/items/browse/page/17?output=atom <![CDATA[91ɫƵ]]> 2025-08-18T16:44:29-04:00 Omeka /items/show/71 <![CDATA[Preston Gardens]]> 2018-11-27T10:33:49-05:00

Dublin Core

Title

Preston Gardens

Subject

Parks and Landscapes

Curatescape Story Item Type Metadata

Story

Built between 1914 and 1919, Preston Gardens is a linear park along Saint Paul Street. Few people know that Preston Gardens was once the site of a thriving black community up through the early twentieth century. Black lawyers, religious leaders, and countless others occupied a mix of homes, offices and social halls built on Saint Paul, Hamilton, and Courtland Streets from the early to mid-nineteenth century.

The neighborhood originally developed as an affluent district just north of downtown back when Mount Vernon Place was still a forest and a dueling ground. As the city’s African-American population grew following the U.S. Civil War, black household largely moved to south Baltimore and central Baltimore – keeping close to both the black institutions that predated the war and potential places to find work around the harbor. By the late 1890s and early 1900s, the district passed out of fashion with many middle-class African Americans as they followed white Baltimoreans in moving out into the northwestern suburbs now known as Bolton Hill, Madison Park, and Druid Heights.

Unfortunately, this out-migration and a series of “improvements” to St. Paul Street between the 1910s and 1930s resulted in the demolition of nearly all of the buildings in this area. The creation of Preston Gardens and Saint Paul Place began in 1914 as a project of then Mayor James H. Preston. An ordinance passed that year gave the city authority to condemn and tear down what Preston called "blighted" buildings in the area. Critics called the plan “Preston’s Folly” after the Mayor used loan money originally designated for harbor improvements to pay for the costly improvements. The park was designed by architect Thomas Hastings and the was dedicated in 1919.

In 1926, an article in the Afro-American newspaper recalled:

"When you pass through the beautiful Preston Gardens, now almost the heart of Baltimore’s humming business section, you are passing through a section where some beautiful brown-skinned girls and chivalrous youth who glided across hardwood floors to the tune of the old-time waltz while proud matrons and father looked on."

Mercy Hospital tore down a row on St. Paul Street containing some the few surviving buildings from this district in 2008.

Related Resources

Street Address

Saint Paul Place and E. Pleasant Street, Baltimore, MD 21201
]]>
/items/show/67 <![CDATA[91ɫƵ City Hall]]> 2018-11-27T10:33:49-05:00

Dublin Core

Title

91ɫƵ City Hall

Subject

Architecture

Creator

Jack Breihan

Curatescape Story Item Type Metadata

Story

Although it imitates the arrangement of the U.S. Capitol with a central dome and symmetrical wings, the 91ɫƵ City Hall is covered in French architectural elements, including banded rustication, arched windows, and a crowning Mansard roof. How did this come about?

Between 1861 and 1865, the U.S. Civil War stopped most building projects. By the time the war ended, tastes had changed. Although the Italianate style remained popular (especially in conservative Baltimore), the antebellum Greek and Gothic Revival styles faded away. Indeed, this whole era in American architecture bears a European name: “Victorian,” for the queen of Great Britain between 1837 and 1901. Victorian buildings showed off the new products of the industrial revolution then creating out a wealth of new building products: cheaper bricks and cut stone, encaustic tiles and terracotta, various forms of structural iron.

The Victorian style from France is named for the Second Empire of the Emperor Louis-Napoleon Bonaparte, who styled himself Napoleon III. It was this Napoleon who extended the Louvre and laid out the boulevards and sewers that made Paris the most modern city in the world in the late nineteenth century. The Second Empire style became very popular for government buildings after the Civil War; it was sometimes called the “General Grant” style after the eighteenth President. In Baltimore, George A. Frederick’s design, completed in 1875, employed a good deal of cast iron, including the 227-foot tall dome designed by Wendel Bollman and cast by Bartlett, Robbins, and Company.

About seventy-five years after their construction, Victorian buildings inevitably came to be seen as downright ugly. In Baltimore, the construction of the Abel Wolman Municipal Building overshadowed City Hall, blocking any views from the north. In the 1970s, city officials seriously discussed demolishing City Hall. But wiser heads prevailed, and a prize-winning renovation equipped City Hall for continued use as the center of Baltimore’s government.

Official Website

Street Address

100 N. Holliday Street, Baltimore, MD 21202
]]>
/items/show/66 <![CDATA[Baltimore Equitable Society]]> 2019-05-09T21:20:24-04:00

Dublin Core

Title

Baltimore Equitable Society

Subject

Architecture
Economy

Creator

Theresa Donnelly

Curatescape Story Item Type Metadata

Story

First established in 1847 by a group of prominent businessmen, the Eutaw Savings Bank spent its first decade operating out of the Eutaw House Hotel located on the same site as the Hippodrome Theater. In 1856, the Eutaw Savings Bank purchased a lot across the street on the corner of Eutaw and Fayette Street from the estate of Michael F. Keyser, a director of the Eutaw Savings Bank who died in 1855. The bank demolished the grand old mansion that occupied the corner to make way for a "more modern and beautiful edifice" designed by Baltimore architect Joseph F. Kemp in an Italian Renaissance Revival style and built at a cost of around $22,000.

