Robert Poole and fellow businessmen established Woodberry’s first community library. In 1899, Poole donated land across the street from his Maple Hill estate, the books from the old library, and $25,000 towards the construction of the new building on Falls Road.

The library’s architect Joseph Evans Sperry designed a number of significant buildings along with partner John Wyatt. The firm’s work including the Bromo Seltzer Tower and the Mercantile Trust and Deposit Building. The neoclassical design of the library was a departure from the Romanesque style of the original six library branches, designed by Sperry's former boss, architect Charles Carson. Poole's foundry located down the hill in Woodberry provided the ionic columns for the library. More famously, in the 1850s, the foundry cast the columns of the peristyle of the U.S. Capitol Building dome.

In order to increase circulation in the busy mill town, the library advertised the new branch with slips placed in workers' pay envelopes. The library also carried reference books on textile manufacturing as requested by residents. When the mills were at their busiest, the library had to find new ways to attract visitors. The library also faced competition from new sources of entertainment to Hampden such as a bowling alley, pool room, and movie theater. Up until 1915, the library shared the building with Provident Savings Bank. When the bank moved to 36th Street, the library tore down the wall that had separated the the reading room from the bank to create a new auditorium for lectures.

One of the more elaborate ways the library attracted visitors was the 1917 Garden Exhibit and Harvest Exhibition. During the Garden Exhibit in the spring, librarians handed out packets of seeds to patrons and nurtured a garden of their own behind the library. In an annual report, the branch manager noted that the staff found gardening surprisingly interesting. They were taken in by the excitement of coming to work and seeing plants that had grown as much as an inch taller overnight. The Harvest Exhibition took place in the fall, offering residents a miniature county fair with lectures on canning and gardening and contests for the best crops.

In 1936, Works Progress Administration (WPA) funds were used to double the size of the Hampden Library. Today, the library remains both an architectural landmark and community resource for area residents.

Official Website

Street Address

3641 Falls Road, Baltimore, MD 21211
]]>
/items/show/320 <![CDATA[Mayor's Christmas Parade]]>
Kerr hoped the parade would bring positive attention to Hampden. Mt. Vernon Mill Company closed its last remaining mill in Hampden-Woodberry that year, marking the end of the textile industry in the area. The first parade was far more modest than the department store extravagance of the Toytown parade, and Kerr was only able to secure a single Santa Claus float and six marching bands. Nonetheless, the parade drew a large crowd and was considered a success. As of 2013, Kerr has been organizing the event for forty-one years.

Every year the parade elects a Grand Marshall. Past prominent figures to hold the title include baseball legend Brooks Robinson in 1978, and more recently, John Astin, famous for his role as Gomez in The Addams Family. Schaeffer made a number of appearances as mayor and came back as Grand Marshall after becoming governor. In 1980, spectators were baffled to see his yellow Cadillac moving toward Thirty-sixth Street without him. The convertible left while he was giving a speech and he quickly darted across the street, ran through an alley, and ducked under a police barrier to cut off the ride for his own parade.

Today, the two-and-a-half mile long parade attracts nearly 25,000 spectators, 160 marching units, and a variety of eclectic floats. Although the parade has grown, it continues to be a community effort. Ninety-five percent of Hampden businesses donate money to the parade. Kerr, who is locally known as the unofficial mayor of Hampden, has recently expressed interest in stepping down from his position, but doubts he will ever be completely detached from the parade.
]]>
2018-11-27T10:33:53-05:00

Dublin Core

Title

Mayor's Christmas Parade

Subject

Neighborhood Traditions

Description

William Donald Schaeffer approached Tom Kerr, head of the old Hampden Business Association, in 1972 to organize the Mayor's Christmas Parade. The parade would be Schaeffer's answer to the Hochschild-Kohn Toytown Parade which drew thousands of spectators for thirty years on Thanksgiving Day, but stopped running in 1966. Schaeffer wanted the parade to be held downtown but Kerr insisted on having it in Hampden.

