/items/browse/page/14?output=atom <![CDATA[91桃色视频]]> 2025-08-21T10:26:36-04:00 Omeka /items/show/199 <![CDATA[West Arlington Water Tower]]> 2018-11-27T10:33:51-05:00

Dublin Core

Title

West Arlington Water Tower

Subject

Infrastructure

Creator

Eli Pousson

Curatescape Story Item Type Metadata

Story

Built in 1899, the West Arlington Water Tower was originally used to supply water to the West Arlington neighborhood in northwest Baltimore just across the city line. The community developed quickly around it with the West Arlington Improvement Company building a new septic system and even a "portable school"鈥攍ater known by the nickname "The Chicken Coop"鈥攆or the scores of families moving into the area in the 1900s and 1910s.

In a 1916 feature on West Arlington, calling it the "Suburb of Many Happy Homes," the Baltimore Sun reflected on the water tower as a local landmark that "should not be overlooked," writing, "It is one of the most beautiful in Maryland and commands a fine view for miles over the country. From its top one can look for miles down the bay and see white-winged vessels drifting in the harbor." Next door stood a "handsome tower house" where local resident, Mrs. J.M. Crowley made and sold "all varieties of baskets and tray."

By the early 1930s, however, the tower had fallen into disuse and the city planned to demolish the structure in 1933. When funding for demolition never arrived the tower simply sat and has remained a landmark ever since.

Street Address

4025 Ridgewood Avenue, Baltimore, MD 21215
]]>
/items/show/198 <![CDATA[Clifton Park Valve House]]> 2020-10-16T11:42:44-04:00

Dublin Core

Title

Clifton Park Valve House

Subject

Architecture

Creator

Johns Hopkins

Curatescape Story Item Type Metadata

Story

The Clifton Park Valve House on St. Lo Drive in Clifton Park is a magnificent Gothic revival stone and tile-roofed structure built between 1887 and 1888. It was built to house the machinery used in the operation of Lake Clifton, which was once part of the city鈥檚 water supply and was connected to Lake Montebello to the north by a 108-inch underground pipe. Large wheels were set underneath the floor of the Valve House to regulate the flow of water from Lake Montebello. Lake Clifton began to be filled and developed with Lake Clifton High School in 1962. No longer needed, the Valve House was abandoned at that time. Designed in the style of a small medieval cathedral, it was listed on the National Register of Historic Places in 1971. By then it was already in a state of disrepair and Baltimore Heritage first recognized it as endangered. 91桃色视频 City owns the building, and in 2003 a private developer began plans for the restoration and reuse of the building. This effort did not mature, and the City continues to own the building.

Watch our on this building!

Related Resources

Street Address

2701 Saint Lo Drive, Baltimore, MD 21213
]]>
/items/show/197 <![CDATA[Roland Water Tower]]> 2019-06-25T22:27:21-04:00

Dublin Core

Title

Roland Water Tower

Subject

Infrastructure

Creator

Eli Pousson

Curatescape Story Item Type Metadata

Subtitle

A Relic of Baltimore's Early Water Supply System

Story

The Roland Water Tower was built in 1905 as a 211,000-gallon water tank to supply residents in Hampden and nearby neighborhoods. It was part of a complicated water supply system that included the Western Pumping Station at Druid Lake. The design by William J. Fizone is similar to the slightly larger West Arlington water tower built in the northwest section of the city.

The tower only served that purpose for a few years, however, and by 1930 the tower was taken out of service leaving a curious local landmark empty. Still the tower has endured as an icon for the nearby Roland Park community and local preservationists have organized the Friends of the Roland Water Tower to advocate for the restoration and reuse of the structure.

Related Resources

Street Address

4210 Roland Avenue, Baltimore, MD 21210
]]>
/items/show/196 <![CDATA[Chesapeake Restaurant]]> 2018-11-27T10:33:51-05:00

Dublin Core

Title

Chesapeake Restaurant

Subject

Food

Creator

Nathan Dennies

Curatescape Story Item Type Metadata

Story

In 1936, Sidney Friedman was riding a train to Baltimore and carrying a charcoal grill. Earlier that week, Friedman had dined at Ray's Steak House in Chicago and ate his very first charcoal-grilled steak. He'd never had anything like it. He asked the chefs how they made the steaks and immediately set out to get a grill of his own. When Sidney got back, he fired up the grill and started running the restaurants most iconic advertisement: "Cut your steak with a fork, else tear up the check and walk out."

The Chesapeake Restaurant had its beginnings in a deli established by Sidney's father, Morris Friedman, who immigrated to Baltimore in 1898. In 1913, he opened a gourmet deli under his name, and in 1933, after the end of Prohibition, he remodeled the deli and turned it into the Chesapeake Restaurant. The restaurant was in a prime location, only a couple blocks from Penn Station. It quickly became the go-to place for upscale Maryland seafood.

When Sidney took over and introduced the charcoal-grilled steaks a few years later, the popularity of the Chesapeake Restaurant continued to grow. According to him, the Chesapeake Restaurant was the first restaurant in Baltimore to serve a Caesar salad. In the 1950's, Sidney's younger brother Phillip took over after graduating from Cornell's School of Hotel Administration. In 1961, Phillip bought the Hasslinger's seafood restaurant next door, and the Chesapeake expanded from 29 seats to 300.

The Chesapeake Restaurant became one of the most expensive and exclusive restaurants in the city. It attracted all sorts of Baltimore celebrities, from newscasters to athletes. The massive restaurant featured a number of special lounges, including a room built as a shrine to Babe Ruth packed with memorabilia. The restaurant suffered a devastating fire in 1974 and continued operations until it went bankrupt in 1983. The family managed to purchase the restaurant back later that year, but could only stay afloat for another two years. The restaurant was sold at a foreclosure auction to Robert Sapero, and for the first time in 50 years, was no longer in the Friedman family's name.

Sapero's attempts to reboot the Chesapeake Restaurant failed and the building remained abandoned after 1989. Ultimately, Station North Development Partners LLC bought the building and a new restaurant opened there in 2013. The building is now occupied by the Pen & Quill Restaurant.

Related Resources

Flowers, Charles V. Baltimore Sun 26 Jan 1984: B1.

Official Website

Street Address

1701 N. Charles Street, Baltimore, MD 21201
]]>
/items/show/195 <![CDATA[The Duchess of Windsor at 212 East Biddle Street]]> 2020-05-15T15:32:19-04:00

Dublin Core

Title

The Duchess of Windsor at 212 East Biddle Street

Subject

Biography

Creator

Nathan Dennies

Curatescape Story Item Type Metadata

Story

The Duchess of Windsor, born Bessie Wallis Warfield, moved into the three-story brownstone at 212 East Biddle Street with her mother in 1908. It was the first home they could call their own as they were dependent on the charity of wealthier relatives ever since Wallis鈥檚 father died shortly after her birth 12 years earlier. Little did she know that one of the three bedrooms would be for the man her mother planned to marry, John Freeman Rason. Wallis was crushed. She had envisioned a life of independence with her mother, free from relying on the financial help of others. Wallis threatened to run away, but reluctantly came to terms with her mother's decision.

The marriage was held in the parlor of their home on June 20, 1908. The climax of the wedding came when Wallis, perhaps out of spite, snuck off to the kitchen and dug her hands into the cake in search of the good-luck tokens hidden inside. When her mother and stepfather came into the kitchen and saw the ruined cake, they stood speechless. Suddenly, Mr. Rasin laughed, picked Wallis up, and twirled her in the air. This act of forgiveness touched the young Wallis, and she never gave her stepfather any more trouble.

Unfortunately, John Freeman Rasin died suddenly in 1913. Without the financial security of her stepfather, Wallis and Alice had to move out. They moved to a small apartment building called Earl's Court, at the corner of Preston and St. Paul streets.

Wallis went through two failed marriages before meeting Edward, Prince of Wales in 1931. In 1936, Edward became King Edward VIII of England, but abdicated the throne on December 10 of the same year to marry Wallis. Edward and Wallis were married on June 3, 1937, and remained so until Edward's death in 1972. Wallis died in Paris on April 24, 1986.

In 1937, Wallis' old home at 212 East Biddle Street was turned into a museum, but it was not a commercial success. The biggest hit of the museum was the bathtub. According to the museum's tour guide, Mrs. W.W. Matthews, nine out of ten visitors sat in the house's bathtub for good luck, including a bride and groom who sat in the tub while Mrs. Matthews took their picture.

