/items/browse/page/13?output=atom <![CDATA[91ĚŇÉ«ĘÓƵ]]> 2025-08-21T07:10:00-04:00 Omeka /items/show/254 <![CDATA[Greater Rosemont and the Movement Against Destruction]]>
To the west of the station, between Franklin Street and Edmondson Avenue stand 880 houses condemned by Baltimore officials for the proposed construction of the East-West Expressway in the late 1960s, little more than a decade after African Americans had seized the opportunity to acquire homes in neighborhoods formerly closed to them. Witnessing the process immediately to the east where condemnation already had occurred (and demolition was imminent) for the artery to be built between Franklin and Mulberry Streets, Greater Rosemont residents became active in the Relocation Action Movement, which united with others opposing various sections of the proposed expressway system across the city under the banner of MAD.

In April 1968, civil disturbances convulsed the city in the aftermath of the assassination of Martin Luther King, Jr., adding to the general climate of heightened social tension between Baltimore’s citizens and its officials. For RAM, the highway threat was a civil rights issue. As an example, when the group’s proposal for an underground roadway to spare residences was rejected on the grounds that it would be too expensive, a member exclaimed, “It always has been expensive to operate a segregated society.” James Dilts, in a series of articles in the Sun that year, decried the logic of the expressway plan, which he believed amounted to destroying parts of the city and harming its residents, even as it promised to improve the city. Late in 1968, mounting opposition to the Greater Rosemont route led Mayor Thomas D’Alesandro, III, to propose an alternative that would bypass the affected neighborhoods by following a route along the railroad line to the south. However, the following year, when the city announced a plan to sell the formerly condemned houses back to their original owners, only half took up the offer, the remainder having decided to move out for good. A 1970 Sun article referred to Rosemont as “a once stable middle-class Negro community which was devastated by plans to build the East-West Expressway through its core.” ]]>
2021-05-05T20:06:33-04:00

Dublin Core

Title

Greater Rosemont and the Movement Against Destruction

Subject

Transportation

Description

Today, the parking lot of the West Baltimore MARC Station and the concrete highway lanes to the east dominate this site, symbols both of the weight of the past and prospects for the future. In the 1970s major demolition occurred in the corridor to the east to build the first leg in a proposed East-West expressway, envisioned as the eastern extension of Interstate 70. The route was to proceed west along a corridor directly through the Greater Rosemont communities and continue on through the heart of Gwynns Falls/Leakin Park. African-American residents in this section of the city fought the road plan under the banner of RAM (Relocation Action Movement). The organization joined with city-wide expressway opponents under the umbrella of MAD (the Movement Against Destruction), a coalition that cut across lines of race, class, and differing interests in opposition to various sections of the proposed expressway system. In the late 1960s houses along the corridor to the west of this site were condemned by the city for the proposed highway. However, mounting protests initially forced the decision to designate an alternate route and eventually to abandon the section through Greater Rosemont and the parks to the west altogether. Soon, the one-mile stretch of expressway that was completed with such controversy and such cost--economic as well as social--was being called “The Road to Nowhere.”

To the west of the station, between Franklin Street and Edmondson Avenue stand 880 houses condemned by Baltimore officials for the proposed construction of the East-West Expressway in the late 1960s, little more than a decade after African Americans had seized the opportunity to acquire homes in neighborhoods formerly closed to them. Witnessing the process immediately to the east where condemnation already had occurred (and demolition was imminent) for the artery to be built between Franklin and Mulberry Streets, Greater Rosemont residents became active in the Relocation Action Movement, which united with others opposing various sections of the proposed expressway system across the city under the banner of MAD.

In April 1968, civil disturbances convulsed the city in the aftermath of the assassination of Martin Luther King, Jr., adding to the general climate of heightened social tension between Baltimore’s citizens and its officials. For RAM, the highway threat was a civil rights issue. As an example, when the group’s proposal for an underground roadway to spare residences was rejected on the grounds that it would be too expensive, a member exclaimed, “It always has been expensive to operate a segregated society.” James Dilts, in a series of articles in the Sun that year, decried the logic of the expressway plan, which he believed amounted to destroying parts of the city and harming its residents, even as it promised to improve the city. Late in 1968, mounting opposition to the Greater Rosemont route led Mayor Thomas D’Alesandro, III, to propose an alternative that would bypass the affected neighborhoods by following a route along the railroad line to the south. However, the following year, when the city announced a plan to sell the formerly condemned houses back to their original owners, only half took up the offer, the remainder having decided to move out for good. A 1970 Sun article referred to Rosemont as “a once stable middle-class Negro community which was devastated by plans to build the East-West Expressway through its core.”

Creator

Dr. Edward Orser

Curatescape Story Item Type Metadata

Story

Today, the parking lot of the West Baltimore MARC Station and the concrete highway lanes to the east dominate this site, symbols both of the weight of the past and prospects for the future.

In the 1970s major demolition occurred in the corridor to the east to build the first leg in a proposed East-West expressway, envisioned as the eastern extension of Interstate 70. The route was to proceed west along a corridor directly through the Greater Rosemont communities and continue on through the heart of Gwynns Falls/Leakin Park. African American residents in this section of the city fought the road plan under the banner of RAM (Relocation Action Movement). The organization joined with city-wide expressway opponents under the umbrella of MAD (the Movement Against Destruction), a coalition that cut across lines of race, class, and differing interests in opposition to various sections of the proposed expressway system. In the late 1960s, the city condemned hundreds of houses along the corridor to the west of this site for the proposed highway. However, mounting protests initially forced the decision to designate an alternate route and eventually to abandon the section through Greater Rosemont and the parks to the west altogether. Soon, the one-mile stretch of expressway that was completed with such controversy and such cost—economic as well as social—was being called “The Road to Nowhere.”

To the west of the station, between Franklin Street and Edmondson Avenue stand 880 houses condemned by Baltimore officials for the proposed construction of the East-West Expressway in the late 1960s, little more than a decade after African Americans had seized the opportunity to acquire homes in neighborhoods formerly closed to them. Witnessing the process immediately to the east where condemnation already had occurred (and demolition was imminent) for the artery to be built between Franklin and Mulberry Streets, Greater Rosemont residents became active in the Relocation Action Movement, which united with others opposing various sections of the proposed expressway system across the city under the banner of MAD.

In April 1968, civil disturbances convulsed the city in the aftermath of the assassination of Martin Luther King, Jr., adding to the general climate of heightened social tension between Baltimore’s citizens and its officials. For RAM, the highway threat was a civil rights issue. As an example, when the group’s proposal for an underground roadway to spare residences was rejected on the grounds that it would be too expensive, a member exclaimed, “It always has been expensive to operate a segregated society.” James Dilts, in a series of articles in the Sun that year, decried the logic of the expressway plan, which he believed amounted to destroying parts of the city and harming its residents, even as it promised to improve the city.

Late in 1968, mounting opposition to the Greater Rosemont route led Mayor Thomas D’Alesandro, III, to propose an alternative that would bypass the affected neighborhoods by following a route along the railroad line to the south. However, the following year, when the city announced a plan to sell the formerly condemned houses back to their original owners, only half took up the offer, the remainder having decided to move out for good. A 1970 Sun article referred to Rosemont as “a once stable middle-class Negro community which was devastated by plans to build the East-West Expressway through its core.”

Street Address

W. Franklin Street and N. Pulaski Street, Baltimore, MD 21223
]]>
/items/show/253 <![CDATA[Union Memorial United Methodist Church]]>
“Gothic in design, with an auditorium seating 800 persons. In addition, there will be an educational building, equipped with 10 rooms for Sunday-school work. In the basement will be a social hall. A recreation room with bowling alleys and a lecture room that may be converted into a gymnasium also are planned.”

At a mortgage burning ceremony in 1947, Fellenbaum recalled that some criticized the project, and the $100,000 mortgage, as “Fellenbaum’s Folly.” The congregation laid the cornerstone for the new building at 4:00 PM on May 2, 1925. The Harlem Park Methodist Episcopal Church was dedicated at 3:00 PM on November 21, 1926 with Bishop William Fraser McDowell officiating.

In May 1953, the Harlem Park Methodist Church merged with the Grove Methodist Chapel, erected in 1857 on Johnnycake Road in 91ĚŇÉ«ĘÓƵ County, to form the Wesley Memorial Methodist Church in Catonsville, Maryland. Their building was offered for sale at $210,000. Bishop E.A. Love of the Washington Conference appointed the Reverend N.B. Carrington as the leader of the Union Memorial United Methodist Church and assisted in securing help from the Washington and 91ĚŇÉ«ĘÓƵ Conferences and the Board of Missions to purchase the property.

The church had previously moved from Pine and Franklin Streets to North and Madison Avenues in 1951 and had fewer than 100 members when it moved to Harlem Avenue in 1953. By the time of Rev. Carrington’s retirement in 1961, however, the church had grown to over 600 members. Carrigton began pastoring at Union Memorial United Methodist in 1952, and also worked as the supervisor of the AFRO’s pressroom. He later commented, “I married, baptized and buried many of them down there -- matter of fact they call me the AFRO’s chaplain.” Commenting on the success of the church in paying off the building’s $225,000 mortgage in 8 years, Carrington noted, “Those are the kind of people we have in our congregation. They wanted to get it out of the way and they worked hard to do it.”]]>
2018-11-27T10:33:52-05:00

Dublin Core

Title

Union Memorial United Methodist Church

Subject

Religion

Description

Organized in 1875 by Samuel H. Cummings at Gilmore and Mulberry Streets, the Harlem Park Methodist Episcopal Church relocated to Harlem Park in 1880 under the leadership of John F. Goucher. The church constructed a new building in 1906 under the leadership of Rev. E.L. Watson and then moved again to Harlem Avenue and Warwick Avenue under the leadership of Rev. E.P. Fellenbaum. The new building was described:

“Gothic in design, with an auditorium seating 800 persons. In addition, there will be an educational building, equipped with 10 rooms for Sunday-school work. In the basement will be a social hall. A recreation room with bowling alleys and a lecture room that may be converted into a gymnasium also are planned.”

At a mortgage burning ceremony in 1947, Fellenbaum recalled that some criticized the project, and the $100,000 mortgage, as “Fellenbaum’s Folly.” The congregation laid the cornerstone for the new building at 4:00 PM on May 2, 1925. The Harlem Park Methodist Episcopal Church was dedicated at 3:00 PM on November 21, 1926 with Bishop William Fraser McDowell officiating.

In May 1953, the Harlem Park Methodist Church merged with the Grove Methodist Chapel, erected in 1857 on Johnnycake Road in 91ĚŇÉ«ĘÓƵ County, to form the Wesley Memorial Methodist Church in Catonsville, Maryland. Their building was offered for sale at $210,000. Bishop E.A. Love of the Washington Conference appointed the Reverend N.B. Carrington as the leader of the Union Memorial United Methodist Church and assisted in securing help from the Washington and 91ĚŇÉ«ĘÓƵ Conferences and the Board of Missions to purchase the property.