Kerr hoped the parade would bring positive attention to Hampden. Mt. Vernon Mill Company closed its last remaining mill in Hampden-Woodberry that year, marking the end of the textile industry in the area. The first parade was far more modest than the department store extravagance of the Toytown parade, and Kerr was only able to secure a single Santa Claus float and six marching bands. Nonetheless, the parade drew a large crowd and was considered a success. As of 2013, Kerr has been organizing the event for forty-one years.

Every year the parade elects a Grand Marshall. Past prominent figures to hold the title include baseball legend Brooks Robinson in 1978, and more recently, John Astin, famous for his role as Gomez in The Addams Family. Schaeffer made a number of appearances as mayor and came back as Grand Marshall after becoming governor. In 1980, spectators were baffled to see his yellow Cadillac moving toward Thirty-sixth Street without him. The convertible left while he was giving a speech and he quickly darted across the street, ran through an alley, and ducked under a police barrier to cut off the ride for his own parade.

Today, the two-and-a-half mile long parade attracts nearly 25,000 spectators, 160 marching units, and a variety of eclectic floats. Although the parade has grown, it continues to be a community effort. Ninety-five percent of Hampden businesses donate money to the parade. Kerr, who is locally known as the unofficial mayor of Hampden, has recently expressed interest in stepping down from his position, but doubts he will ever be completely detached from the parade.

Creator

Nathan Dennies

Relation

Curatescape Story Item Type Metadata

Story

William Donald Schaeffer approached Tom Kerr, head of the old Hampden Business Association, in 1972 to organize the Mayor's Christmas Parade. The parade would be Schaeffer's answer to the Hochschild-Kohn Toytown Parade which drew thousands of spectators for thirty years on Thanksgiving Day, but stopped running in 1966. Schaeffer wanted the parade to be held downtown but Kerr insisted on having it in Hampden.

Kerr hoped the parade would bring positive attention to Hampden. Mt. Vernon Mill Company closed its last remaining mill in Hampden-Woodberry that year, marking the end of the textile industry in the area. The first parade was far more modest than the department store extravagance of the Toytown parade, and Kerr was only able to secure a single Santa Claus float and six marching bands. Nonetheless, the parade drew a large crowd and was considered a success. As of 2013, Kerr has been organizing the event for forty-one years.

Every year the parade elects a Grand Marshall. Past prominent figures to hold the title include baseball legend Brooks Robinson in 1978, and more recently, John Astin, famous for his role as Gomez in The Addams Family. Schaeffer made a number of appearances as mayor and came back as Grand Marshall after becoming governor. In 1980, spectators were baffled to see his yellow Cadillac moving toward Thirty-sixth Street without him. The convertible left while he was giving a speech and he quickly darted across the street, ran through an alley, and ducked under a police barrier to cut off the ride for his own parade.

Today, the two-and-a-half mile long parade attracts nearly 25,000 spectators, 160 marching units, and a variety of eclectic floats. Although the parade has grown, it continues to be a community effort. Ninety-five percent of Hampden businesses donate money to the parade. Kerr, who is locally known as the unofficial mayor of Hampden, has recently expressed interest in stepping down from his position, but doubts he will ever be completely detached from the parade.

Official Website

Street Address

W. 36th Street, Baltimore, MD 21211
]]>
/items/show/319 <![CDATA[The Rotunda]]>
The Maryland Casualty Company purchased the Dulin Estate in 1919 and established on the twenty-five acres an extensive business campus that included a number of impressive amenities, including a clubhouse with a dining room, an auditorium that could seat 1,500 guests, a landscaped park, tennis courts, and a baseball diamond. The idea was to provide workers with an idyllic business campus removed from the hustle and bustle of the downtown area. What is now known as the Rotunda was the company's administration building. The H-shaped building features a distinct bell tower and clock that exists today as a landmark of the Hampden community.