Related Resources

King, Greg. The Duchess of Windsor: The Uncommon Life of Wallis Simpson. New York: Citadel Press, 2003.

Street Address

206 E. Biddle Street, Baltimore, MD 21202
]]>
/items/show/192 <![CDATA[Flag House]]> 2023-11-10T11:28:41-05:00

Dublin Core

Title

Flag House

Subject

War of 1812

Creator

National Park Service

Curatescape Story Item Type Metadata

Story

In this small brick house on East Pratt Street, Mary Young Pickersgill designed and fabricated the Star-Spangled Banner. Pickersgill was assisted by her mother, niece and a Black indentured servent, Grace Wisher. Grace had been indentured as an apprentice in 1809, when she was about 10 years old, by her mother, Jenny Wisher, who was a free African American. What happened to Grace after her indenture remains unknown, but what is known, is that Grace Wisher鈥檚 contribution to the creation of the Star-Spangled Banner flag deserves to be highlighted as part of its history.

This fifteen star, fifteen stripe flag flew over the ramparts of Fort McHenry while it was attacked by the British during the War of 1812. The mammoth flag, thirty by forty-two feet, withstood the British secret weapon of rockets, and was "still there" in the "dawn's early light" of September 14, 1814. From an American sloop within the enemy fleet, Francis Scott Key, inspired by the sight of this flag as it withstood heavy bombardment from the British, wrote the poem that today is known as the National Anthem of the United States of America.

This National Historic Landmark, now called the Flag House or Star-Spangled Banner House, was built in 1793. Mary Pickersgill lived here from 1807 until her death in 1857. The City of Baltimore purchased the building in 1929 and maintains it as a museum. In addition to maintaining the house, the City built a public museum with artifacts from the War of 1812 that connects physically and thematically with the Flag House, including Mary's $405.90 invoice for her work. The Smithsonian Institution continues to protect and exhibit Mary's flag, which was the world's largest when it was completed.

Watch on this site!

Related Resources

Official Website

Street Address

844 E. Pratt Street, Baltimore, MD 21202
]]>
/items/show/191 <![CDATA[Fort Howard]]> 2018-12-28T20:31:30-05:00

Dublin Core

Title

Fort Howard

Subject

War of 1812

Creator

Eli Pousson

Curatescape Story Item Type Metadata

Story

On the morning of September 12, 1814, five thousand British troops landed outside of Baltimore and marched on the city of Baltimore with a plan to capture the city. Major General Robert Ross, a veteran of the Napoleonic Wars who had burned the White House and the U.S. Capitol just a few weeks before, led the advance. However, within hours Ross was dead after being shot by an American 鈥 perhaps Daniel Wells and Henry G. McComas although their claim on the deed is now considered unlikely. Following the Battle of North Point, the British forces realized the strength of the defenses at Hampstead Hill, now located within Patterson Park, and returned to the site of their landing to head south towards New Orleans.

In 1896, the federal government took over the British landing site and completed construction on a coastal artillery fortifications to defend Baltimore from naval attack in 1901. In 1900, Secretary of War Elihu Root named the site Fort Howard after John Eager Howard, a Baltimore native and Revolutonary War veteran who is buried alongside veterans of the War of 1812 at Old St. Paul's Cemetery.

In 1902, five of the six coastal artillery batteries were named for men who witnessed the War of 1812 including Lt. Levi Clagget who died at Fort McHenry, Col. Davis Harris who commanded a regiment of artillery, Brig. Gen. John Stricker who commanded the 3rd brigade Maryland Militia, Judge Joseph H. Nicholson who served as Captain of Volunteer Artillery at Fort McHenry, and, of course, Francis Scott Key, the author of the Star Spangled Banner. A sixth battery was named for Dr. Jesse W. Lazear, a U.S. Army doctor who died in Cuba in 1900 while conducting research on yellow fever. Known as the "Bulldog at Baltimore's Gate," Fort Howard was manned by the 21st, 40th, 103rd, and 140th Companies of the Coast Artillery Corps but remained quiet throughout WWI and up until the fort shut down in 1926.

Fort Howard was transferred to the Veterans Administration which built a hospital on the grounds in 1943. Today the coastal batteries are incorporated into Fort Howard Park and, while covered in ivy and masked by bushes, endure as a reminder of the importance of the spot from the War of 1812 and on.

Official Website

Street Address

9500 North Point Road, Fort Howard, Maryland 21052
]]>
/items/show/190 <![CDATA[Major General Samuel Smith Monument at Federal Hill]]> 2019-05-07T13:47:52-04:00

Dublin Core

Title

Major General Samuel Smith Monument at Federal Hill

Subject

Public Art and Monuments

Creator

Scott S. Sheads

Curatescape Story Item Type Metadata

Story

Overlooking the Inner Harbor from Federal Hill stands the statue of Major General Samuel Smith (1752-1839). Smith's life as a Revolutionary War officer, merchant, ship-owner, and U.S. Senator earned him the experience and fortitude in the momentous crises before to successfully command Baltimore during the War of 1812 and its darkest hour: the British attack on Washington and Baltimore in 1814.

The statue, funded by the city's 1914 centennial celebration of the Battle of Baltimore, is the design of sculptor Hans Schuler (1874-1951) who studied at the Maryland Institute College of Art. The statue was first erected at Wyman Park Dell at North Charles and 29th Streets in 1917 and dedicated on July 4, 1918.

In 1953, the Recreation and Parks Department moved the sculpture to "Sam Smith Park" at the corner of Pratt and Light Streets, the future waterfront site of the 1980 Rouse Company Harborplace project. In 1970, with the Inner Harbor renewal project underway, the statue moved again to the present site on Federal Hill, where in 1814 a gun battery had been erected and the citizens of Baltimore witnessed the fiery bombardment of Fort McHenry.

The inscriptions on the monument read:

MAJOR-GENERAL SAMUEL SMITH, 1752-1839 / UNDER HIS COMMAND THE ATTACK OF THE BRITISH UPON BALTIMORE BY LAND AND SEA SEPTEMBER 12-14, / 1814 WAS REPULSED. MEMBER OF CONGRESS FORTY SUCCESIVE YEARS, / PRESIDENT U.S. SENATE, SECRETARY OF THE NAVY, MAYOR OF BALTIMORE. /HERO OF BOTH WARS FOR AMERICAN INDEPENDENCE 鈥 LONG ISLAND 鈥 WHITE / PLAINS 鈥 BRANDYWINE 鈥 DEFENDER OF FORT MIFFLIN 鈥 VALLEY FORCE 鈥 / MONMOUTH 鈥 BALTIMORE. /

ERECTED BY THE NATIONAL STAR-SPANGLED BANNER CENTENNIAL

Street Address

Federal Hill Park, 300 Warren Avenue, Baltimore, MD 21230
]]>
/items/show/189 <![CDATA[Wells and McComas Monument]]> 2020-10-16T11:51:32-04:00

Dublin Core

Title

Wells and McComas Monument

Subject

War of 1812
Public Art and Monuments

Creator

Auni Gelles

Curatescape Story Item Type Metadata

Subtitle

Monument to the Boy Heroes of North Point

Lede

Baltimoreans celebrated the two young sharpshooters credited with killing British General Robert Ross in the 1850s with this monument, their final resting place.

Story

Daniel Wells and Henry Gough McComas gained fame as the "boy heroes" of the Battle of Baltimore. Though the historical record may offer slim evidence to confirm their role during the battle, Baltimoreans have celebrated the legend of Wells and McComas for over 150 years.

The young men, aged nineteen and eighteen, served as privates in Captain Edward Aisquith's Sharpshooters of the 1st Rifle Battalion of the Maryland Militia during the Battle of North Point. Wells, an Annapolis native, and McComas had enlisted in Baltimore, where they both worked as apprentices in the city's leather industry. Their battalion first encountered Ross at the Battle of Bladensburg on August 14, just three weeks before the Battle of Baltimore. Although evidence verifying this claim is scant, Wells and McComas have been credited with firing the shots which killed beloved British commander General Robert Ross. Whether or not it was Wells and McComas or other American sharpshooters, this act certainly dealt a heavy blow to the British in their attempt to capture Baltimore. They could not confirm or deny the story themselves since Wells and McComas were found dead after the Battle鈥攖wo of the twenty-four Americans killed at North Point.