The church had previously moved from Pine and Franklin Streets to North and Madison Avenues in 1951 and had fewer than 100 members when it moved to Harlem Avenue in 1953. By the time of Rev. Carrington’s retirement in 1961, however, the church had grown to over 600 members. Carrigton began pastoring at Union Memorial United Methodist in 1952, and also worked as the supervisor of the AFRO’s pressroom. He later commented, “I married, baptized and buried many of them down there -- matter of fact they call me the AFRO’s chaplain.” Commenting on the success of the church in paying off the building’s $225,000 mortgage in 8 years, Carrington noted, “Those are the kind of people we have in our congregation. They wanted to get it out of the way and they worked hard to do it.”

Creator

Eli Pousson

Curatescape Story Item Type Metadata

Story

Organized in 1875 by Samuel H. Cummings at Gilmore and Mulberry Streets, the Harlem Park Methodist Episcopal Church relocated to Harlem Park in 1880 under the leadership of John F. Goucher. The church constructed a new building in 1906 under the leadership of Rev. E.L. Watson and then moved again to Harlem Avenue and Warwick Avenue under the leadership of Rev. E.P. Fellenbaum. The new building was described:

“Gothic in design, with an auditorium seating 800 persons. In addition, there will be an educational building, equipped with 10 rooms for Sunday-school work. In the basement will be a social hall. A recreation room with bowling alleys and a lecture room that may be converted into a gymnasium also are planned.”

At a mortgage burning ceremony in 1947, Fellenbaum recalled that some criticized the project, and the $100,000 mortgage, as “Fellenbaum’s Folly.” The congregation laid the cornerstone for the new building at 4:00 PM on May 2, 1925. The Harlem Park Methodist Episcopal Church was dedicated at 3:00 PM on November 21, 1926 with Bishop William Fraser McDowell officiating.

In May 1953, the Harlem Park Methodist Church merged with the Grove Methodist Chapel, erected in 1857 on Johnnycake Road in 91ĚŇÉ«ĘÓƵ County, to form the Wesley Memorial Methodist Church in Catonsville, Maryland. Their building was offered for sale at $210,000. Bishop E.A. Love of the Washington Conference appointed the Reverend N.B. Carrington as the leader of the Union Memorial United Methodist Church and assisted in securing help from the Washington and 91ĚŇÉ«ĘÓƵ Conferences and the Board of Missions to purchase the property.

The church had previously moved from Pine and Franklin Streets to North and Madison Avenues in 1951 and had fewer than 100 members when it moved to Harlem Avenue in 1953. By the time of Rev. Carrington’s retirement in 1961, however, the church had grown to over 600 members. Carrigton began pastoring at Union Memorial United Methodist in 1952, and also worked as the supervisor of the AFRO’s pressroom. He later commented, “I married, baptized and buried many of them down there — matter of fact they call me the AFRO’s chaplain.” Commenting on the success of the church in paying off the building’s $225,000 mortgage in 8 years, Carrington noted, “Those are the kind of people we have in our congregation. They wanted to get it out of the way and they worked hard to do it.”

Official Website

Street Address

2500 Harlem Avenue, Baltimore, MD 21216
]]>
/items/show/252 <![CDATA[St. Mark's Institutional Baptist Church]]> 2018-11-27T10:33:52-05:00

Dublin Core

Title

St. Mark's Institutional Baptist Church

Subject

Religion

Creator

Eli Pousson

Curatescape Story Item Type Metadata

Subtitle

The Former Immanuel Reformed Church

Story

At a ground-breaking ceremony for the Immanuel Reformed Church on June 24, 1922, twelve trustees, including Charles C. Zies, Sr. and John H. Weller, signed a contract for the construction of the new building. Plans filed a few days later for a white marble structure with a capacity of 750 people at a cost of $50,000. In May 1924, the new building served as the site of celebration for the “golden jubilee” of the 91ĚŇÉ«ĘÓƵ Classis of the German Synod of the East of the Reformed Church in the United States, including lectures by Rev. Dr. H.G. Schlueter on “The Historical Background of 91ĚŇÉ«ĘÓƵ Classis” and Rev. J.G. Grimmer on “91ĚŇÉ«ĘÓƵ Classis Then and Now.” A classis is an organization of pastors and elders that governs a group of local churches.

In the late 1950s, the church followed others in the neighborhood in a move away from the area, breaking ground on April 7, 1957 at a site on Edmondson Avenue west of Rolling Road in Catonsville. The new building is a “contemporary brick church.” By 1958, the building was home to St. Mark’s Baptist Church, also known as St. Mark’s Institutional Baptist Church, that continues to worship at the building up through the present.

Street Address

655 N. Bentalou Street, Baltimore, MD 21216
]]>
/items/show/251 <![CDATA[Perkins Square Baptist Church]]>
Alfred Cookman Leach graduated from the Maryland Institute Freehand Division in 1896 and worked as a partner of the firm of Tormey and Leach. Examples of Leach’s religious buildings can be found across the city including the Highland Methodist Episcopal Church (built 1906) at Highland and Pratt Streets, the Trinity Methodist Episcopal Church South (built 1927) on Liberty Heights Avenue, and the Alpheus W. Wilson Methodist Episcopal Church South (built 1927) at University Parkway and Charles Street.

Established in 1888, the Emmanuel English Evangelical Lutheran Church had formerly occupied a building at the corner of Schroeder and Pierce Streets. Pastors from ten Evangelical Lutheran Churches throughout Baltimore participated in the cornerstone laying ceremony on July 13, 1913. The church had organized the first of a series of outdoor services the prior Sunday and planned to continue outdoor meetings at the site of their new building through July and August. Within the cornerstone, at the southeast corner of the building, the church placed, copies of The Baltimore Sun, the church constitution, the proceedings of the last synod, a list of officers of the congregation, a hymnal and a bible.

In the decade after WWII, the church, like many largely white congregations in the area, moved west to new neighborhoods at the developing western edge of Baltimore. Under the leadership of Reverend George Loose, Emmanuel Lutheran Church dedicated a new church on Ingleside Avenue in 1957 leaving their building at Edmondson and Warwick to Perkins Square Baptist Church.

Perkins Square Baptist Church was established in 1881 and takes its name from a small park and fresh-water spring located in the area of Heritage Crossing today. The congregation quickly grew to become one of the largest black Baptist churches in Baltimore and hosted regular community meetings, including a 1905 rally to campaign against the "Poe amendment" proposed by Senator Arthur Pue Gorman and the Maryland Democratic Party to disenfranchise black voters in Maryland. Virginia native Ward D. Yerby became pastor of the church in 1970 and led the move west to purchase the new church in January 1956. Rev. Yerby served as executive secretary of the Governor's Commission on Interracial Problems and Relations in the late 1950s.]]>
2018-11-27T10:33:52-05:00

Dublin Core

Title

Perkins Square Baptist Church

Subject

Religion

Description

Perkins Square Baptist Church has been an institution on Edmondson Avenue since the mid-1950s occupying a grey stone church that began in 1913 as Emmanuel English Evangelical Lutheran Church. The two-story tall church was designed by local architect A. Cookman Leach and built by C.C. Watts.

Alfred Cookman Leach graduated from the Maryland Institute Freehand Division in 1896 and worked as a partner of the firm of Tormey and Leach. Examples of Leach’s religious buildings can be found across the city including the Highland Methodist Episcopal Church (built 1906) at Highland and Pratt Streets, the Trinity Methodist Episcopal Church South (built 1927) on Liberty Heights Avenue, and the Alpheus W. Wilson Methodist Episcopal Church South (built 1927) at University Parkway and Charles Street.

Established in 1888, the Emmanuel English Evangelical Lutheran Church had formerly occupied a building at the corner of Schroeder and Pierce Streets. Pastors from ten Evangelical Lutheran Churches throughout Baltimore participated in the cornerstone laying ceremony on July 13, 1913. The church had organized the first of a series of outdoor services the prior Sunday and planned to continue outdoor meetings at the site of their new building through July and August. Within the cornerstone, at the southeast corner of the building, the church placed, copies of The Baltimore Sun, the church constitution, the proceedings of the last synod, a list of officers of the congregation, a hymnal and a bible.

In the decade after WWII, the church, like many largely white congregations in the area, moved west to new neighborhoods at the developing western edge of Baltimore. Under the leadership of Reverend George Loose, Emmanuel Lutheran Church dedicated a new church on Ingleside Avenue in 1957 leaving their building at Edmondson and Warwick to Perkins Square Baptist Church.

Perkins Square Baptist Church was established in 1881 and takes its name from a small park and fresh-water spring located in the area of Heritage Crossing today. The congregation quickly grew to become one of the largest black Baptist churches in Baltimore and hosted regular community meetings, including a 1905 rally to campaign against the "Poe amendment" proposed by Senator Arthur Pue Gorman and the Maryland Democratic Party to disenfranchise black voters in Maryland. Virginia native Ward D. Yerby became pastor of the church in 1970 and led the move west to purchase the new church in January 1956. Rev. Yerby served as executive secretary of the Governor's Commission on Interracial Problems and Relations in the late 1950s.

Creator

Eli Pousson

Curatescape Story Item Type Metadata

Story

Perkins Square Baptist Church has been an institution on Edmondson Avenue since the mid-1950s occupying a grey stone church that began in 1913 as Emmanuel English Evangelical Lutheran Church. The two-story tall church was designed by local architect A. Cookman Leach and built by C.C. Watts.

Alfred Cookman Leach graduated from the Maryland Institute Freehand Division in 1896 and worked as a partner of the firm of Tormey and Leach. Examples of Leach’s religious buildings can be found across the city including the Highland Methodist Episcopal Church (built 1906) at Highland and Pratt Streets, the Trinity Methodist Episcopal Church South (built 1927) on Liberty Heights Avenue, and the Alpheus W. Wilson Methodist Episcopal Church South (built 1927) at University Parkway and Charles Street.

Established in 1888, the Emmanuel English Evangelical Lutheran Church had formerly occupied a building at the corner of Schroeder and Pierce Streets. Pastors from ten Evangelical Lutheran Churches throughout Baltimore participated in the cornerstone laying ceremony on July 13, 1913. The church had organized the first of a series of outdoor services the prior Sunday and planned to continue outdoor meetings at the site of their new building through July and August. Within the cornerstone, at the southeast corner of the building, the church placed, copies of The Baltimore Sun, the church constitution, the proceedings of the last synod, a list of officers of the congregation, a hymnal and a bible.

In the decade after WWII, the church, like many largely white congregations in the area, moved west to new neighborhoods at the developing western edge of Baltimore. Under the leadership of Reverend George Loose, Emmanuel Lutheran Church dedicated a new church on Ingleside Avenue in 1957 leaving their building at Edmondson and Warwick to Perkins Square Baptist Church.

Perkins Square Baptist Church was established in 1881 and takes its name from a small park and fresh-water spring located in the area of Heritage Crossing today. The congregation quickly grew to become one of the largest black Baptist churches in Baltimore and hosted regular community meetings, including a 1905 rally to campaign against the "Poe amendment" proposed by Senator Arthur Pue Gorman and the Maryland Democratic Party to disenfranchise black voters in Maryland. Virginia native Ward D. Yerby became pastor of the church in 1970 and led the move west to purchase the new church in January 1956. Rev. Yerby served as executive secretary of the Governor's Commission on Interracial Problems and Relations in the late 1950s.