The Rotunda was nearly demolished in 1969 after the Maryland Casualty Company outgrew the four-story building. They considered erecting a larger office building in its place, but developer Bernard Manekin convinced the company to turn it into a retail and office space. The result was one of Baltimore's first adaptive reuse projects and grew to include a shopping mall, movie theater, office spaces, and a grocery store.

In 2005, the shopping center had already fallen into decline and New Jersey based developer Hakemian and Company bought the property. They began planning a mixed-use redevelopment project on the site that would transform the historic location into an upscale residential/commercial campus. The project stayed in the planning phase for eight years due to a national recession and community concerns. A coalition of neighborhood councils formed the Mill Valley Community Council to push back against the new development. Amongst a number of concerns, community leaders felt that the new Rotunda was not being designed to serve neighborhood residents and that new retail stores would take business away from the local establishments on Hampden’s "Avenue."

In September 2013, Hakemian and Co. broke ground on the site. The construction will bring new retail and living spaces to the Rotunda, as well as parking garages. Supporters argue that the development will breathe new life into the Rotunda and revitalize the struggling shopping mall inside, and according to the project’s website, "will mark the return of a Baltimore landmark."]]>
2021-08-05T09:52:25-04:00

Dublin Core

Title

The Rotunda

Subject

Architecture

Description

The construction of the Rotunda in 1921 marked a radical change in the design of business campuses in the twentieth century. Traditionally, businesses in the banking industry were located in dense downtown financial districts. The Maryland Casualty Company changed this notion after outgrowing its Tower Building at 222 E. Baltimore Street and moving to the more residential Hampden neighborhood. It set the example for future suburban business campuses and helped rein in an era of pastoral capitalism.

The Maryland Casualty Company purchased the Dulin Estate in 1919 and established on the twenty-five acres an extensive business campus that included a number of impressive amenities, including a clubhouse with a dining room, an auditorium that could seat 1,500 guests, a landscaped park, tennis courts, and a baseball diamond. The idea was to provide workers with an idyllic business campus removed from the hustle and bustle of the downtown area. What is now known as the Rotunda was the company's administration building. The H-shaped building features a distinct bell tower and clock that exists today as a landmark of the Hampden community.

The Rotunda was nearly demolished in 1969 after the Maryland Casualty Company outgrew the four-story building. They considered erecting a larger office building in its place, but developer Bernard Manekin convinced the company to turn it into a retail and office space. The result was one of Baltimore's first adaptive reuse projects and grew to include a shopping mall, movie theater, office spaces, and a grocery store.

In 2005, the shopping center had already fallen into decline and New Jersey based developer Hakemian and Company bought the property. They began planning a mixed-use redevelopment project on the site that would transform the historic location into an upscale residential/commercial campus. The project stayed in the planning phase for eight years due to a national recession and community concerns. A coalition of neighborhood councils formed the Mill Valley Community Council to push back against the new development. Amongst a number of concerns, community leaders felt that the new Rotunda was not being designed to serve neighborhood residents and that new retail stores would take business away from the local establishments on Hampden’s "Avenue."

In September 2013, Hakemian and Co. broke ground on the site. The construction will bring new retail and living spaces to the Rotunda, as well as parking garages. Supporters argue that the development will breathe new life into the Rotunda and revitalize the struggling shopping mall inside, and according to the project’s website, "will mark the return of a Baltimore landmark."

Creator

Nathan Dennies

Source

Lauren Schiszik, CHAP Staff. "91ĚŇÉ«ĘÓƵ City Exterior Landmark Eligibility Summary: Maryland Casualty Company Buildings."

Contributor

Nathan Dennies

Relation

Lauren Schiszik, CHAP Staff. "91ĚŇÉ«ĘÓƵ City Exterior Landmark Eligibility Summary: Maryland Casualty Company Buildings."