It wasn't until some forty years after the battle that Wells and McComas gained local celebrity status. During the 1850s, two military companies formed the Wells and McComas Monument Association and solicited subscriptions from citizens to erect a monument in their honor. The group had the boys' bodies exhumed from their vault in Baltimore's legendary Green Mount Cemetery. They laid in state at the Maryland Institute building at Market Place, where thousands of Baltimoreans came to pay their respects. The Sun described the ceremonial catafalque, a platform on which the two coffins rested, as having "a marked degree of good taste" draped in black.

To commemorate Defenders' Day in 1858, Baltimoreans carried the coffins in a procession to their current grave site in Old Town's Ashland Square. An unnamed Baltimorean composed an original song to mark the occasion: , sung to the tune of the Star-Spangled Banner. These two local sons were painted in a romantic, dramatic fashion: "'Twas McCOMAS and WELLS - so Fame the fact tells; / This heroic deed their fame evermore swells, / As martyrs of liberty! - And we now raise / A monument high, to continue their praise." In addition to this song, famed playwright Clifton W. Tayleure published a play,, performed at the Holliday Street Theatre.

Their remains lay at Ashland Square for fifteen years before the monument was completed. The simple twenty-one-foot tall obelisk, made of 91桃色视频 County marble, cost a total of $3,500. The City Council ultimately provided most of the funding.

Watch our on this monument!

Related Resources

Street Address

647 Aisquith Street, Baltimore, MD 21202
]]>
/items/show/188 <![CDATA[Harris Creek]]> 2018-11-27T10:33:51-05:00

Dublin Core

Title

Harris Creek

Subject

War of 1812

Creator

Eli Pousson

Curatescape Story Item Type Metadata

Story

At the close of the eighteenth century, the far eastern edge of Baltimore was marked by Harris Creek, a modest tributary of the Patapsco that spilled into the River near where Boston Street and Lakewood Avenue in Canton today. In an area of Baltimore that was still sparsely settled, Harris Creek did feature one major enterprise鈥攖he shipyard of Samuel and Joseph Sterrett. The shipyard included a large blacksmith shop, sheds for boat builders and mast wrights, and a serviceable road back into Fells Point for workers and supplies. The Master Constructor at the shipyard was David Stodder, an experienced shipwright who held seventeen enslaved people, making him one of the largest slaveholders in Baltimore at the time.

Among the ships produced at the shipyard was the 600-ton Goliath, owned by Abraham Van Bibber who also co-owned the privateer sloop Baltimore Hero commanded by Thomas Waters during the Revolutionary War. Van Bibber reportedly intended the Goliath for the East India Trade. The most famous ship to sail down Harris Creek was the U.S. Frigate Constellation launched in 1797. (The second USS Constellation, built in 1854, contains portions of this original.) Stodder built the ship according to the design of Naval Constructor Joshua Humphreys. The Constellation was just one of six frigates that Humphreys designed in the 1790s to pursue Barbary Pirates in the Mediterranean.

While Harris Creek was filled in during the early nineteenth century to make more land for the quickly growing 91桃色视频 City, evidence of Canton's maritime past endured. In 1908, locals uncovered the charred remains of a 130-foot clipper ship that had burned at its pier and had been buried 400 feet inland from the present shoreline. In the 1880s, Harris Creek was turned into a major municipal sewer with an outfall at Boston Street. In 1901, Baltimore constructed a brick arch bridge to carry Boston Street that has remained there through the present.

Related Resources

Street Address

Boston Street Pier Park, Baltimore, MD 21224
]]>
/items/show/187 <![CDATA[Riverside Park]]> 2018-11-27T10:33:51-05:00

Dublin Core

Title

Riverside Park

Subject

War of 1812
Parks and Landscapes

Creator

Eli Pousson

Curatescape Story Item Type Metadata

Story

Today, from the rise within Riverside Park, established in 1875, a visitor can see the rowhouses and churches of South Baltimore densely packed around the park in every direction. During the War of 1812, this rise, long known as Look-Out Hill, instead offered a clear view of Locust Point and the Patapsco River that made it essential for the U.S. Navy in their efforts to prepare Baltimore against the threat of attack by the British. In 1813 Captain Samuel Babcock, with the U.S. Corps of Engineers, designed and built a 180-foot diameter circular battery with earthen ramparts, a ditch with abatis, and an earthen powder magazine that made up Fort Look-Out.

In September 1814, the U.S. Navy assigned Lieutenant George Budd, a Maryland native from Harford County, from the U.S. Sloop of War Ontario at Fells Point to command Fort Look-Out. The U.S. Sloop of War Ontario was a sixteen gun rated sloop of war built by Thomas Kemp at a Fells Point shipyard but the ship was trapped in the harbor by the British blockade of the Chesapeake.

In the earliest morning hours of September 14, 1814, the anticipated British attack on Baltimore began as twenty naval barges advanced on the Baltimore harbor while 5,000 troops waited just beyond the eastern defensive line that cut through what is today Patterson Park.

Though Francis Scott Key provided the most memorable recollection of that evening's fight in the lyrics to the Star-Spangled Banner, one observer on Federal Hill recalled the efforts: 鈥淭he night of Tuesday and the morning of Wednesday (til about 4 o鈥檆lock) presented the whole awful spectacle of shot and shells, and rockets, shooting and bursting through the air. The well directed fire of the little fort, under Lieut. Budd (late of the U.S. Frigate Chesapeake), and the gallant seamen under his command, checked the enemy on his approach, and probably saved the town from destruction in the dark hours of the night. The garrison was chiefly incommoded by the shells, which burst in and about the fort, whilst they had bomb proof shelter. As the darkness increased the awful grandeur of the scene augmented....鈥

The successful defense forced the British to retreat and sail on to New Orleans where they fought in the final battle of the War of 1812. Lieutenant Budd went on the serve aboard the U.S. Frigate Java at Baltimore and continued to serve in the navy up until his death in Boston in 1837.

Official Website

Street Address

E. Randall Street and Johnston Street, Baltimore, MD 21230
]]>
/items/show/185 <![CDATA[Edgar Allan Poe Statue]]> 2018-11-27T10:33:51-05:00

Dublin Core

Title

Edgar Allan Poe Statue

Subject

Literature

Creator

Nathan Dennies

Relation

Krainik, Clifford.

Curatescape Story Item Type Metadata

Subtitle

Monument to a Literary Icon at the University of Baltimore

Story

The Edgar Allan Poe statue sitting in the Gordon Plaza at University of Baltimore has a colorful past. The statue was commissioned in 1911 by the Edgar Allan Poe Memorial Association of Baltimore and was the last work of renowned American sculptor Moses Jacob Ezekiel. Born in Richmond, Virgina, Ezekiel was a decorated Confederate soldier who moved to Europe in 1869 and, in 1910, was knighted by King Victor Emmanuel III of Italy for his artistic accomplishments.

The Women's Literary Club established the Edgar Allan Poe Memorial Association in 1907 and hoped the statue would be completed for the centennial of Poe's birth in 1909, but a lack of funds, a series of mishaps, and poor timing delayed the statue's arrival in Baltimore until 1921. Ezekial completed the first model in 1913 but a fire at a custom house destroyed the sculpture en route to a foundry in Berlin; the second model, completed in 1915, was destroyed in Ezekiel's studio by an earthquake; and the third model, completed in 1916, was due to be shipped across the Atlantic, but was delayed another five years due to World War I. By the time the statue arrived in Baltimore, Ezekiel had already been dead for four years.

After the statue's arrival in Wyman Park during the summer of 1921, more complications arose. The inscription, a quote from Poe's famous poem "The Raven," had two typos and read: "Dreamng(sic) dreams no mortals(sic) ever dared to dream before." In 1930, Edmond Fontaine, incensed over the typo on the word "mortal," came to the park in the middle of the night and chiseled away the incorrect "s." The police arrested Fontaine for his vigilantism but he was never prosecuted.

Over the years the Poe statue suffered from neglect, vandalism, and weather damage. In 1983, the Edgar Allan Poe Society of Baltimore recommended the statue be moved to the Gordon Plaza at the University of Baltimore where it still stands today. The statue has become a mascot of sorts for the university, and during the NFL playoffs it can be seen bathed in a purple light in support of the Baltimore Ravens, a team named after Poe's famous poem.