Official Website

Street Address

2500 Edmondson Avenue, Baltimore, MD 21223
]]>
/items/show/250 <![CDATA[2500 block of Harlem Avenue]]> 2018-11-27T10:33:52-05:00

Dublin Core

Title

2500 block of Harlem Avenue

Subject

Neighborhoods

Creator

Dr. Edward Orser

Curatescape Story Item Type Metadata

Story

In 1967, the Baltimore Afro-American called the home in the 2500 block of Harlem Avenue "a typical slice of Baltimore:"

"The 2500 block of Harlem Avenue is a microcosm of middle-class Baltimore. . . . A visit to the neighborhood on a late summer afternoon caught the block in a typical setting. The tall, majestic greystone Union Memorial Church dominates the northwest corner of Harlem and Warwick Avenues. The row homes are separated from the tree-lined streets by carefully tended shrubbery and small neatly trimmed plots of lawn..."

"Warren Peck, at 2507, is an arts and crafts teacher for the Department of Education... He has lived in the area since 1952 when he was discharged from the Army [as a World War II and Korean War veteran] ... Like most of the residents in the block, he is a native Baltimorean... He worked as a Pullman porter for several years before he was drafted into the army, and later returned to the railroad. “There was good money in those days,” Mr. Peck maintains. As a matter of fact, it was primarily money saved up from his railroad work that enabled him to buy the home in 1952, he said. He paid $11,500 for the house when the neighborhood was undergoing a racial change... Mr. Peck is one of 11 teachers living in the 2500 block of Harlem Ave. Among the residents are at least two ministers, a nurse, two proprietors of beauty salons, three Social Security Administration employees, and a number of retired persons."

The article reported the statements of one of the only two white residents who remained on the block in 1967:

"Miss Julia Knoerr has lived with her two bachelor brothers there since 1926: 'The real estate people used to call me all the time, but I settled them–I made it clear that I didn’t intend to move anywhere. . . . I thought it was silly the way people began to move out [in the early 1950s], but some people will complain about anything.' . . . Contrary to claims of opponents of fair housing who say property value drops when integration comes, Miss Knoerr believes that property values have improved in the block over the past 15 years. 'Everybody takes more interest in keeping their places nicer than people used to,' she noted.”

Dr. J. Welfred Holmes, a Morgan State College (now University) professor of English lived at 2559 Harlem Ave. from the early 1950s to his death in 1968. The obituary in the Sun noted that he had earned his Ph.D. at the University of Pittsburgh, then taught at several historically black colleges before coming to Morgan in 1946. One of the co-founders of the Evergreen Protective Association, he also was active in Baltimore Neighborhoods, Inc. (a fair housing advocacy group) and the American Civil Liberties Union.

Street Address

2500 Harlem Avenue, Baltimore, MD 21216
]]>
/items/show/249 <![CDATA[James Mosher Elementary School]]> 2018-11-27T10:33:52-05:00

Dublin Core

Title

James Mosher Elementary School

Subject

Education

Creator

Dr. Edward Orser

Curatescape Story Item Type Metadata

Story

James Mosher Elementary (#144) was built in 1933. The original brick structure, facing Wheeler Avenue, was constructed in simple Art Deco style. In an era of segregation, it was designated a “white” school; children still were required to travel outside the neighborhood for junior high and high school.

In the early 1950s, Baltimore school officials were described as stunned by the scale and pace of racial change on the west side. A September 1952, Sun article reported a spokesperson as saying that “Baltimore never has known anything such as the population shift within the summer months.” The reporter went on to write:

“The ingress of Negro home owners and dwellers in hitherto white neighborhoods in northwest and northeast Baltimore during the summer months has presented a problem which is bound to perplex the School Board until some kind of relief can be obtained either through construction of new facilities or through the use of portables.”

School #144 was specifically identified as one of several schools where there had been “tremendous turnover” from white to black. By 1953 James Mosher–by then designated officially as a “colored” school–was reported to be tremendously overcrowded.

In 1954, immediately following the Supreme Court ruling that school segregation was unconstitutional, Baltimore public schools became the first formerly segregated major urban system to adopt a desegregation policy. The change had little practical effect on schools already virtually all-black, like James Mosher. In 1955 a much-needed addition was completed along Mosher Street in contemporary architectural style. By then school enrollment had surpassed 900, up from less than 400 a few years earlier.

Two new schools, built nearby in the 1960s, provided further evidence of the dramatic growth in the area’s school-age population. In 1960, Calverton Junior High was constructed on the western edge of the neighborhood. The massive complex housed four nearly self-contained units, each conceived as a “school within a school.” In 1963, Lafayette Elementary School was built, also on the west side. It closed as a standard elementary school in 2003 and reopened as the Empowerment Academy, a public charter school.

Official Website

Street Address

2400 W. Mosher Street, Baltimore, MD 21216
]]>
/items/show/248 <![CDATA[Saint James' Episcopal Church]]> 2019-06-26T15:44:04-04:00

Dublin Core

Title

Saint James' Episcopal Church

Subject

Religion

Curatescape Story Item Type Metadata

Story

Founded in 1824, St. James’ Episcopal Church is the nation’s second oldest African Episcopal congregation and the first Episcopal church organized by African Americans south of the Mason-Dixon line. Since 1932, the congregation has occupied a historic sanctuary at the northeast corner of Lafayette Square Park in West Baltimore.

Built for the Episcopal Church of the Ascension from quarry-faced, white, Beaver Dam marble, the building was designed by the Baltimore architecture firm of Hutton & Murdoch. In 1866, the church left their original 1840 building on Lexington Street near Pine for a corner lot in what was then one of Baltimore’s emerging, fashionable neighborhoods. The structure is sparingly ornamented on the exterior, relying mostly on texture, repetition, a limited repertory of Gothic revival architectural motifs (buttresses, pointed arches, a rose or “wheel” window, and stained glass), and a massive gable roof to communicate a sense of religiosity and permanence. The building originally featured a wood-framed spire atop its northwest tower rising to a height of 120 feet. In 1876, the church added on a parish house designed by architect Frank E. Davis which shows a keen sensitivity to Hutton & Murdoch’s 1867 Gothic revival design.

In 1932, the Church of the Ascension sold the building and St. James’ Episcopal Church, then led by Rev. George Bragg, moved to Lafayette Square. Rev. Bragg may be little-known by most Baltimoreans today, but he served as pastor of St. James Church for over forty years. His visionary leadership of St. James is matched by his legacy as a co-founder of the Afro-American newspaper, as well as an historian and a political advocate. His life and work reflected the growing strength of Baltimore’s black community in the early 1900s.

Born in North Carolina on January 25, 1863, George Freeman Bragg's early years were shaped by the Civil War and Reconstruction. Ordained as a deacon in Virginia in 1887, Bragg entered the priesthood in 1888 and arrived in Baltimore in 1891 with a passion for fostering independent leadership within the black church. He joined the 66-year old St. James’ Church that was then located downtown at Saratoga Street and Guilford Avenue.

In 1901, Bragg led his church to a new building in northwest Baltimore at Park Avenue and Preston Street. When middle-class African Americans in his congregation continued to move even farther west, Bragg moved St. James again to Lafayette Square in 1932 where they celebrated their first service on Easter morning. The move reflected a major change in the neighborhood as four African American congregations moved to Lafayette Square between 1928 and 1934. Rev. Bragg lived on the Square and remained active in the city’s political and civic life until his death in 1940.

Related Resources

Official Website

Street Address

1020 W. Lafayette Avenue, Baltimore, MD 21217
]]>
/items/show/233 <![CDATA[Old St. Paul's Church]]> 2019-05-09T22:17:37-04:00

Dublin Core

Title

Old St. Paul's Church

Subject

Religion

Creator

Auni Gelles

Curatescape Story Item Type Metadata

Lede

One of the thirty original Anglican parishes in Maryland, St. Paul's parish has been a fixture of Baltimore since the city's incorporation. Many influential citizens attended this church, including George Armistead.

Story

Old St. Paul’s Church is known as the mother church of all Episcopal congregations in Baltimore. As one of the thirty original Anglican parishes that the General Assembly created under the Establishment Act of 1692, St. Paul’s (also known as Patapsco) Parish covered the sparsely populated area between the Middle River and Anne Arundel County from the colony’s northern border to the Chesapeake Bay. In 1702, worshippers began meeting near Colgate Creek—the same 91ĚŇÉ«ĘÓƵ County peninsula that saw the Battle of North Point in 1814.

The parish relocated to the the newly incorporated Baltimore Town in 1731. Church leaders selected lot 19 on a hill overlooking the harbor where the church still remains today. St. Paul’s is distinguished as the only property that has remained under its original ownership since the founding of Baltimore. By the late eighteenth century, St. Paul’s counted among its members some of the most powerful men in Maryland. St. Paul’s worshippers included Declaration of Independence signer and Supreme Court justice Samuel Chase (whose father Thomas Chase served as the church’s rector in the mid-eighteenth century); Revolutionary War officer and governor, congressman, and slaveholder John Eager Howard; Thomas Johnson, a delegate to the Continental Congress and Maryland’s first governor; and George Armistead, commander of Fort McHenry during the Battle of Baltimore.

By 1814, the congregation had been meeting for over 120 years. Rev. Dr. James Kemp served as rector, a position he had held since November 1812. Nineteenth century local historian John T. Scharf described Kemp as “a man of high literary and scientific culture, and an author of much repute.” The parish began construction on a new neoclassical building, designed by Robert Cary Long, Sr., in May 1814 just a few months before the British attack on the city. Completed in 1817, the new St. Paul’s stood up until 1854 when a fire destroyed the building. Scharf noted that “the steeple was considered the handsomest in the United States.” The congregation rebuilt on the same lot, commissioning Richard Upjohn to design a new church built between 1854 and 1856. The striking structure on North Charles Street has remained a landmark for generations of Baltimoreans.

Beyond fulfilling a spiritual mission in the city, St. Paul’s—like many other churches of the day—has also provided social services. The church established the Benevolent Society for Educating and Supporting Female Children (also known as the Female Charity School) in 1799. The school sought to prepare orphans and underprivileged girls ages eight and above “to be valuable and happy members of society.” Charles Varle’s 1833 book described the society as having thirty “inmates” who were fed, clothed, and educated in a building attached to the church.

Related Resources

Official Website

Street Address

233 N. Charles Street, Baltimore, MD 21201
]]>
/items/show/231 <![CDATA[Fort Carroll]]> 2019-02-04T13:12:49-05:00

Dublin Core

Title

Fort Carroll

Subject

Architecture

Creator

Preservation Alliance of 91ĚŇÉ«ĘÓƵ County

Curatescape Story Item Type Metadata

Story

Fort Carroll is a 3.4 acre artificial island and abandoned fort located within the shadow of the Francis Scott Key Bridge. The fort was designed by then Brevet-Colonel Robert E. Lee, and construction was started in 1848 by the U.S. Army Corps of Engineers under Lee’s supervision. The fort was named for Charles Carroll of Carrollton, the last living signer of the Declaration of Independence. Before it was created, the only military defensive structure between Baltimore and the Chesapeake Bay was Fort McHenry. Additionally, a lighthouse (now abandoned) was built to aid navigation into Baltimore’s harbor.