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Story

The construction of the Rotunda in 1921, designed by architects Simonson & Pietsch in the neo-Georgian style, marked a radical change in the design of business campuses in the twentieth century. Traditionally, businesses in the banking industry were located in dense downtown financial districts. The Maryland Casualty Company changed this notion after outgrowing its Tower Building at 222 E. Baltimore Street and moving to the more residential Hampden neighborhood. It set the example for future suburban business campuses and helped rein in an era of pastoral capitalism.

The Maryland Casualty Company purchased the Dulin Estate in 1919 and established on the twenty-five acres an extensive business campus that included a number of impressive amenities, including a clubhouse with a dining room, an auditorium that could seat 1,500 guests, a landscaped park, tennis courts, and a baseball diamond. The idea was to provide workers with an idyllic business campus removed from the hustle and bustle of the downtown area. What is now known as the Rotunda was the company's administration building. The H-shaped building features a distinct bell tower and clock that exists today as a landmark of the Hampden community.

The Rotunda was nearly demolished in 1969 after the Maryland Casualty Company outgrew the four-story building. They considered erecting a larger office building in its place, but developer Bernard Manekin convinced the company to turn it into a retail and office space. The result was one of Baltimore's first adaptive reuse projects and grew to include a shopping mall, movie theater, office spaces, and a grocery store.

In 2005, the shopping center had already fallen into decline and New Jersey based developer Hekemian and Company bought the property. They began planning a mixed-use redevelopment project on the site that would transform the historic location into an upscale residential/commercial campus. The project stayed in the planning phase for eight years due to a national recession and community concerns. A coalition of neighborhood councils formed the Mill Valley Community Council to push back against the new development. Amongst a number of concerns, community leaders felt that the new Rotunda was not being designed to serve neighborhood residents and that new retail stores would take business away from the local establishments on Hampden’s "Avenue."

In September 2013, Hekemian and Co. broke ground on the site. The construction will bring new retail and living spaces to the Rotunda, as well as parking garages. Supporters argue that the development will breathe new life into the Rotunda and revitalize the struggling shopping mall inside, and according to the project’s website, "will mark the return of a Baltimore landmark."

Related Resources

Lauren Schiszik, CHAP Staff. "91ĚŇÉ«ĘÓƵ City Exterior Landmark Eligibility Summary: Maryland Casualty Company Buildings."

Official Website

Street Address

711 W. 40th Street, Baltimore, MD 21211
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/items/show/313 <![CDATA[Lockerman-Bundy Elementary School]]> 2018-11-27T10:33:53-05:00

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Title

Lockerman-Bundy Elementary School

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Lede

Despite its modern building, the history of Lockerman-Bundy Elementary School dates back to the 1890s.

Story

The school is named for Joseph Harrison Lockerman (1864-1923), a graduate of the Centenary Biblical Institute (now Morgan State University) who in 1911 became Vice Principal of the new Colored High and Training School for African American teachers (now Coppin State University). Two years later, the training school moved into the upper floors of the new Public School 100 located at 229 North Mount Street.

When the school relocated to Pulaski Street in 1976, the name expanded to honor Mrs. Walter A. Bundy (1904-1965). A graduate of Coppin State in 1918, Mrs. Bundy’s teaching career in Baltimore’s black schools spanned over four decades.

Official Website

Street Address

301 N. Pulaski Street, Baltimore, MD 21223
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/items/show/312 <![CDATA[The Bridge Theater]]> 2019-05-10T22:45:25-04:00

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Title

The Bridge Theater

Subject

Entertainment

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Story

One of the area’s earliest movie theaters, "The Bridge" opened in May 1915, seating seven hundred patrons and featuring Paramount Pictures films. Under the management of Edmondson Amusement Company president, Louis Schilchter, the Bridge Theater offered more than just movies. Schilchter hosted everything from song and dance shows to a community gathering to honor soldiers returning from WWI. After an explosion in 1930 damaged the side of the building, the theater rebuilt and continued to operate until 1968.

Since 1970, the building has been used as a church and is presently home to the Life Celebration Center.

Street Address

2100 Edmondson Avenue, Baltimore, MD 21223
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