Related Resources

Krainik, Clifford.

Street Address

1415 Maryland Avenue, Baltimore, MD 21201
]]>
/items/show/184 <![CDATA[Watson Monument]]>
Taking place on the fifty-seventh anniversary of Lieutenant Colonel Watson鈥檚 death during the Battle of Monterey, spectators watched as aged survivors of the war took their places on the grandstand. Meanwhile, they also laid eyes on the over ten-foot statue, draped in the flag that had shrouded Watson鈥檚 corpse as it left Mexico. The most symbolic moment came when Watson鈥檚 last surviving child, Monterey Watson Iglehart, walked towards her father鈥檚 likeness and unveiled the statue. The unveiling by Iglehart, born on the day her father died, was the highlight of a ceremony that included speeches from U.S.-Mexican War veterans, politicians, and other dignitaries.

Given U.S. activity in the Caribbean at the time, and the monument鈥檚 connection to the U.S.-Mexican War, the memorial presented a counterpoint to the overall anti-imperialist sentiment that existed in Baltimore. By highlighting the valor and honor of Baltimore鈥檚 U.S.-Mexican War heroes, the public viewed the veterans as heroes of a conflict which greatly benefited the United States, as opposed to participants in an unjustifiable land grab. Thus, the monument served to legitimize the United States鈥 imperialist endeavors of the late-nineteenth and early-twentieth centuries.

The monument, created by sculptor Edward Berge, was originally located at Lanvale Street and Mount Royal Avenue. In 1930, the monument was moved to Reservoir Hill鈥攚hat was then the entrance to Druid Hill Park鈥攂ecause of a planned extension of Howard Street. Today, the monument blends into the scenery of west Baltimore. The war that it commemorates has faded from memory.]]>
2019-05-07T13:46:14-04:00

Dublin Core

Title

Watson Monument

Subject

Public Art and Monuments

Description

On an auspicious afternoon in late September 1903, a crowd of Baltimoreans converged onto the intersection of Mount Royal Avenue and Lanvale Street to witness the unveiling of the William H. Watson monument. The monument, erected by the Maryland Association of Veterans of the Mexican War, honored Marylanders who lost their lives during the U.S.-Mexican War.

Taking place on the fifty-seventh anniversary of Lieutenant Colonel Watson鈥檚 death during the Battle of Monterey, spectators watched as aged survivors of the war took their places on the grandstand. Meanwhile, they also laid eyes on the over ten-foot statue, draped in the flag that had shrouded Watson鈥檚 corpse as it left Mexico. The most symbolic moment came when Watson鈥檚 last surviving child, Monterey Watson Iglehart, walked towards her father鈥檚 likeness and unveiled the statue. The unveiling by Iglehart, born on the day her father died, was the highlight of a ceremony that included speeches from U.S.-Mexican War veterans, politicians, and other dignitaries.

Given U.S. activity in the Caribbean at the time, and the monument鈥檚 connection to the U.S.-Mexican War, the memorial presented a counterpoint to the overall anti-imperialist sentiment that existed in Baltimore. By highlighting the valor and honor of Baltimore鈥檚 U.S.-Mexican War heroes, the public viewed the veterans as heroes of a conflict which greatly benefited the United States, as opposed to participants in an unjustifiable land grab. Thus, the monument served to legitimize the United States鈥 imperialist endeavors of the late-nineteenth and early-twentieth centuries.

The monument, created by sculptor Edward Berge, was originally located at Lanvale Street and Mount Royal Avenue. In 1930, the monument was moved to Reservoir Hill鈥攚hat was then the entrance to Druid Hill Park鈥攂ecause of a planned extension of Howard Street. Today, the monument blends into the scenery of west Baltimore. The war that it commemorates has faded from memory.

Creator

Richard Hardesty
David Patrick McKenzie

Relation

,聽Richard Hardesty and David Patrick McKenzie, underberlly,聽January 24, 2013

Curatescape Story Item Type Metadata

Subtitle

Erected by the Maryland Association of Veterans of the Mexican War

Story

On an auspicious afternoon in late September 1903, a crowd of Baltimoreans converged onto the intersection of Mount Royal Avenue and Lanvale Street to witness the unveiling of the William H. Watson monument. The monument, erected by the Maryland Association of Veterans of the Mexican War, honored Marylanders who lost their lives during the U.S.-Mexican War.

Taking place on the fifty-seventh anniversary of Lieutenant Colonel Watson鈥檚 death during the Battle of Monterey, spectators watched as aged survivors of the war took their places on the grandstand. Meanwhile, they also laid eyes on the over ten-foot statue, draped in the flag that had shrouded Watson鈥檚 corpse as it left Mexico. The most symbolic moment came when Watson鈥檚 last surviving child, Monterey Watson Iglehart, walked towards her father鈥檚 likeness and unveiled the statue. The unveiling by Iglehart, born on the day her father died, was the highlight of a ceremony that included speeches from U.S.-Mexican War veterans, politicians, and other dignitaries.

Given U.S. activity in the Caribbean at the time, and the monument鈥檚 connection to the U.S.-Mexican War, the memorial presented a counterpoint to the overall anti-imperialist sentiment that existed in Baltimore. By highlighting the valor and honor of Baltimore鈥檚 U.S.-Mexican War heroes, the public viewed the veterans as heroes of a conflict which greatly benefited the United States, as opposed to participants in an unjustifiable land grab. Thus, the monument served to legitimize the United States鈥 imperialist endeavors of the late-nineteenth and early-twentieth centuries.

The monument, created by sculptor Edward Berge, was originally located at Lanvale Street and Mount Royal Avenue. In 1930, the monument was moved to Reservoir Hill鈥攚hat was then the entrance to Druid Hill Park鈥攂ecause of a planned extension of Howard Street. Today, the monument blends into the scenery of west Baltimore. The war that it commemorates has faded from memory.

Related Resources

,聽Richard Hardesty and David Patrick McKenzie, underberlly,聽January 24, 2013

Street Address

W. North Avenue, Baltimore, MD 21217
]]>
/items/show/183 <![CDATA[Ottmar Mergenthaler at 159 West Lanvale Street]]> 2018-11-27T10:33:51-05:00

Dublin Core

Title

Ottmar Mergenthaler at 159 West Lanvale Street

Subject

Literature

Creator

Nathan Dennies

Curatescape Story Item Type Metadata

Story

Ottmar Mergenthaler was only 18 years old when he immigrated to the United States from Germany in 1872 to work with his cousin August Hahl at his machine shop in Washington, D.C. Four years later, after Hahl moved his shop to Baltimore, inventor Charles Moore approached Mergenthaler to redesign a faulty typewriter created to quickly publish legal briefs. Mergenthaler threw himself wholeheartedly at the project, and the result was the invention of the linotype鈥攁 machine that revolutionized the print industry and what Thomas Edison referred to as "the eighth wonder of the world."

It took Mergenthaler ten years of tweaking before the first linotype debuted at the New York Tribune. The machine accelerated the printing process by allowing typesetters to easily create molds of type, that is a "line o' type," using typewriter keys. Newspapers could run more efficiently and feature more pages. Linotypes continued in widespread use until the 1960s and 1970s when they were replaced by phototypesetting equipment and computers.

Mergenthaler operated out of Baltimore throughout most of his career. His first shop was a small operation at 12 Bank Lane (the site of the current Blaustein Building at One North Charles Street). He later established a larger factory in Locust Point. In 1894, Mergenthaler moved into a house at 159 West Lanvale Street with his wife and three children. The house was built between 1874 and 1875 by Joseph S. Hopkins, nephew of Johns Hopkins.

Mergenthaler's health was in serious decline when he moved into his Lanvale street home. He suffered a serious attack of pleurisy in 1888 and again in the summer of 1894. His symptoms were so severe he could no longer manage his factory. After brief stints in Arizona and New Mexico, where he hoped the climate might cure him, he returned to his Baltimore home in 1898 where he remained until his death on October 28, 1899.