Though never completed and never used as a fort, the architecture is quite amazing, featuring curved granite stairs, brick archways, etc. It originally had 350 cannon ports, a blacksmith shop, carpentry shop, and a caretaker's House. In 1864, it was flooded by torrential rains and declared vulnerable and obsolete. Subsequent uses of the fort included storing mines during the Spanish-American War, holding seamen, and as a pistol range. Most of the steel was salvaged for the war effort and the government abandoned the fort in 1920.

While there have been plans over the past ninety years to redevelop the site, nothing was able to come to fruition and it has fallen into extreme disrepair.

Street Address

Fort Carroll, Edgemere, MD 21219
]]>
/items/show/230 <![CDATA[Elisha Tyson's Falls Road House]]>
The building on Pacific Street was later owned by the Mount Vernon Mill Company and used as a superintendent’s house for the mill complex. Robyn Lyles and Mark Thistle (also a Baltimore Heritage board member) purchased the house in 2005 and finished renovations in 2009. The rehab project included archeology work by the University of Maryland, painstakingly saving windows including the original antique glass, and disassembling and reassembling the porch to save the original materials. 13,000 hours of work later, the finished product is a masterpiece of historic preservation.]]>
2018-11-27T10:33:52-05:00

Dublin Core

Title

Elisha Tyson's Falls Road House

Subject

Industry
War of 1812

Description

Originally the summer home of industrialist and abolitionist Elisha Tyson in the early 1800s, 732 Pacific Street is a classic Federal style house built with native granite two feet thick. Among many other accomplishments, Tyson helped finance the very profitable Falls Road Turnpike in 1805 and reportedly established safe houses for runaway slaves along the route.

The building on Pacific Street was later owned by the Mount Vernon Mill Company and used as a superintendent’s house for the mill complex. Robyn Lyles and Mark Thistle (also a Baltimore Heritage board member) purchased the house in 2005 and finished renovations in 2009. The rehab project included archeology work by the University of Maryland, painstakingly saving windows including the original antique glass, and disassembling and reassembling the porch to save the original materials. 13,000 hours of work later, the finished product is a masterpiece of historic preservation.

Creator

Johns Hopkins

Curatescape Story Item Type Metadata

Story

Originally the summer home of industrialist and abolitionist Elisha Tyson in the early 1800s, 732 Pacific Street is a classic Federal style house built with native granite two feet thick. Among many other accomplishments, Tyson helped finance the very profitable Falls Road Turnpike in 1805 and reportedly established safe houses for runaway slaves along the route.

The building on Pacific Street was later owned by the Mount Vernon Mill Company and used as a superintendent’s house for the mill complex. Robyn Lyles and Mark Thistle (also a Baltimore Heritage board member) purchased the house in 2005 and finished renovations in 2009. The rehab project included archeology work by the University of Maryland, painstakingly saving windows including the original antique glass, and disassembling and reassembling the porch to save the original materials. 13,000 hours of work later, the finished product is a masterpiece of historic preservation.

Street Address

732 Pacific Street, Baltimore, MD 21211
]]>
/items/show/227 <![CDATA[Dashiell Hammett and the Continental Trust Company Building]]>
"Red Harvest" was a milestone in the detective novel genre. It introduced the world to the hard-nosed detective who lives by his own code. The gritty streets of Baltimore served as the setting for Hammett's personal favorite novel, "The Glass Key," as well as "The Assistant Murderer." Unfortunately, many of the locations described in Hammett's novels no longer exist. The lavish Rennert Hotel, which served as the home base for the corrupt political boss in "The Glass Key" was razed in 1941. Continental Op in "Red Harvest" dreams about a tumbling fountain in Harlem Square Park that was filled in long ago.

Hammett was born in Saint Mary's County, Maryland and spent his childhood bouncing between Baltimore and Philadelphia. He started working at Pinkertons in 1915 before serving in World War I in the Motor Ambulance Corps. He soon contracted tuberculosis and was moved to a hospital in Tacoma, Washington. Throughout the 1920's, Hammett lived in San Francisco where he wrote most of his novels, including "The Maltese Falcon." He never forgot his Baltimore roots working for Pinkertons, and his precise memory of streets and locations added a layer of authenticity and realism to his work. Later in life, Hammett got involved with the American Communist Party and was eventually jailed as a result of McCarthyism in 1951 for six months. Jail time took its toll on Hammett, who was already in bad health due to the effect his heavy smoking and drinking had on his tuberculosis. He died in New York in 1961.

Today, the Continental Trust Building that housed the Pinkerton Detective Agency is known as One Calvert Plaza. A prominent survivor of the Great Baltimore Fire of 1904, One Calvert Plaza stands as a monument to skyscraper architecture at the turn of the 20th century. ]]>
2020-10-16T12:02:07-04:00

Dublin Core

Title

Dashiell Hammett and the Continental Trust Company Building

Subject

Literature

Description

Dashiell Hammett found inspiration for his great detective novels like "The Maltese Falcon" and "The Thin Man" by working at the Pinkerton Detective Agency in what was then known as the Continental Trust Building. He experienced the seedy underbelly of Baltimore city and was stabbed at least once on the job. He was inspired by his intransigent co-workers who served as the foundation for many of his cherished characters. Continental Op, the main character of his first novel, "Red Harvest," was named after the eponymous building. It is also speculated that the falcons that don the Continental Trust Building served as the inspiration for "The Maltese Falcon."

"Red Harvest" was a milestone in the detective novel genre. It introduced the world to the hard-nosed detective who lives by his own code. The gritty streets of Baltimore served as the setting for Hammett's personal favorite novel, "The Glass Key," as well as "The Assistant Murderer." Unfortunately, many of the locations described in Hammett's novels no longer exist. The lavish Rennert Hotel, which served as the home base for the corrupt political boss in "The Glass Key" was razed in 1941. Continental Op in "Red Harvest" dreams about a tumbling fountain in Harlem Square Park that was filled in long ago.

Hammett was born in Saint Mary's County, Maryland and spent his childhood bouncing between Baltimore and Philadelphia. He started working at Pinkertons in 1915 before serving in World War I in the Motor Ambulance Corps. He soon contracted tuberculosis and was moved to a hospital in Tacoma, Washington. Throughout the 1920's, Hammett lived in San Francisco where he wrote most of his novels, including "The Maltese Falcon." He never forgot his Baltimore roots working for Pinkertons, and his precise memory of streets and locations added a layer of authenticity and realism to his work. Later in life, Hammett got involved with the American Communist Party and was eventually jailed as a result of McCarthyism in 1951 for six months. Jail time took its toll on Hammett, who was already in bad health due to the effect his heavy smoking and drinking had on his tuberculosis. He died in New York in 1961.

Today, the Continental Trust Building that housed the Pinkerton Detective Agency is known as One Calvert Plaza. A prominent survivor of the Great Baltimore Fire of 1904, One Calvert Plaza stands as a monument to skyscraper architecture at the turn of the 20th century.

Creator

Nathan Dennies

Curatescape Story Item Type Metadata

Story

Dashiell Hammett found inspiration for his great detective novels like "The Maltese Falcon" and "The Thin Man" by working at the Pinkerton Detective Agency in what was then known as the Continental Trust Building. He experienced the seedy underbelly of Baltimore city and was stabbed at least once on the job. He was inspired by his intransigent co-workers who served as the foundation for many of his cherished characters. Continental Op, the main character of his first novel, "Red Harvest," was named after the eponymous building. It is also speculated that the falcons that don the Continental Trust Building served as the inspiration for "The Maltese Falcon." "Red Harvest" was a milestone in the detective novel genre. It introduced the world to the hard-nosed detective who lives by his own code. The gritty streets of Baltimore served as the setting for Hammett's personal favorite novel, "The Glass Key," as well as "The Assistant Murderer." Unfortunately, many of the locations described in Hammett's novels no longer exist. The lavish Rennert Hotel, which served as the home base for the corrupt political boss in "The Glass Key" was razed in 1941. Continental Op in "Red Harvest" dreams about a tumbling fountain in Harlem Square Park that was filled in long ago. Hammett was born in Saint Mary's County, Maryland and spent his childhood bouncing between Baltimore and Philadelphia. He started working at Pinkertons in 1915 before serving in World War I in the Motor Ambulance Corps. He soon contracted tuberculosis and was moved to a hospital in Tacoma, Washington. Throughout the 1920's, Hammett lived in San Francisco where he wrote most of his novels, including "The Maltese Falcon." He never forgot his Baltimore roots working for Pinkertons, and his precise memory of streets and locations added a layer of authenticity and realism to his work. Later in life, Hammett got involved with the American Communist Party and was eventually jailed as a result of McCarthyism in 1951 for six months. Jail time took its toll on Hammett, who was already in bad health due to the effect his heavy smoking and drinking had on his tuberculosis. He died in New York in 1961. Today, the Continental Trust Building that housed the Pinkerton Detective Agency is known as One Calvert Plaza. A prominent survivor of the Great Baltimore Fire of 1904, One Calvert Plaza stands as a monument to skyscraper architecture at the turn of the twentieth century.

Watch our on this building!

Street Address

1 S. Calvert Street, Baltimore, MD 21202
]]>
/items/show/226 <![CDATA[Mercantile Trust and Deposit Building]]> 2020-10-14T16:52:06-04:00

Dublin Core

Title

Mercantile Trust and Deposit Building

Subject

Architecture

Curatescape Story Item Type Metadata

Story

The highly ornamented Mercantile Trust Building was constructed in 1885 by architectural firm Wyatt and Sperry. The architecture conveys a sense of impenetrability, characterized by its massive, heavy stonework and deep set windows and entrance. Ads at the time boasted that the building strong enough "to resist the invasion of armed force." The hardened building survived the 1904 Baltimore Fire, but sustained damage when bricks from the Continental Trust Building fell through the skylight, setting fire to the interior. Despite this, the building's survival reaffirmed what the bank had been saying all along in its ads. The Mercantile Trust was Baltimore's first "department store bank," a concept spearheaded by Enoch Pratt. In years before, customers had to go to different banks to get loans, access savings, or open a checking account. Mercantile Trust ended this by introducing Baltimore to one-stop banking. The bank was also involved in raising capital to rebuild many cities in the South during Reconstruction. Later, the bank acted as co-executor for the estate of Henry Walters and as a trustee for the endowment that established the Walters Art Collection. Mercantile Trust occupied the building for almost 100 years. The company left in 1983 and the building has been a nightclub, and more recently, the new location of the Chesapeake Shakespeare Company.

Watch our on this building! 

Official Website

Street Address

200 E. Redwood Street, Baltimore, MD 21202
]]>
/items/show/224 <![CDATA[Furness House]]> 2020-10-16T11:57:13-04:00

Dublin Core

Title

Furness House

Subject

Architecture

Creator

Nathan Dennies

Curatescape Story Item Type Metadata

Story

A slice of English architecture, the Furness House was built in 1917 by architect Edward H. Glidden. Glidden also designed the Washington Place Apartments in Mount Vernon and the Marlboro Apartments on Eutaw Place (home to the famed art-collecting Cone sisters). The Furness House was built as offices for an English steamship line and named after shipping entrepreneur Christopher Furness. The building is an example of the English Palladian style, which has roots in Italian architecture, particularly the works of Andrea Palladio. It features a large Venetian window and looks like many commercial building built in England built around the same time. The Furness House was renovated in the 1990s and operates today as a conference center.

Watch our on this building!

Street Address

19 South Street, Baltimore, MD 21202
]]>
/items/show/223 <![CDATA[Gayety Theater]]> 2019-07-30T21:34:57-04:00

Dublin Core

Title

Gayety Theater

Subject

Entertainment

Creator

Laurie Ossman

Curatescape Story Item Type Metadata

Subtitle

A Venerable Keystone of "The Block"

Story

Built in the aftermath of the Great Baltimore Fire of 1904, the Gayety Theatre opened on February 5, 1906—making this building the oldest remaining burlesque theater in Baltimore. While the theatre interior was subdivided into three separate spaces in 1985, the Gayety still boasts an elaborate, eye-catching, and fanciful façade (designed by architect John Bailey McElfatrick) that is a wonderful example of the exuberance of theater design in the period.

The Gayety is the venerable keystone of “The Block” on Baltimore Street long known as a destination for adult entertainment. “The Block” is somewhat of a misnomer, as the area of arcades, bars, burlesque houses and adult bookshops extended east along Baltimore Street from Calvert Street for approximately eight blocks in the middle third of the 20th century. Due to various cultural forces, and particularly to a concerted “anti-smut” campaign during the mayoral tenure of William Donald Schaefer in the early 1980s, most of this extensive commercial sub-cultural landscape no longer exists, and “the Block” is, in fact, a small representative of a once-thriving red-light district.

The Gayety began after the Great Baltimore Fire destroyed the offices of The German Correspondent. While some downtown theatres moved to Howard Street after the fire, The Gayety, Lubin’s Nickelodeon and Vaudeville “duplex” directly across the street, The Victoria (later known as The Embassy) and The Rivoli all remained in the area and defined this stretch of Baltimore Street as a “popular entertainment” center, with an emphasis on burlesque and vaudeville. Despite the connotations acquired later, burlesque and vaudeville were mainstream forms of entertainment aimed at the working and middle classes.

By World War I, the Gayety’s neighbors had made the switch to showing movies. In the 1920s and 1930s, cinema began to supplant burlesque and, especially, vaudeville as the chief form of low-cost popular entertainment across the United States. Burlesque houses, such as The Gayety, promoted more risqué acts in the effort to give the public something that they couldn’t get in movies, especially after the adoption of the Hayes production code in 1932, which not only banned nudity but placed Draconian restrictions on sexual content and references in film.

From its heyday in the 1910s and 1920s—when The Gayety’s bill included nationally prominent comedians such as Abbott and Costello, Phil Silvers, Jackie Gleason and Red Skelton—the Gayety was a “top-of-the-line” burlesque house. In this period (just before and after World War II) iconic strippers such as Gypsy Rose Lee, Blaze Starr, Sally Rand, Valerie Parks and Ann Corio performed there. Following the Second World War, more arcades, as well as adult bookshops, peep shows and show bars cropped up to fill in the vacant spaces and gradually redefined East Baltimore Street as a “red light district,” analogous to New York’s Times Square, Washington, DC’s 14th Street and New Orleans’s legendary Bourbon Street. By the 1960s, The Gayety no longer hosted headline performers, and local news features surrounding the cataclysmic fire in 1969 tended to emphasize nostalgia for its decline. In this sense, The Gayety Theater Building encapsulates the history of burlesque as an entertainment form and its interaction with civic form in the 20th century United States.

Nostalgic descriptions of performances at The Gayety and its peers indicate that, by today’s standards, the performances were quite modest. However, the aura of taboo was a large part of what sustained burlesque in general, and The Gayety in particular, through the mid-twentieth century.

Sponsor

Historic American Building Survey

Related Resources

This story is adapted from published by the Historic American Building Survey.

Street Address

405 E. Baltimore Street, Baltimore, MD 21202
]]>
/items/show/222 <![CDATA[Zion Lutheran Church]]> 2018-11-27T10:33:51-05:00

Dublin Core

Title

Zion Lutheran Church

Subject

Architecture
Religion

Creator

Nathan Dennies

Curatescape Story Item Type Metadata

Story

The Zion Lutheran Church is a piece of German-American history that dates back to 1755. Originally known as the German Lutheran Reformed Church, it served Lutheran immigrants coming from Germany. The congregation held services in private residences for the first seven years.

The original church was erected in 1762 on Fish Street (now Saratoga Street), a block away from their current site. The number of worshipers grew rapidly over the years and by 1808 the first building on the current church grounds was completed. It is one of only a few buildings standing that predates the War of 1812 and is the oldest Neo-Gothic style church in the United States. Between 1912 and 1913, the church completed several additions including the Parish House, bell tower, parsonage, and garden.

The church possesses a number of historical artifacts including a piece of the Berlin Wall and plaques dedicated to the members of the church who died in WWI and WWII. The church boasts an impressive collection of stained glass. A number of the windows celebrate German heritage and achievements. The Industry Window in the Sanctuary Entrance has an image of the linotype in the bottom-right corner, a device invented by Ottmar Mergenthaler in Baltimore.

The Zion Lutheran Church currently provides services in both German and English, making it the oldest church in the United States that has maintained uninterrupted services in German and the only church in Maryland to offer a service in German.

Official Website

Street Address

400 E. Lexington Street, Baltimore, MD 21202
]]>
/items/show/220 <![CDATA[Alex. Brown & Sons Company Building]]>
Alex Brown and sons was founded in 1800 and stayed in independent operation for almost 200 years. In 1997, it was acquired by Bankers Trust and was ultimately integrated into Deutsche Bank.

The Alex Brown and Sons Building owes its survival of the Great Fire to its small size. As sparks and embers flew through the air igniting buildings all around it, a thermal updraft acted as a sort of fan keeping the flying flames from landing on the building’s roof. The heat of the fire was so intense that it caused the brownstone to crack apart near the front door. After the fire, the Alex Brown and Sons firm choose not to replace the cracked stone as a reminder to what almost happened. The building was renovated in 1996 and reopened as a bank. Inside visitors can see the refurbished glass dome thought to be the work of Gustave Baumstark.]]>
2021-02-15T16:49:11-05:00

Dublin Core

Title

Alex. Brown & Sons Company Building

Subject

Architecture

Description

This small building sits squarely inside the area decimated by the Great Baltimore Fire and surprisingly survived. It was built in 1901 for Alex Brown and Sons: the oldest investment banking firm in the United States. Noted architecture firm Parker and Thomas designed the building.

Alex Brown and sons was founded in 1800 and stayed in independent operation for almost 200 years. In 1997, it was acquired by Bankers Trust and was ultimately integrated into Deutsche Bank.

The Alex Brown and Sons Building owes its survival of the Great Fire to its small size. As sparks and embers flew through the air igniting buildings all around it, a thermal updraft acted as a sort of fan keeping the flying flames from landing on the building’s roof. The heat of the fire was so intense that it caused the brownstone to crack apart near the front door. After the fire, the Alex Brown and Sons firm choose not to replace the cracked stone as a reminder to what almost happened. The building was renovated in 1996 and reopened as a bank. Inside visitors can see the refurbished glass dome thought to be the work of Gustave Baumstark.

Creator

Christopher Joyce
Nathan Dennies

Curatescape Story Item Type Metadata

Story

This small building sits squarely inside the area decimated by the Great Baltimore Fire and surprisingly survived. It was built in 1901 for Alex Brown and Sons: the oldest investment banking firm in the United States. Noted architecture firm Parker and Thomas designed the building. The stained-glass dome inside is thought to be the work of Gustave Baumstark.

Alex Brown and sons was founded in 1800 and stayed in independent operation for almost 200 years. In 1997, it was acquired by Bankers Trust and was ultimately integrated into Deutsche Bank.

The Alex Brown and Sons Building owes its survival of the Great Fire to its small size. As sparks and embers flew through the air igniting the much taller buildings all around it, a thermal updraft acted as a sort of fan keeping the flying flames from landing on the building’s roof. The heat of the fire was so intense that it caused the brownstone to crack apart near the front door. The broken stone is still visible, since the Alex Brown and Sons firm choose not to replace the cracked stone as a reminder of what almost happened. The building was renovated in 1996 and reopened as a bank, which it remained until 2016. A restaurant opened on the location in 2019, but had to close in 2020 due to the COVID pandemic.

Street Address

135 E. Baltimore Street, Baltimore, MD 21202
]]>
/items/show/219 <![CDATA[Garrett Building]]>
Garrett built 233 East Redwood Street in 1913 with the Baltimore architecture firm Wyatt and Nolting. The limestone faced skyscraper is as striking on the inside as the outside. The lobby is donned with marble walls and columns. Garrett could never turn away from his love of athletics, not even at work. He commissioned a swimming pool and gymnasium for the upper floors. The building is now home to the Gordon Feinblatt law firm. ]]>
2020-10-16T12:00:49-04:00

Dublin Core

Title

Garrett Building

Subject

Architecture

Description

Robert Garrett was the original owner of the thirteen-story Garrett Building. Among other things, Garrett was a banker, Olympian, collector of medieval manuscripts, and a leader in the development of recreational facilities in Baltimore. He was a participant in the first modern Olympic games in 1896. He paid for three of his Princeton classmates to make the trip and they all took home medals, much to the displeasure of the Greeks. Garrett in particular specialized in the shot put but also decided to try the discus throw for fun after realizing the discus only weighed five pounds. Unlike the Greek discus throwers who implemented the graceful throwing techniques of antiquity, Garrett appropriated the crude, brute force style of shot put throwing to the sport. Despite narrowly missing audience members on his first two throws, his final throw was spot-on and won him the gold. He also took home the gold in shot put.

Garrett built 233 East Redwood Street in 1913 with the Baltimore architecture firm Wyatt and Nolting. The limestone faced skyscraper is as striking on the inside as the outside. The lobby is donned with marble walls and columns. Garrett could never turn away from his love of athletics, not even at work. He commissioned a swimming pool and gymnasium for the upper floors. The building is now home to the Gordon Feinblatt law firm.

Creator

Nathan Dennies

Curatescape Story Item Type Metadata

Story

Robert Garrett was the original owner of the thirteen-story Garrett Building. Among other things, Garrett was a banker, Olympian, collector of medieval manuscripts, and a leader in the development of recreational facilities in Baltimore. He was a participant in the first modern Olympic games in 1896. He paid for three of his Princeton classmates to make the trip and they all took home medals, much to the displeasure of the Greeks. Garrett in particular specialized in the shot put but also decided to try the discus throw for fun after realizing the discus only weighed five pounds. Unlike the Greek discus throwers who implemented the graceful throwing techniques of antiquity, Garrett appropriated the crude, brute force style of shot put throwing to the sport. Despite narrowly missing audience members on his first two throws, his final throw was spot-on and won him the gold. He also took home the gold in shot put. Garrett built 233 East Redwood Street in 1913 with the Baltimore architecture firm Wyatt and Nolting. The limestone faced skyscraper is as striking on the inside as the outside. The lobby is donned with marble walls and columns. Garrett could never turn away from his love of athletics, not even at work. He commissioned a swimming pool and gymnasium for the upper floors. The building is now home to the Gordon Feinblatt law firm.