Related Resources

Street Address

159 W. Lanvale Street, Baltimore, MD 21217
]]>
/items/show/182 <![CDATA[Druid Lake]]> 2019-03-15T13:32:12-04:00

Dublin Core

Title

Druid Lake

Subject

Parks and Landscapes

Creator

Eben Dennis

Curatescape Story Item Type Metadata

Story

In 1863, the 91桃色视频 City Council approved a $300,000 loan to construct a billion gallon capacity reservoir in the newly established Druid Hill Park. Though the new city waterworks project from Lake Roland to the Mount Royal Reservoir on the Jones Falls had just been completed, it had become apparent that the city鈥檚 water problems were far from solved.

Having an abundance of natural springs and deep ravines, Druid Park seemed to be the perfect site for a new reservoir. In addition to providing suitable drinking water, this reservoir was also meant to enhance the beauty of the newly created park, accompanying its ancient oak trees bearing noble names such as 鈥淭he Sentinel,鈥 鈥淜ing of the Forrest,鈥 and 鈥淭ent Oak.鈥

A deep ravine formed by a stream that traveled southeast from the boat lake toward the Jones Falls was selected as the site for the new reservoir. Civil engineer Robert Martin developed plans and constructed a giant wall of mud that became the largest earthen dam in America (at that time). Steam excavators were used for the first time in the city to move 500,000 cubic yards of earth. The dam itself consisted of a water tight clay core, or puddle wall, surrounded by steep banks of soil, and was supported by a stone wall laid in cement running the entire length of the dam. Earthen banks were laid in thin layers and pressed by horse drawn rollers.

When completed in 1871, the dam supported a reservoir that covered 55 acres, reached a depth of 94 feet (averaging 30 feet), and sat at an elevation 217 feet above mid-tide. Towering over the surrounding park at a height of 119 feet, the dam was 750 feet long, with a width of 600 feet at the base tapering up to 60 feet at the top.

The resulting body of water had been known during the first half of its construction as Lake Chapman, after Unionist Mayor and head of the Water Board at the time, John Lee Chapman (1811-1880). Since much of Chapman鈥檚 tenure as mayor was characterized by the bitter partisan feuding of the Civil War period, it came as little surprise when his Democratic successor, Robert T. Banks (1822-1901), and the City Council voted unanimously to change the name to Druid Lake just four months after he left office in early 1868.

Over 140 years later the dam still holds strong, and in 1971 it was named a National Historic Civil Engineering landmark by the American Society of Civil Engineers.

Related Resources

聽underbelly, Eben Dennis

Official Website

Street Address

3001 East Drive, Baltimore, MD 21217
]]>
/items/show/181 <![CDATA[Hampden Reservoir]]> 2018-11-27T10:33:51-05:00

Dublin Core

Title

Hampden Reservoir

Creator

Eben Dennis

Curatescape Story Item Type Metadata

Story

Only long-time residents of Baltimore can remember the Hampden Reservoir, buried since 1960 under debris from the construction of the Jones Falls Expressway and used as Roosevelt Park. The Hampden Reservoir was completed in 1861 three years after construction began at a cost of $206,643.50 by John W. Maxwell and Company. The reservoir was part of a system of improvements along the Jones Falls, including Lake Roland and the Mt. Royal Reservoir, to deliver a new supply of fresh water to Baltimore residents. The Hampden Reservoir remained in operation until 1915, when the municipal water supply was reconstructed once again, and the polluted 40,000,000 gallon reservoir was reduced to a neighborhood ornament. In 1930 it was drained and cleaned, and the pipes were cut off entirely from the city water system to prevent any contamination through seepage. Though the city threatened to drain it for years, Hampden residents managed to block all proposals for more than forty years.

In 1960 the Bureau of Water Supply began draining the reservoir without announcement. The city then revealed plans to fill the muddy pit and turn it into a Department of Aviation heliport. Neighborhood residents, led by Rev. Werner from the nearby Hampden Methodist Church (now known as the United Methodist Church), responded with an immediate outcry. The irate citizens protested that helicopters would be a major disturbance to the school, recreation center, and churches in the immediate proximity. Werner called the ordeal 鈥渁n infringement on our territorial rights without due recourse to a public hearing.鈥 Eventually the city retracted its proposal for the heliport. The draining did continue, however, as the city conveniently had an arrangement with the contractors excavating the new Jones Falls Expressway nearby. In exchange for a local site to dump the excavated soil, the city would receive a discount on the cost of that stretch of highway. So it was settled, the mud from the Jones Falls Expressway filled the giant hole, and the reservoir has been largely forgotten.

Related Resources

Eben Dennis, underbelly, November 20, 2012

Street Address

1221 W. 36th Street, Baltimore, MD 21211
]]>
/items/show/180 <![CDATA[Mount Royal Reservoir]]> 2020-10-21T10:23:42-04:00

Dublin Core

Title

Mount Royal Reservoir

Creator

Eben Dennis

Curatescape Story Item Type Metadata

Story

The Mount Royal Reservoir was once an essential element within an extensive system of waterworks built to deliver clean drinking water to a growing, thirsty city. In 1857, the 91桃色视频 City Council passed an ordinance to provide additional water to 91桃色视频 City and soon started construction on a $1.3 million system of dams, conduits and reservoirs along the Jones Falls鈥攖he more affordable option when compared to a $2.1 million plan for diverting water from the Gunpower Falls. In 1858, what was formerly called Swann Lake was dammed up to become what we now know as Lake Roland. A massive conduit was built connecting it to the Hampden Reservoir. Finally, a conduit was excavated going south to the Mount Royal Reservoir just north of the city boundary and the waterworks were fully operational by 1862. By 1863, just over half of the city鈥檚 38,881 buildings received water that was delivered from the Mount Royal Reservoir. The site of the Mount Royal Reservoir lay just west of the Northern Central Railroad tracks on the former site of the Mount Royal Mill property. The reservoir featured a large central fountain, similar to the one in present day Druid Lake, that shot a stream of water bubbling high into the air. Even before construction was complete, however, Baltimore residents discovered that this new source was once again insufficient for the growing population of the city and the large number of Federal troops stationed in Baltimore or passing through during the Civil War. During hot and dry periods of the summer the system would run short of supply and the Water Department鈥檚 response was to try to cut down demand by raising the price of water. The city鈥檚 poor living in low-lying neighborhoods and forced to use backyard pumps, were hit the hardest by the water-borne diseases that spread as a result. Sewage from cesspools leached into neighborhood wells and polluted the springs of the city, increasing the demand for clean water from the mains. Severe droughts from 1869 through 1872 finally forced the city to seriously consider the Gunpowder as a permanent water source. In 1910, the Mount Royal Reservoir was abandoned by the City Water Department and transferred to the Parks Department. In 1924 the City Park Board demolished the reservoir and removed 50,000 cubic feet of earth, turning the site into parkland. In 1959, the property was cut in two by the entrance to the new Jones Falls Expressway off of North Avenue. Today, you can still see the monumental entrance posts to Druid Park that stand at the base of the reservoir鈥檚 original location as you drive past on North Avenue.

Watch on this site!

Related Resources

聽Eben Dennis, underbelly, December 13, 2012.

Street Address

W. North Avenue, Baltimore, MD 21217
]]>
/items/show/176 <![CDATA[F. Scott Fitzgerald at 1307 Park Avenue]]> 2018-11-27T10:33:51-05:00

Dublin Core

Title

F. Scott Fitzgerald at 1307 Park Avenue

Subject

Literature

Creator

Nathan Dennies

Curatescape Story Item Type Metadata

Story

In August 1933, F. Scott Fitzgerald moved with his family to 1307 Park Avenue. Fitzgerald had been forced out of his previous home in Towson due to a house fire attributed to his mentally ill wife, Zelda. Their rowhouse, a ten minute walk from the monument of Fitzgerald's famous distant-cousin, Francis Scott Key, quickly became a place of turmoil, and was the last place where he and Zelda lived together.

Fitzgerald couldn't get back on his feet at his new home. His first published novel in ten years, "Tender Is the Night," tanked after its April 1934 release, selling only 13,000 copies to mixed reviews, and left Fitzgerald under immense financial strain. Everyone in the house was affected. Zelda and Fitzgerald's daughter, Francis Scott "Scottie" Fitzgerald, acted as a go-between for their landlord, forced to constantly ask her father for rent money.

Zelda, who spent her weekdays hospitalized at Sheppard and Enoch Pratt Hospital in Towson, had a brief period of wellness during the first few months at 1307 Park Avenue and was allowed to go home and take painting classes at the Maryland Institute College of Art. However, her mental illness soon worsened and she was moved to the expensive Craig House sanitarium in New York, only to return to Sheppard Pratt in May 1934 in worse shape than ever.