Watch our on this building!

Street Address

233 E. Redwood Street, Baltimore, MD 21202
]]>
/items/show/218 <![CDATA[Vickers Building]]> 2020-10-16T11:58:03-04:00

Dublin Core

Title

Vickers Building

Subject

Architecture

Creator

Nathan Dennies

Curatescape Story Item Type Metadata

Story

The Vickers Building represents a shift in downtown Baltimore architectural design that occurred directly after the Great Baltimore Fire of 1904 and is one of the largest buildings to utilize brick as a primary material in the Central Business District. Most of the other buildings rebuilt in the area were made of stone. Masonry was popular after the Great Fire because of fireproofing concerns. Before the Great Fire, many buildings (including the old Vickers Building the new one replaced) were built in the ornate Second Empire style and featured sloping Mansard roofs and complex architectural details. This changed after the Great Fire. Architects took a more pragmatic approach to rebuilding the Central Business district and were pressured to create buildings that were cost-efficient, fire safe, and could be erected quickly. Because of all the national attention after the Fire, the city wanted to show the rest of the country its stability and they wanted to do it quickly. The permit for the Vickers Building was issued on May 19, 1904, only three months after the fire. Many of the building’s properties indicate fire-conscious planning: it’s made of brick; it has a flat roof because people believed spacious Mansard roof attics contributed to the spread of the Fire; and the bay windows recede into the building rather than protrude outwards. Not all ornamentation was eschewed from the construction of the Vickers Building. Stone lion heads adorn the topmost bay windows and a band of terra cotta runs along the street facing side of the roof. The interior is home to Werner’s Restaurant: a mainstay in the area since 1951.

Watch our on this building!

Street Address

219-231 E. Redwood Street, Baltimore, MD 21202
]]>
/items/show/217 <![CDATA[American Building]]>
During the second half of the nineteenth century, the buildings of the Baltimore Sun and Baltimore-News American faced each other at the intersection of South Gay Street and East Baltimore Street. It was one of the most bustling areas of the city, filled with newsies passing out papers and bulletin boards posting the latest news. During elections the intersection would be packed with massive crowds of people, all waiting to hear the results.

The original Baltimore News-American Building was destroyed by the Great Baltimore Fire and a new towering office, designed by Baltimore native Louis Levi, was built in 1905 by the George A. Fuller Company. The main contractor for the News American Building was Paul Starrett who later went on to be take a leading role in the erection of the Empire State Building.]]>
2018-11-27T10:33:51-05:00

Dublin Core

Title

American Building

Subject

News and Journalism

Description

The American Building was home to Baltimore News-American, a newspaper that traces its lineage back to 1773 . As opposed to the Baltimore Sun, Baltimore News-American was an afternoon newspaper targeted to working class and blue-collar districts. One of the newspaper’s many editors was John L. Carey. He was deeply interested in the question of slavery in the years leading up to the Civil War and felt that the two races could never live in peace and offered up the solution to re-settle all enslaved people in Africa. The Baltimore News-American would survive for two hundred years, until its final issue on May 27th, 1986.

During the second half of the nineteenth century, the buildings of the Baltimore Sun and Baltimore-News American faced each other at the intersection of South Gay Street and East Baltimore Street. It was one of the most bustling areas of the city, filled with newsies passing out papers and bulletin boards posting the latest news. During elections the intersection would be packed with massive crowds of people, all waiting to hear the results.

The original Baltimore News-American Building was destroyed by the Great Baltimore Fire and a new towering office, designed by Baltimore native Louis Levi, was built in 1905 by the George A. Fuller Company. The main contractor for the News American Building was Paul Starrett who later went on to be take a leading role in the erection of the Empire State Building.

Creator

Nathan Dennies

Curatescape Story Item Type Metadata

Lede

The American Building was home to Baltimore News-American, a newspaper that traces its lineage back to 1773.

Story

As opposed to the Baltimore Sun, Baltimore News-American was an afternoon newspaper targeted to working class and blue-collar districts. One of the newspaper’s many editors was John L. Carey. He was deeply interested in the question of slavery in the years leading up to the Civil War and felt that the two races could never live in peace and offered up the solution to re-settle all enslaved people in Africa. The Baltimore News-American would survive for two hundred years, until its final issue on May 27th, 1986.

During the second half of the nineteenth century, the buildings of the Baltimore Sun and Baltimore-News American faced each other at the intersection of South Gay Street and East Baltimore Street. It was one of the most bustling areas of the city, filled with newsies passing out papers and bulletin boards posting the latest news. During elections, the intersection would be packed with massive crowds of people, all waiting to hear the results.

The original Baltimore News-American Building was destroyed by the Great Baltimore Fire and a new towering office, designed by Baltimore native Louis Levi, was built in 1905 by the George A. Fuller Company. The main contractor for the News American Building was Paul Starrett who later went on to be take a leading role in the erection of the Empire State Building.

Official Website

Street Address

231-235 East Baltimore Street, Baltimore, MD 21202
]]>
/items/show/216 <![CDATA[Battery Babcock]]> 2018-11-27T10:33:51-05:00

Dublin Core

Title

Battery Babcock

Subject

War of 1812

Creator

Eli Pousson

Curatescape Story Item Type Metadata

Story

Few places demonstrate the radical transformation of the Baltimore waterfront from the early nineteenth century through the present as vividly as the site of the Battery Babock, a short distance south of where Fort Look-Out once stood in Riverside Park. The area of the battery is marked by a small memorial—a 6-pounder cannon mounted on a granite base erected during the centennial celebrations in 1914. The canon sits between the Gould Street Generating Station built in 1907 and the elevated roadway of I-95, cutting the area off from the Pataspco which served as the route of the British attack nearly 200 years ago.

In May 1813, Maj. General Samuel Smith, who commanded the defenses of Baltimore and went on to serve as a U.S. Senator and Baltimore Mayor, declared it “absolutely necessary to erect a small Battery” along the edge of the Patapsco Ferry Branch. The United States government, however, proved unwilling to pay for the new installation. The City of Baltimore then moved to pay for Captain Samuel Babcock of the U.S. Engineers to design the battery and direct twenty or thirty men in digging the foundation.

Battery Babcock, also known as the Six Gun Battery or the Sailor’s Battery, was made of sod and laid out in an arc facing towards the water. Construction was complete by summer 1813 and a company of U.S. Sea Fencibles under Capt. William H. Addison garrisoned at the site. By the fall 1814, the battery was manned by seventy-five sailors from the U.S. Chesapeake Flotilla, a collection of barges and gunboats organized by privateer Captain Joshua Barney who had been forced to scuttle their fleet just a few weeks before. Sailing Master John Adams Webster (1786-1877), who commanded the battery at the time and subsequently left an account in 1853, opens a window onto the night when Battery Babcock, together with Forts Covington and Fort McHenry, repulsed a British barge offensive on Baltimore:

“…Day and night we were on the alert, until hope was nearly extinct, when on the night of the 13th, about eleven o’clock, the bomb vessels appeared to renew their fire with redoubled energy. It was raining quite fast, and cold for the season. The rapid discharge of the bombs from the enemy’s shipping excited great vigilance among my officers and men. I had the cannon double shotted with 18-pound balls and grape shot and took a blanket and laid on the breastworks, as I was much exhausted. About midnight I could hear a splashing in the water. The attention of the others was aroused and we were convinced it was the noise of the muffled oars of the British barges. Very soon afterwards we could discern small gleaming lights in different places. I felt sure then that it was the barges, which at that time were not more than two hundred yards off…”

Canons along the Patapsco opened fire and caught the British flotilla in a cross-fire, destroying two of the barges. Captain Charles Napier, RN who commanded the British flotilla soon called for a retreat.

Related Resources

Scott S. Sheads,

Street Address

2105 Gould Street, Baltimore, MD 21230
]]>
/items/show/215 <![CDATA[Clarence M. Mitchell, Jr. Courthouse]]> 2020-10-16T12:03:22-04:00

Dublin Core

Title

Clarence M. Mitchell, Jr. Courthouse

Subject

Architecture

Creator

William Dunn

Curatescape Story Item Type Metadata

Story

In 1885, 91ĚŇÉ«ĘÓƵ City set out to build the most beautiful Courthouse in the country. Fifteen years, and $2.2 million later ($56 million adjusted for inflation), that goal was realized. On January 6, 1900, the Baltimore Sun reported that the City of Baltimore had built a “temple of justice, second to no other in the world.” The building, which is a magnificent exemplification of Renaissance Revival architecture, continues to stand as a monument to the progress of the great city of Baltimore, and to the importance of the rule of law. Today, this main building in the 91ĚŇÉ«ĘÓƵ City Circuit Court complex is referred to as the Clarence M. Mitchell, Jr. Courthouse in honor of the local lawyer and nationally respected civil rights leader. Most of the original splendor of this massive building can still be enjoyed, including the granite foundation, marble facades, huge brass doors, mosaic tiled floors, mahogany paneling, two of the world’s most beautiful courtrooms, domed art skylights, gigantic marble columns, and beautifully painted murals. In addition, the Courthouse is home to one of the oldest private law libraries in the country, and to the Museum of Baltimore Legal History. The exterior foundation of the Clarence M. Mitchell, Jr. Courthouse was built from granite quarried in Howard County, while the exterior walls are crafted from white marble quarried in 91ĚŇÉ«ĘÓƵ County. The Calvert Street exterior façade is especially outstanding, as it displays eight of the largest monolithic columns in the world, each weighing over 35 tons and measuring over 35 feet in height. The interior of the building is even more impressive. Among the many historic spaces, the Supreme Bench Courtroom is one of the finest. The circular courtroom is like no other in the world. It is surmounted by a coffered dome resting upon sixteen columns of Sienna marble from the Vatican Quarry in Rome. Inscribed upon the frieze around the base of the dome are the names of Maryland’s early legal legends. Other fascinating rooms include the Old Orphans Courtroom (which houses the Museum of Baltimore Legal History); the Ceremonial Courtroom, and the Bar Library (described as one of the most elegant interior spaces in Baltimore, with its paneled English oak walls and barrel-vault ceiling punctuated by forty art glass skylights). Also noteworthy for its artistic beauty are the two domed stained-glass skylights above the stairs in Kaplan Court which depict the goddesses of Justice, Mercy, Religion, Truth, Courage, Literature, Logic and Peace. In addition, the courthouse has six original murals from world renowned artists depicting various civic and religious scenes. Those murals include: Calvert’s Treaty with the Indians; The Burning of the Peggy Stewart; Washington Surrenders His Commission; Religious Toleration; The Ancient Lawgivers; and The British Surrender at Yorktown.

Watch our on this building!

Official Website

Street Address

100 N. Calvert Street, Baltimore, MD 21202
]]>
/items/show/212 <![CDATA[Stafford Hotel]]> 2019-01-07T16:50:32-05:00

Dublin Core

Title

Stafford Hotel

Subject

Architecture

Creator

Nathan Dennies

Curatescape Story Item Type Metadata

Story

The Stafford was once an elegant hotel serving the elite of Baltimore and the many high-profile figures visiting the city. The hotel was designed by founding member of the Baltimore AIA chapter Charles E. Cassell and when it opened in 1894, it was the tallest building in Mt. Vernon. The entrance opened up to a highly ornamented hallway tiled with Romanesque designs. According to the Baltimore Sun, the ceilings were relieved with elaborate friezes and bordered with flecks of gold. The hotel also had a specified ladies parlor on the second floor for women traveling alone complete with a writing room and a cafe.

Over time, the Stafford Hotel was visited by dignitaries, movie stars, musicians, and famous writers. It was a favorite hotel of Katharine Hepburn and opera star Rosa Ponselle who would come to the hotel to get fitted by traveling English tailors. The Stafford was also the last place where F. Scott Fitzgerald lived in Baltimore before moving to Hollywood.

Perhaps the most interesting place in the Stafford Hotel was the bar overlooking the statue of Revolutionary War hero John Eager Howard. The bar was known across town as being highly exclusive. Only the most esteemed guests were served drinks and even then they had to woo the bartender. On one particular night on December 26, 1936, F. Scott Fitzgerald got the attention of many of the bar's patrons after racking up a $22.36 tab, a figure that would amount to about $370 today.

The Stafford Hotel fell on hard times after it closed in 1973 and was turned into federally subsidized apartments. By the turn of the twenty-first century it had become a seedy center for prostitution and drugs. Johns Hopkins University acquired the building in 2002 thanks to legislation that made it possible to turn federally subsidized housing into student housing. Now the Stafford Hotel serves as apartments exclusively for Johns Hopkins and Peabody students.

Related Resources

Rasmussen, Frederick N. "." The Baltimore Sun. 30 Sept. 2000.

Official Website

Street Address

716 Washington Place, Baltimore, MD 21201
]]>
/items/show/210 <![CDATA[Stirling Street]]> 2018-11-27T10:33:51-05:00

Dublin Core

Title

Stirling Street

Creator

Julie Saylor

Curatescape Story Item Type Metadata

Story

Built in the 1830s, the 600 block of Stirling Street was home to free working people, both African-American and white, living in modest Federal style rowhouses. Some residents worked in the industrial and commercial businesses that grew up around the nearby Jones Falls—sawyers, carters, cigarmakers, and tailors. Nearly 180 years later, these houses appear much as they did to their original inhabitants.

By the 1960s, like much of Oldtown, the houses of Stirling Street had fallen into disrepair. As part of an urban renewal project to repurpose the Gay Street commercial corridor into a pedestrian mall, the Baltimore Urban Renewal Agency planned to raze Stirling Street, along with 97% of Oldtown’s housing. Local preservationists, led by state Senator Julian Lapides and Peale Museum director Wilbur Hunter, launched a campaign to preserve the buildings.

Senator Lapides led a bus tour, bringing residents of Stirling Street to see well-preserved historic homes on Baltimore’s Tyson Street and Seton Hill. Hunter provided research to refute the claim that the rowhouses should be demolished because they were “slave’s quarters” and to prove their historic value. One afternoon in October 1972, over hamburgers at the office of Housing and Community Development Commissioner Robert Embry, Jr., Julian Lapides and his wife persuaded Embry to allow them to find a way to save the houses. Embry agreed, providing Lapides could show there was an economically feasible way to do so.

After a consultant with a national reputation in historic preservation offered to buy and develop the entire block, Embry relented. The houses were offered for $1.00 to individuals who agreed to undertake the expense of restoring the houses. This “urban homesteading" project was one of the first in the nation. The 24 owners were selected from over 400 applicants, mostly young professionals, both African-American and white and all true urban pioneers.

The Old Town Mall project was dedicated in June 1976. Though Old Town Mall has suffered serious decline, Stirling Street, restored around the same time, remains pristine and well kept, a testament to the power of historic preservation. As Senator Lapides wrote in 1974:

“The Stirling Street narrative contains a valuable lesson for city administrators: people are willing to return to the city and invest in its future when given the opportunity of restoration.”

Street Address

612–669 Stirling Street, Baltimore, MD 21202
]]>
/items/show/208 <![CDATA[Great House of Isaac Benesch and Sons]]> 2018-11-27T10:33:51-05:00

Dublin Core

Title

Great House of Isaac Benesch and Sons

Subject

Commerce

Creator

Julie Saylor

Curatescape Story Item Type Metadata

Story

Once a bustling department store complex on North Gay Street, the Great House of Isaac Benesch and Sons has been vacant for over a decade as the Old Town Mall waits on the progress of long stalled revitalization efforts. Isaac Benesch started his business shortly after the Civil War with a furniture store operating out of a single rowhouse. In the 1880s, as dry goods dealers like Hutzler's built their “grand emporiums” on the west side, Benesch acquired nearby rowhouses and began to rebuild them into a department store.

By 1911, his business included three large 4-story buildings, dominating the 500 block of N. Gay Street. The store at 549-557 Old Town Mall, an Italianate brick building with large windows, still features an elegant copper sign band across the facade, proclaiming the “Great House,” perhaps added by Philadelphia architect Louis Levi in 1914. Next door at 565-571 North Gay Street is a four story, two bay Renaissance Revival building, of brick with terra cotta ornamentation designed by architect Charles E. Cassell and built in 1904 by William H. Porter. Cassell had a long list of major projects in Baltimore, including the grand Stewart’s Department Store at Howard and Lexington Streets, built in 1900. Benesch’s likely hoped Cassell could bring the same architectural magnificence to his work on the east side. More buildings went up in the 1920s with a warehouse at 600 Aisquith Street by the J.L. Robinson Construction Company, virtually unchanged from its 1925 construction.

Unlike those westside department stores, however, Isaac Benesch established an early reputation for serving all customers—black and white. One 1898 account from the Afro-American newspaper stated, “Isaac Benesch & Sons very much appreciate the large volume of colored trade which they have, coming from all parts of the city.” In 1926, when few department stores hired African Americans as salesmen, Benesch hired Josh Mitchell to sell automobile tires—and featured him in advertisements. In the 1940s, the Afro-American gave Benesch an “orchid” for “serving all alike.”

In the 1970s, several of the original buildings were demolished as the block was redeveloped for the pedestrian-only “Old Town Mall.” The Great House had closed a few years earlier, in the early 1960s, and was run as Kaufman’s Department Store until 1997.

Street Address

549-557 Old Town Mall, Baltimore, MD 21202
]]>
/items/show/207 <![CDATA[Null House]]> 2018-11-27T10:33:51-05:00

Dublin Core

Title

Null House

Subject

Architecture

Creator

Julie Saylor

Curatescape Story Item Type Metadata

Story

Located on Hillen Street, the Null House is a rare eighteenth century home dating from around 1782. Once common throughout the city, only a handful of these small wood frame houses remain, largely in Fells Point. Named for the antique shop that occupied the property from 1929 through the 1970s, the Null House itself was nearly demolished to make way for a parking lot but, in 1980, the property was thankfully relocated and preserved.

Originally located at 1010 Hillen Street, the house was east of the Jones Falls on land belonging to John Moale, Jr. (1731-1798), who in 1752 sketched the earliest view of the Town of Baltimore. The house was built between 1782 and 1784 for Stephen Bahon, a blacksmith around the same time the area east of the Jones Falls was annexed into 91ĚŇÉ«ĘÓƵ City. In 1784, it was purchased by Wolfgang Etschburger, a veteran of the American Revolution who later also served during the War of 1812. From about 1850 to 1880, the building was used to sell flour and meal; the Italianate storefront may date from this period. In the early twentieth century, the building was the headquarters of the Excelsior Printing Company. From 1929, it served as an antique shop run by the Null family until the 1970s.

The building almost met its demise in 1980 when Baltimore Gas and Electric Company wanted to raze the building for a parking lot. On September 28, 1980, the building was moved 300 feet diagonally across the street to its current location. The contractor who undertook the job was Teddy Rouse, son of famous developer James Rouse. The Null House was listed in the National Register of Historic Places on January 27, 1983.

Street Address

1037 Hillen Street, Baltimore, MD 21202
]]>
/items/show/206 <![CDATA[Engine House No. 6]]> 2020-10-16T11:50:22-04:00

Dublin Core

Title

Engine House No. 6

Creator

Julie Saylor

Curatescape Story Item Type Metadata

Story

Founded in 1799, Oldtown’s Independent Fire Company maintained their Independent No. 6 engine house at Gay and Ensor Streets for over fifty years. In 1853, the company tore down their original engine house and replaced it with the present home of the 91ĚŇÉ«ĘÓƵ City Fire Museum with its distinctive six story bell and clock tower. Designed by Baltimore architects Reasin and Weatherald, the firehouse is unique in Baltimore’s architecture. The 103-foot Italianate-Gothic tower was copied from Giotto’s campanile in Florence, Italy and features a cast iron “skeleton”—an early example of this material in use for structural purposes. The newly formed 91ĚŇÉ«ĘÓƵ City Fire Department purchased the building in 1859 for $8,000, when it became known as Engine House No. 6. The firehouse’s apparatus was a steam engine weighing 8,600 pounds named, appropriately, the “Deluge.” In 1893, all members of the City’s fire department were paid, which ended the grade of “callman.” This silenced firehouse bells, which were used to summon the callmen. Many bells were given to churches, but Engine 6 hung on to its bell and it became a source of pride to Oldtown’s citizens. Oldtown, on the east side of the Jones Falls, did not see damage from the Great Fire of 1904. Firemen pumped water from the Jones Falls to quell the advance of the flames—a move which saved east side landmarks such as the Phoenix Shot Tower. Engine House No. 6 also served as emergency hospital as the Sun reported at the time, “The upper floor of the engine house resembled an army field hospital in war time, with its scores of brawny men with seared and blackened faces and their tattered remnants of blue uniforms.” In 1970, the tower was restored and the station remained in active service until 1976, when the Oldtown Memorial Fire Station (now the Thomas J. Burke Fire Station) became the home of Engine 6. In 1979, the old station became the home of the Baltimore Fire Museum and the Box 414 Association.

Watch our on this building!

Street Address

416 N. Gay Street, Baltimore, MD 21202
]]>
/items/show/203 <![CDATA[Aisquith Street Meeting House]]>
The Meetinghouse is the oldest surviving house of worship in Baltimore. Among those who worshipped here were Elisha Tyson, Johns Hopkins, Moses Sheppard, Phillip E. Thomas, and the Tyson, Ellicott and McKim families.

There soon was a need to provide for the education of Friends' children. By 1784, Meeting records document the estabilishment of a committee to oversee a school which became what is now Baltimore Friends School.

Baltimore Yearly Meeting was so well attended by the end of the century that in 1772 a thirty-acre tract of pastureland was purchased to accommodate the annual influx of Friends. By 1817, when the first gas lamp was lit at the corner of Baltimore & Holiday Streets, Baltimore had emerged as a center of trade and industry, and the need for a second Meetinghouse to the west resulted in the construction of Lombard Street Meeting in 1807.