While Zelda was in the hospital, Fitzgerald's dependency on alcohol grew. Writer H.L. Mencken, a friend of Fitzgerald who lived nearby in Mt. Vernon at the time, wrote in his journal in 1934: "The case of F. Scott Fitzgerald has become distressing. He is a boozing in a wild manner and has become a nuisance."

Along with crippling alcoholism, Fitzgerald suffered insomnia and night terrors. He also became increasingly political, reading Marx and befriending Marxist literary critic, V.F. Calverton, who frequented the Fitzgerald home and who Zelda referred to as the "community communist."

After a turbulent two years, Fitzgerald and Scottie moved out of their rowhouse at 1307 Park Avenue into the Cambridge Arms Apartments across from Johns Hopkins University where Fitzgerald's career continued to worsen. His controversial three-part essay in Esquire, known as "The Crack Up," sullied his reputation in the eyes of his editor and agent.

In April 1936, Fitzgerald transferred Zelda to Highland Hospital in North Carolina and gave up his Cambridge Arms apartment the following summer due to rent trouble. After a brief stint at the Stafford Hotel in Mt. Vernon, he moved to Hollywood to write movies and became further estranged from his wife; she living in mental hospitals on the East Coast, and he living with his lover Sheilah Graham, a gossip columnist, in Hollywood.

Fitzgerald's Bolton Hill home at 1307 Park Avenue is now dedicated with a blue plaque in his honor, and remains a private residence.

Related Resources

Rudacille, Deborah.聽聽Baltimore Style Magazine.19. Dec. 2009

Street Address

1307 Park Avenue, Baltimore, MD 21217
]]>
/items/show/175 <![CDATA[McDonogh School]]> 2018-11-27T10:33:51-05:00

Dublin Core

Title

McDonogh School

Subject

Education

Creator

Johns Hopkins

Curatescape Story Item Type Metadata

Story

John McDonogh, a Baltimore-born merchant and philanthropist, was born in 1779 and died in 1850, bequeathing half of his estate to the City of Baltimore to educate children. However, since the public school system already existed in Baltimore, the mayor and city council used the funds to endow a 鈥渟chool farm鈥 for poor boys of good character. Mr. McDonogh had envisioned such a school in his handwritten will dated 1838.

In 1872, a tract of 835 acres鈥攅ssentially the same land that comprises the campus today鈥攚as purchased for $85,000 for the school鈥檚 establishment. McDonogh School was founded on November 21, 1873 with the arrival of twenty-one poor boys from 91桃色视频 City. From the beginning, the boys followed a semi-military system, which provided leadership opportunities and ensured order. Major milestones in McDonogh鈥檚 history signaled change. The first paying students arrived in 1922 and day students in 1927. The semi-military program was dropped in 1971, and the first female students enrolled in 1975.

Today, McDonogh is a non-denominational, college preparatory, co-educational day and boarding school. The school calls many accomplished athletes alumni. They include tennis-pro and sports commentator Pam Shriver, Orioles pitcher Brian Erbe, and equestrian Olympic gold medalist Bruce Davidson.

Official Website

Street Address

8600 McDonogh Road, Owings Mills, MD 21117
]]>
/items/show/174 <![CDATA[Dickeyville]]> 2020-10-16T14:41:47-04:00

Dublin Core

Title

Dickeyville

Subject

Neighborhoods

Creator

Johns Hopkins

Curatescape Story Item Type Metadata

Story

The Gwynns Falls first saw industrial development as early as the late 1700s and, by 1808, the small industrial village began to form around an early paper mill along the water where Dickeyville sits today. Although few of these early stone structures remain, the village endured and grew in the mid 1800s when the Wethered Brothers, owners of the mills, began building homes for their workers and made other improvements for the community. The Wethereds sold off small lots to private owners, many of whom built their own houses along with public buildings such as a fraternal hall, a general store, and churches. The diversity of worker housing and industrial buildings created over time resulted in a uniquely diverse architecture that is at the heart of the historic village鈥檚 captivating character today. In the 1930s, however, the isolated mill village was rocked by change thanks to the start of the Great Depression and the introduction of electrified industrial facilities that brought older mills like those on the Gwynns Falls to a stop. In 1934, the entire stock of buildings was sold at auction and bought by a group called the Title Holding Company. The new owners hired Palmer and Lamdin, noted local architects from the Roland Park Company, to build new houses and renovate existing ones, using the Roland Park Company as its sales agent. A rush of new residents decided they wanted their community to resemble an English village in design and name鈥攎aking Dickeyville one of Baltimore鈥檚 earliest attempts at historic restoration. The new homeowners added many historic details such as gas-lamps, Belgian block gutters, and picket fences, and gave their streets names evoking another era鈥攍ike Pickwick Road named for an English village. Dickeyville residents have worked hard for several generations to maintain and build from the village鈥檚 historic buildings and character. Standing in the center of the community today, you might swear you were in the middle of an nineteenth century village in the Cotswalds.

Watch our on this neighborhood!

Official Website

Street Address

Pickwick Road, Baltimore, MD 21207
]]>
/items/show/173 <![CDATA[Perry Hall Mansion]]> 2018-11-27T10:33:51-05:00

Dublin Core

Title

Perry Hall Mansion

Creator

Johns Hopkins

Curatescape Story Item Type Metadata

Story

Erected high on a hill above the Gunpowder River Valley, Perry Hall Mansion dominated life in northeastern 91桃色视频 County in the late eighteenth and early nineteenth centuries. Built in the 1770s by Harry Dorsey Gough, Perry Hall was named after the family castle near Birmingham England. The sixteen-room home, the seat of a vast plantation, soon became one of the leading houses in colonial Maryland. The mansion, considered a 鈥渟ister鈥 house to near by Hampton Mansion, turned from a house of raucous parties to a place of more reserved pleasure as Gough and his wife, Prudence, became ardent supporters of the early Methodist movement that had strong roots in Maryland.

Gough became a distinguished planter, a member of Maryland鈥檚 House of Delegates, and on the board of one of Maryland鈥檚 first orphanages. After Gough鈥檚 death in 1808, the mansion remained in the family for nearly fifty years. It was sold to a group of investors in 1852 that carved the plantation into lots for houses, many of which went to German immigrants. By 2001, the estate had dwindled to four acres and the house was sold to 91桃色视频 County for use as a museum and community center. The County completed the first stage of restoration in 2004, and exterior restoration won an award from the Preservation Alliance of 91桃色视频 County as an 鈥渙utstanding public project.鈥 The Friends are continuing with the restoration of this stately home.

Related Resources

, Sean Kief, Jeffrey Smith, February 18, 2013.

Official Website

Street Address

3930 Perry Hall Road, Perry Hall, MD 21128
]]>
/items/show/172 <![CDATA[Rogers Mansion in Druid Hill Park]]> 2018-11-27T10:33:51-05:00

Dublin Core

Title

Rogers Mansion in Druid Hill Park

Subject

Parks and Landscapes

Creator

Johns Hopkins

Curatescape Story Item Type Metadata

Story

The Mansion House, built by Revolutionary War Colonel Nicholas Rogers, has stood in what is now Druid Hill Park since 1801. The house is the third to stand in this location. Originally a castle known as 鈥淎uchentorolie,鈥 built by Rogers鈥 ancestors, occupied the hill but had burned sometime during the war. Rogers studied architecture in Scotland and most likely became familiar with Druids鈥 love of nature and hilltops and selected the name 鈥淒ruid Hill鈥 for his estate.

The house was initially planned to be a summer home but during its construction the family home at Baltimore and Light Streets burned and it was decided to use the Druid Hill house year-round. The Mansion remained in the Rogers family until the mid-1800s, when Rogers鈥 grandson sold the house and lot to 91桃色视频 City for $121,000 in cash and $363,000 in City of Baltimore stock. One stipulation of the sale was that the family burial plot remain property of the family, and the plot is still in place today in the park.

The Mansion House has seen many rebirths. In 1863, during the park movement in 91桃色视频 City, the house was greatly modified. Under the direction of John H. B. Latrobe, it was turned into a pavilion and updated in the Victorian style. By 1935, the porches were enclosed and the house became a restaurant. In the 1940s, the building was used as a day school for the Young Men and Women鈥檚 Hebrew Association.