Restoration of this meetinghouse is 1967 cost about $50,000, through the joint efforts of the City of Baltimore and the McKim Community Association, Inc. under the leadership of mayor Theodore McKeldin and Philip Myers. The historic building was then administered and maintained by the Peale Museum, and leased to McKim for programs.]]>
2021-05-26T23:43:34-04:00

Dublin Core

Title

Aisquith Street Meeting House

Description

In 1775, Patapsco Meeting, in what was then 91ĚŇÉ«ĘÓƵ County recorded that they wished to move their Meeting to Baltimore Town. By 1781, at the cost of $4,500, a new Meetinghouse had been erected at Fayette Street (then Pitt) and Aisquith Street (then Smock Alley). Designed by George Matthews, it has separate men’s and women’s entrances into a plain and spacious room with a high vaulted ceiling. Sliding wood paneling partitioned the room for Men’s and Women’s Business Meetings. It could be raised for Meetings for Worship or larger gatherings.

The Meetinghouse is the oldest surviving house of worship in Baltimore. Among those who worshipped here were Elisha Tyson, Johns Hopkins, Moses Sheppard, Phillip E. Thomas, and the Tyson, Ellicott and McKim families.

There soon was a need to provide for the education of Friends' children. By 1784, Meeting records document the estabilishment of a committee to oversee a school which became what is now Baltimore Friends School.

Baltimore Yearly Meeting was so well attended by the end of the century that in 1772 a thirty-acre tract of pastureland was purchased to accommodate the annual influx of Friends. By 1817, when the first gas lamp was lit at the corner of Baltimore & Holiday Streets, Baltimore had emerged as a center of trade and industry, and the need for a second Meetinghouse to the west resulted in the construction of Lombard Street Meeting in 1807.

Restoration of this meetinghouse is 1967 cost about $50,000, through the joint efforts of the City of Baltimore and the McKim Community Association, Inc. under the leadership of mayor Theodore McKeldin and Philip Myers. The historic building was then administered and maintained by the Peale Museum, and leased to McKim for programs.

Creator

The McKim Community Association

Curatescape Story Item Type Metadata

Subtitle

Baltimore's Oldest House of Worship

Lede

The Meetinghouse is the oldest surviving house of worship in Baltimore. Among those who worshipped here were Elisha Tyson, Johns Hopkins, Moses Sheppard, Phillip E. Thomas and the Tyson, Ellicott and McKim families.

Story

In 1775, Patapsco Meeting, in what was then 91ĚŇÉ«ĘÓƵ County recorded that they wished to move their Meeting to Baltimore Town. By 1781, at the cost of $4,500, a new Meetinghouse had been erected at Fayette Street (then Pitt) and Aisquith Street (then Smock Alley). Designed by George Matthews, it has separate men’s and women’s entrances into a plain and spacious room with a high vaulted ceiling. Sliding wood paneling partitioned the room for Men’s and Women’s Business Meetings. It could be raised for Meetings for Worship or larger gatherings. There soon was a need to provide for the educational needs of the children of Friends. By 1784, Meeting records document the establishment of a committee to oversee a school which became what is now Baltimore Friends School. Baltimore Yearly Meeting was so well attended by the end of the century that in 1772 a thirty-acre tract of pasture land was purchased to accommodate the annual influx of Friends. By 1817, when the first gas lamp was slit at the corner of Baltimore & Holiday Streets, Baltimore had emerged as a center of trade and industry, and the need for a second Meetinghouse to the west resulted in the construction of Lombard Street Meeting in 1807. Restoration of this meetinghouse is 1967 cost about $50,000, through the joint efforts of the City of Baltimore and the McKim Community Association, Inc. under the leadership of mayor Theodore McKeldin and Philip Myers. The historic building was then administered and maintained by the Peale Museum, and leased to McKim for programs.

Watch our on this building!

Official Website

Street Address

1201 E. Fayette Street, Baltimore, MD 21202
]]>
/items/show/202 <![CDATA[McKim's Free School]]> 2020-10-16T11:47:16-04:00

Dublin Core

Title

McKim's Free School

Subject

Architecture

Creator

Eli Pousson

Curatescape Story Item Type Metadata

Story

The 1833 McKim Free School building is one of Baltimore’s most important landmarks with deep roots in the city’s history and an unsurpassed 175 year record of education and social service. Founder John McKim came to Baltimore as a young man, established his business at Baltimore and Gay Street and became a successful merchant. During the War of 1812, McKim gave $50,000 to the City of Baltimore to aid in its defense, served as a State Senator, and was twice elected to Congress. His son William McKim who led the effort to realize his father’s vision of a free school did not live to see it as he died in 1834 at the age of 35. The building’s architects have deep connections to Baltimore. Son of Baltimore Revolutionary War hero John Eager Howard, William Howard was one of the first engineers to work for the Baltimore & Ohio Railroad and took up architecture as an avocation. William Small designed the Barnum’s City Hotel (demolished in 1889), the Archbishop’s Residence on North Charles Street, and more schools across the city. Since 1945, the McKim Center has continued to strengthen the importance of the building to many Baltimore residents as it remains a vital institution serving children and adults in need in the Jonestown community in innumerable ways. The McKim Center has its beginnings in 1924 when the Society of Friends offered the McKim Free School as a place of worship to an Italian Presbyterian congregation. This partnership between the Friends and Presbyterians led in 1945 to the start of the McKim Community Association offering youth programs, athletic training (particularly wrestling—appropriate for a Greek Revival building) and a bible school. McKim’s renowned athletic programs have long outgrown the building but the structure remains in use, along with the nearby 1781 Old Quaker Meeting House, as a safe place for children, managed by the philosophy of “Structure, Discipline and Love.”

Watch our on this building!

Official Website

Street Address

1120 E. Baltimore Street, Baltimore, MD 21202
]]>
/items/show/201 <![CDATA[War Memorial Building]]> 2018-11-27T10:33:51-05:00

Dublin Core

Title

War Memorial Building

Subject

Architecture

Creator

Eli Pousson

Curatescape Story Item Type Metadata

Subtitle

An Architectural Monument to Maryland's Military Dead

Story

In 1919, the Governor of Maryland and the Mayor of Baltimore appointed a War Memorial Commission that initiated a nationwide architectural competition to design a memorial building dedicated to the 1,752 Marylanders who died in military service during WWI. The design for the monumental building that today faces 91ĚŇÉ«ĘÓƵ City Hall across War Memorial Plaza was executed by local architect Lawrence Hall Fowler.

A ground-breaking ceremony on November 22, 1921, was attended by Ferdinand Foch, Marshall of France and the cornerstone was laid on April 29, 1923 in a ceremony attended by Acting Secretary of War Colonel Dwight F. Davis, Governor Albert C. Ritchie, and Mayor William F. Broening. The War Memorial was dedicated on April 5, 1925.

The finished building featured a 1000-seat auditorium and a mural by Baltimore artist R. McGill Mackall, depicting, 'A Sacrifice to Patriotism.' In front of the building are two stone sea horses representing the "Might of America crossing the seas to aid our allies." The sculptor, Edmond R. Amateis, included in the statues the coats of arms for Maryland and the City of Baltimore.

The building was rededicated by Mayor William Donald Schaefer on November 6, 1977 as a memorial to the Marylanders who gave their lives in all wars with American involvement during the twentieth century. The War Memorial Building still houses administrative offices for local veterans organizations.

Related Resources

Official Website

Street Address

101 N. Gay Street, Baltimore, MD 21202
]]>
/items/show/200 <![CDATA[Phoenix Shot Tower]]>
The finished product was called drop shot and was used for small game hunting, among other things. The Shot Tower annually produced 2.5 million pounds of it until 1892 when new methods of shot production made the Tower obsolete.

In 1921, permits were granted to tear down the Tower and clear the site to make way for an automobile garage. In one of the first acts of historic preservation in Baltimore, public reaction against the demolition plans was strong, and leading citizens were able to raise funds for its preservation. On October 11, 1924, a group of Baltimore citizens bought the Shot Tower for $17,000 and donated it to the city with the understanding that it would be preserved.

More than fifty years passed before the Shot Tower was opened to the public as a museum. In 1973, it was placed on the National Register of Historic Places. Today it is managed by Carroll Museums, a non-profit organization that also manages the Carroll Mansion on nearby Pratt Street.]]>
2020-10-16T14:47:54-04:00

Dublin Core

Title

Phoenix Shot Tower

Subject

Industry

Description

The Shot Tower, when it was built in 1828, was the tallest structure in the United States until 1846. Once there were three such towers in Baltimore; now there are only a few left in the entire world. The design of the 215-foot tall Phoenix Shot Tower and its estimated 1.1 million bricks is based on Englishman William Watt’s 1782 patented process of making shot by pouring molten lead through colanders down the open shaft of a high tower. As the molten lead spun and cooled in the air, it became “perfectly globular in form and smooth” as was reported at the time. The “drops” were collected in a large water barrel at the tower’s base, then sorted by size and bagged for distribution.

The finished product was called drop shot and was used for small game hunting, among other things. The Shot Tower annually produced 2.5 million pounds of it until 1892 when new methods of shot production made the Tower obsolete.

In 1921, permits were granted to tear down the Tower and clear the site to make way for an automobile garage. In one of the first acts of historic preservation in Baltimore, public reaction against the demolition plans was strong, and leading citizens were able to raise funds for its preservation. On October 11, 1924, a group of Baltimore citizens bought the Shot Tower for $17,000 and donated it to the city with the understanding that it would be preserved.

More than fifty years passed before the Shot Tower was opened to the public as a museum. In 1973, it was placed on the National Register of Historic Places. Today it is managed by Carroll Museums, a non-profit organization that also manages the Carroll Mansion on nearby Pratt Street.

Creator

Marsha Wight Wise

Curatescape Story Item Type Metadata

Story

The Shot Tower, when it was built in 1828, was the tallest structure in the United States until 1846. Once there were three such towers in Baltimore; now there are only a few left in the entire world. The design of the 215-foot tall Phoenix Shot Tower and its estimated 1.1 million bricks is based on Englishman William Watt’s 1782 patented process of making shot by pouring molten lead through colanders down the open shaft of a high tower. As the molten lead spun and cooled in the air, it became “perfectly globular in form and smooth” as was reported at the time. The “drops” were collected in a large water barrel at the tower’s base, then sorted by size and bagged for distribution. The finished product was called drop shot and was used for small game hunting, among other things. The Shot Tower annually produced 2.5 million pounds of it until 1892 when new methods of shot production made the Tower obsolete. In 1921, permits were granted to tear down the Tower and clear the site to make way for an automobile garage. In one of the first acts of historic preservation in Baltimore, public reaction against the demolition plans was strong, and leading citizens were able to raise funds for its preservation. On October 11, 1924, a group of Baltimore citizens bought the Shot Tower for $17,000 and donated it to the city with the understanding that it would be preserved. More than fifty years passed before the Shot Tower was opened to the public as a museum. In 1973, it was placed on the National Register of Historic Places. Today it is managed by Carroll Museums, a non-profit organization that also manages the Carroll Mansion on nearby Pratt Street.

Watch our on this site!

Official Website

Street Address

801 E. Fayette Street, Baltimore, MD 21201
]]>