The Zoo, which had begun developing around the mansion beginning in 1867, used the building as its bird house from the 1950s until its restoration in 1978. The restoration efforts took the house back to its 1860s design. Just last year, the Mansion underwent its most recent restoration and repair work, including much needed wood restoration and structural shoring. The building today houses the Maryland Zoo in Baltimore鈥檚 administrative offices and event rental space.

Related Resources

聽(PDF), The Maryland Zoo

Official Website

Street Address

1876 Mansion House Drive, Baltimore, MD 21217
]]>
/items/show/170 <![CDATA[Camden Station]]> 2018-11-27T10:33:51-05:00

Dublin Core

Title

Camden Station

Subject

Transportation

Creator

Eli Pousson

Curatescape Story Item Type Metadata

Story

Built between 1856 and 1857 at a cost of $600,000, Camden Station is a grand reminder of the long history of the Baltimore & Ohio Railroad in Baltimore. Designed by Niernsee and Neilson with contributions by architect Joseph F. Kemp, the station served as a passenger and freight station through the 1980s.

One of Camden Station's most notable passengers was President Abraham Lincoln who travelled through the station in February 1861, on his way to his inauguration in Washington, D.C., again in 1863 on his way to Gettysburg, in 1864 to make a speech in Baltimore, and finally in 1865 when his funeral train from Washington, DC to Springfield, Illinois made its first stop in Baltimore.

The B&O Railroad left Camden Station in 1971 and sold the building to the Maryland Stadium Authority. Fortunately, the Maryland Stadium Authority integrated the building into the design for Camden Yards stadium and commissioned local architecture firm of Cho, Wilks, and Benn to restore the facade to its 1867 appearance. The Sports Legends Museum at Camden Yards occupied the building from 2005 up until October 2015 when the museum closed after failing to reach a lease agreement with the Maryland Stadium Authority.

Street Address

301 W. Camden Street, Baltimore, MD 21201
]]>
/items/show/169 <![CDATA[Little Joe's]]> 2018-11-27T10:33:50-05:00

Dublin Core

Title

Little Joe's

Subject

Recreation

Creator

Theresa Donnelly

Curatescape Story Item Type Metadata

Story

Long before places like Sports Authority or Dick's Sporting Goods opened their doors, Little Joe's on the northwest corner of Howard and Baltimore was selling everything from camping equipment and fishing gear to bikes and saddles. In addition, Little Joe's (named for its proprietor, Joe Wiesenfeld, who was just shy of 5 feet) sold a variety of "sundries" and toys, including electric trains and, for a short time, cars and auto-related accessories. By the turn of the century, Wiesnefeld, who opened a bike shop at the corner of Baltimore and Paca Streets in the early 1890s, had expanded his business and moved the shop to this location. In 1909 Wiesenfeld opened an auto annex on West German Street , where his staff repaired and sold cars.

Wiesenfeld's goal on opening Little Joe's Sporting Goods was to sell everything that the multiple department stores in the area didn't and for years he did just that, offering the neighborhood access to goods that would otherwise not have been readily available. This location of Little Joe's was closed in 1925.

Street Address

6 N. Howard Street, Baltimore, MD 21201
]]>
/items/show/168 <![CDATA[Edna St. Vincent Millay at Emmanuel Episcopal Church]]> 2019-05-07T16:58:44-04:00

Dublin Core

Title

Edna St. Vincent Millay at Emmanuel Episcopal Church

Subject

Literature

Creator

Elizabeth Matthews

Curatescape Story Item Type Metadata

Story

Past the brick rowhomes that have come to define Baltimore, Emmanuel Episcopal Church, established in 1854, sits on the corner of Read and Cathedral Streets. At street level, only the abrupt appearance of rubble stone from brick indicates that there is a new building at all. That is, until the lucky passerby looks up. Towers soar above a progress of granite to white limestone, punctuated by lancet windows and tempered with light refracted through stained glass windows.

A striking example of Gothic architecture in Baltimore, the church was designed by Niernsee & Neilson (the same partnership behind the Green Mount Cemetery Chapel and Clifton Mansion.) The towers and archways invoke a time long past, of feudalistic morality and rigid social structures of the separation of the few from the struggles of the many... and yet, it was these very towers that looked down upon one of the twentieth century's most controversial and feminist writers, Edna St. Vincent Millay.

The first woman in history to receive a Pulitzer Prize for poetry, Edna St. Vincent Millay, or "Vincent" as she preferred to be called, is remembered by scholar Robert Gale as the "poetic voice of eternal youth, feminine revolt and liberation, and potent sensitivity and suggestiveness." Born in 1892 and raised by an independent mother in New England, she published her first poem, Renascence, in 1912. Continuing on to Vassar College in 1913, she pursued acting and writing, flouting the rules and societal prescripts by smoking, drinking, and dating freely among the all-female population. After graduation, she moved to Greenwich Village in New York City, where she was surrounded by artists, actors, and other bon vivants. She promptly became a name in the bohemian village. It was in this time that she penned her most famous quatrain: "First Fig" from A Few Figs from Thistles (1920):

"My candle burns at both ends;
It will not last the night;
But ah, my foes, and oh, my friends 鈥
It gives a lovely light!"

She spent the next two years in Europe writing for Vanity Fair, producing upon her return the work that would win her the Pulitzer, The Harp Weaver and Other Poems (1923). In this and her other works, in a time when women still were fighting for the right to vote in much of the United States, Millay championed the plight of women and the oppression of traditional gender roles. She loved freely, marrying Eugen Boissevain in 1923 on the understanding that she would not be faithful, and let him manage her tours.

It was in 1925 on one of her tours that Mrs. Sally Bruce Kingsolver asked her to read at the Emmanuel Episcopal Church for the Poetry Society of Maryland. What poems she read is not recorded but she surely read with the passion of one who rubbed so far against the grain. She was the absolute embodiment of the hedonism of the 1920s, as she did what she wanted, defied convention at every turn, and presented herself to life with a passion that swept up those around her.

Related Resources

Robert L. Gale,聽聽from the Modern American Poetry Site.

Official Website

Street Address

811 Cathedral Street, Baltimore, MD 21201
]]>
/items/show/167 <![CDATA[Orchard Street Church]]> 2020-10-21T10:19:55-04:00

Dublin Core

Title

Orchard Street Church

Subject

Religion
Slavery

Creator

David Armenti

Curatescape Story Item Type Metadata

Story

Constructed in 1882, the Orchard Street United Methodist Church is one of the oldest standing structures built by a Black congregation in Baltimore. The church was established by Trueman Pratt, a free Black man who was born into slavery in Anne Arundel County, came to Baltimore, and began organizing prayer meetings at his home on Pierce Street in 1825. According to some sources, Pratt was originally held by General John Eager Howard and sold several times before he purchased his own freedom. The church formally organized in 1837 and, in 1839, Trueman, together with fellow free blacks Cyrus Moore and Basil Hall, leased the grounds at the corner of Orchard Street and what was then called Elder Alley and the church appeared as "Orchard Chapel," in a 1842 Baltimore business directory. The congregation paid $80.50 annually to Kirkpatrick Ewing, a Pennsylvanian who owned the property. The first building went up in 1838 followed by additions in 1853 and 1865 to accommodate a growing congregation. After the end of the Civil War, a great number of recently emancipated Black Marylanders from rural counties on the Eastern Shore and Southern Maryland moved to Baltimore and many lived in the area around the church. One such individual was the Reverend Samuel Green, a Dorchester County native, who had been imprisoned five years in the state penitentiary for possessing the novel Uncle Tom's Cabin. Green moved to Baltimore in the early 1870s in order to work for the burgeoning Centenary Biblical Institute (now Morgan State University) and worshipped at Orchard Street until his death in 1877. By the time founder Trueman Pratt died in 1877鈥攁llegedly reaching over one hundred years of age鈥攖he congregation had clearly outgrown their building and began making plans to build a new church. In 1882, a Baltimore architect named Frank E. Davis was tasked with constructing the new facility on the same location. The church, renamed the Metropolitan Methodist Episcopal Church, was finished that December at an approximate cost of $27,000. Thousands of Baltimoreans came out for the laying of the corner-stone, including numerous prominent ministers from the region. A contemporary newspaper account refered to the finished building as the "foremost colored house of worship in the state." The church developed into an important civic institution for the African American community, often hosting conferences related to politics and education. The Colored Maryland Literary Union, the Washington Methodist Episcopal Conference, and reunions of United States Colored Troops met at Orchard Street over the years. Teddy Roosevelt even took to the pulpit in advance of the 1912 election in order to warn black voters against accepting bribes by "unscrupulous white men." The church remained in operation until the congregation relocated in 1972. Unfortunately, within a year, a fire and recurring vandalism nearly led to the structure being demolished by the city. Recognizing its historical significance, community groups mobilized to save the church. Several preservation organizations, including the Maryland Commission on Negro History and Culture, sought to document its story. Local historians succeed in listing the building on the National Register of Historic places in 1975. During the research process no evidence was recovered to support rumors of Underground Railroad activity, though church members may well have participated in that movement. Efforts to restore the church and establish a museum of black history in the state repeatedly stalled throughout the next 15 years. Orchard Street finally received the necessary backing when the Baltimore Urban League decided to move its offices there in 1992. The organization funded much of the restoration, which has returned the aged structure to its former grandeur.

Watch on this church!

Official Website

Street Address

512 Orchard Street, Baltimore, MD 21201
]]>
/items/show/166 <![CDATA[707 South Regester Street]]> 2018-11-27T10:33:50-05:00

Dublin Core

Title

707 South Regester Street

Subject

Architecture

Creator

Stacy Montgomery

Curatescape Story Item Type Metadata

Story

707 South Regester Street was built between 1760 and 1780 when Regester was known as Argyle Alley. Deed research tracing back to 1814 shows the house was owned by Joseph Brown until he sold it to Issac Stansbury in October of 1814. It was originally free standing and may have been an outbuilding for a main house fronting on Ann Street.

When Reverend Robert L. Young took on the restoration of the house in 1972, he found many original hand cut nails, which he reused in the rehabilitation. If Young had to replace a historic feature, he searched diligently for one that matched in both age and material. What Young found on the interior of the house was also telling. He found evidence of the original plaster in a few places, as well as the original blue paint and chair rails around the rooms. The interior woodwork has beading and backband molding typical of its era.

Aside from a careful examination of the house and a report on his rehabilitation efforts, Young also completed extensive deed research, finding all of the homeowners dating back to Issac Stansbury in 1814. Reverend Young鈥檚 work on the house was an important step in preserving this house. Today, the house is distinguished by its bright red paint and green shutters and the unpainted cypress boards on the north and south sides of the house and remains a well-preserved example of a Fell's Point wooden house.

Street Address

707 S. Regester Street, Baltimore, MD 21231
]]>
/items/show/165 <![CDATA[Saint Alphonsus Church]]> 2018-11-27T10:33:51-05:00

Dublin Core

Title

Saint Alphonsus Church

Subject

Architecture

Creator

Eli Pousson

Curatescape Story Item Type Metadata

Story

Designed by early Baltimore architect Robert Cary Long in 1845, the St. Alphonsus Church has been called "the German cathedral" for its Southern German neo-Gothic style. The church was originally established with a large German congregation and the attached rectory functioned as provincial headquarters for the Redemptorist Fathers and Brothers.

By 1917, the German congregation had largely left the neighborhoods around the church and the building was acquired by the Roman Catholic Lithuanian Parish of Saint John the Baptist. The new congregation took on the historic name of the church and reopened the school in St. Alphonsus Hall, which had been established in l847.

Official Website

Street Address

114 W. Saratoga Street, Baltimore, MD 21201
]]>
/items/show/163 <![CDATA[Mayfair Theatre]]> 2018-11-27T10:33:51-05:00

Dublin Core

Title

Mayfair Theatre

Subject

Entertainment

Creator

Theresa Donnelly

Curatescape Story Item Type Metadata

Story

Built in the late 1800s, the Mayfair Theatre, originally known as the Auditorium, was once considered one of the finest showhouses in Baltimore, if not the country. Though the building's ornate white stonework fa莽ade and grand marquee readily identify it as a theatre, the building and the site have a wide and varied history. Before the Mayfair theatre was constructed, this site was the home of the Natatorium and Physical Culture Society (a spa and swimming school), a Turkish bath house, and, remarkably, an indoor ice rink (one of only six in the country at the time).

During its heyday, the theatre became well known for its many vaudeville acts and plays鈥攊ncluding Spencer's Tracey's 1929 performance in Excess Baggage鈥攁nd for what the Baltimore Sun called its "beautiful and cozy interior," which was painted in rich golds, dramatic reds, and creamy whites all lit by hundreds of lights clustered on crystal chandeliers. The walls inside the theatre were frescoed in Byzantine and Renaissance styles and the private boxes had velvet, olive-colored drapes. The theatre's reception room had luxurious red carpeting, a telephone, and a maid. During intermission, a Hungarian orchestra played in the theatre's palm garden and ice water was served to "ladies" in the audience. The theatre seated 2,000 and had 30 exits, making it easy to evacuate in case of fire.

The building's life as a concert hall and live theatre venue came to an end in 1941 when it was converted to a first-run movie house; the building's name was changed that same year. In time, the post-war exodus of residents from cities all over the country and the growth of suburban multiplexes in the 1950s relegated this grand structure to showing Grade B horror and action movies. The theatre's last movie was shown in 1986.

Unfortunately, after years of neglect, the building's roof collapsed in 1998. In the late 2000s, plans to turn the building into apartments and retail space failed to get started. Then, in September 2014, a two-alarm brought further damage to the Mayfair and gutted the adjoining New Academy Hotel. The demolition of the damaged New Academy Hotel revealed serious structural problems with the Mayfair Theatre. The city decided to tear down much of the old theatre but they kept the facade and is seeking a developer for the site who can preserve the remains of the once-great Mayfair Theatre.

Street Address

508 N. Howard Street, Baltimore, MD 21201
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/items/show/161 <![CDATA[G. Krug & Son Ironworks and Museum]]> 2020-10-16T13:13:57-04:00

Dublin Core

Title

G. Krug & Son Ironworks and Museum

Subject

Industry

Creator

Patrick Cutter

Curatescape Story Item Type Metadata

Subtitle

America's Oldest Operating Ironworks

Lede

For more than 200 years artisans here have hammered out practical and ornamental ironwork that still graces local landmarks as Otterbein Methodist Church, the Basilica of the Assumption, Baltimore's Washington Monument, Zion Church, Johns Hopkins Hospital and the Baltimore Zoo.

Story

"There is hardly a building in Baltimore that doesn't contain something we made, even if it is only a nail," boasts Theodore Krug, heir to the oldest continuously working iron shop in the country. G. Krug & Son is one of the oldest companies in Baltimore, and the oldest ironworks factory in the country. These ironworks have been in operation without interruption, at the same location, since 1810. At that time, it was operated by Augustus Schwatka who was listed in the Baltimore Directory of 1810 as Schwatka, Augustus, blacksmith, corner of Saratoga St. and Short Alley. The firm changed hands in 1830, when it was sold to Andrew Merker. It was then listed as Merker, A., Locksmith and Bell Hanger, Eutaw St. and Saratoga. Today, the profession of "bell hanger" combined with "locksmith" may sound strange; however, in the year 1831 it made sense as more and more churches were being built. Gustav Krug came to Baltimore in 1848 and worked under Merker, but quickly advanced to foreman, then partner of the company. Upon the death of Andrew Merker in 1871, Gustav Krug became the sole proprietor, and "A. Merker & Krug" became "G. Krug & Son" in 1875. By the late nineteenth century, the company records listed the most important jobs as Johns Hopkins Hospital, Emanuel Church, Otterbein Church, and one of Baltimore's most famous landmarks, "The Fountain Inn." The bill for the Fountain Inn at the time was $524.00 for 262 feet of plain railing and $475.65 for 151 feet of fancy railing. The Krugs' signature "Otterbein Style" has become synonymous with Baltimore history and can be seen on many buildings throughout the city. While the company keeps a steady flow of new work, it also restores the work made by its predecessors. G. Krug & Son is one of the few companies left in Baltimore that can state it helped in building the city. Today, the company is run by 5th generation Peter Krug.

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Official Website

Street Address

415 W. Saratoga Street, Baltimore, MD 21201
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