The Building Committee of the Board of Directors for the bank praised their own work with the statement that, "for neatness, convenience, and durability, it is at its cost unequaled by any other banking house in our city." Within a few years, the reportedly "popular and thriving" bank had outgrown their building and decided to purchase a lot directly across Eutaw Street. Their new brownstone bank, later adapted for use as part of the France-Merrick Performing Arts Center in 2004, opened in 1889.

The Baltimore Equitable Society (still operating in 91ɫƵ City under the name Baltimore Equitable Insurance) purchased the building in 1889 and maintained offices in the building for over 114 years, until 2003. Founded in 1794 as the first fire insurance company in Baltimore, the "Baltimore Equitable Society for Insuring of Houses from Loss By Fire" was modeled after The Philadelphia Contributorship, a fire insurance company founded by Benjamin Franklin, among others. The Baltimore Equitable Society remains the oldest corporation in Maryland, and the nation's fourth oldest fire insurance company.

The Baltimore Equitable Society endured many challenges over the decades, from the War of 1812, the Civil War, economic depressions and other calamities. The Great Baltimore Fire of 1904 resulted in a loss of $1.5 million but the firm still paid all of its policyholders' claims in full, with an officer of the bank later explaining, "we were hit hard, but are still strong." When the Great Depression caused other banks and insurance companies to close down, the Baltimore Equitable Society actually thrived, increasing assets by 23% and even opened a Fire Museum in the second floor of its building. After the 1968 riots that led to the loss of buildings due to fire, some insurance companies refused to cover homes and businesses in the City of Baltimore. However, the Society continued insuring properties within the City regardless of the perceived increased risk.

Although the Baltimore Equitable Society left the building in 2003, it remains a handsome reminder of Baltimore's early financial history on the West Side. Looking at the first floor windows, you can still read the words "Baltimore" and "Insurance" painted in gold on its lower panes, the remnants of a "Baltimore Equitable Insurance" sign and inside the decorative wood work and grand tall windows remain in excellent shape.

Official Website

Street Address

21 N. Eutaw Street, Baltimore, MD 21201
]]>
/items/show/65 <![CDATA[Penn Station]]> 2020-10-21T10:07:24-04:00

Dublin Core

Title

Penn Station

Subject

Transportation

Curatescape Story Item Type Metadata

Subtitle

A Beaux-Arts Landmark by Architect Kenneth Mackenzie Murchison

Story

Penn Station is a unique combination of a classic Beaux-Arts architectural design from architect Kenneth Mackenzie Murchison and a functional, adaptable train station that serves as the eighth busiest station in the United States. Originally known as the Union Station, named for the Union of northern and southern railroads that came together at the station, this 1911 ornate granite, terracotta, and cast iron building is the third structure to exist on the site. In 1873, the Northern Central Railway built the first station on this site, a wooden structure, replaced in 1886 by a hulking Victorian brick structure. After critics declared the station overcrowded, uncomfortable, dangerous, and unsuitable for Baltimore's booming passenger traffic, the building was torn down in 1910 to be replaced by a new modern station. The architect, Kenneth Mackenzie Murchison, had extensive experience creating railroad stations around the nation and brought a stylish Beaux-Arts style to the job. Murchison's design incorporated an innovative waiting area illuminated by three large domed skylights directly connected to the boarding platforms. The Pennsylvania Railway Company took over the station in the 1920s and renamed it Pennsylvania Station to match the other Penn Stations along the line. The building deteriorated over the years and during World War II blackout paint was applied to the skylight and windows. This remained through the early 1980s, when a $5 million facelift restored the mosaic flooring, glazed wall tile, marble detailing, and the windows. In 2015, the station served more than 993,721 Amtrak passengers and even more MARC train commuters.

Watch on this building!

Related Resources

Official Website

Street Address

1500 North Charles Street, Baltimore, MD 21201
]]>
/items/show/64 <![CDATA[Brewers Exchange]]> 2019-05-09T21:21:10-04:00

Dublin Core

Title

Brewers Exchange

Subject

Architecture

Creator

Bill Carroll
Theresa Donnelly

Curatescape Story Item Type Metadata

Story

The Brewers Exchange, a gorgeous, three story terra cotta Renaissance Revival building designed by noted local architect Joseph Evans Sperry (who designed the Bromo Seltzer Tower, as well as many other Baltimore buildings) that stands at the corner of Park Avenue and Fayette Streets, was built in 1895 by the ale and beer brewers guild of Baltimore and constructed to serve as a forum for negotiating securities and commodities associated with the local brewing industry.

This handsome building, which features a host of elaborate decorative touches, including two-story half-round Ionic pilasters, cartouches, pediments, window surrounds, and a garland frieze. stands as a monument to the efforts of local Maryland brewers, many of whom were German immigrants who brought brewing techniques and technology with them across the Atlantic and whose hard work established Baltimore as the national center for their trade. Though the exchange only occupied this building for a decade, the still visible "BH" etched in the building's façade serves as a solid reminder of the prominent role brewing had in the economy and culture of Baltimore in the nineteenth and early twentieth century.

Street Address

20 Park Avenue, Baltimore, MD 21201
]]>
/items/show/63 <![CDATA[Lexington Market]]>
The city kept the price to rent a stall at the market low to encourage aspiring business owners to get their start. This practice was particularly beneficial for immigrants who had few job opportunities upon entering the United States. As a result, immigrant communities grew around Lexington Market and helped establish a diverse community in West Baltimore. The new products offered at the market contributed to the international fame it would attain at the turn of the century.

While the form of Lexington Market has changed dramatically over the decades -- the early frame market shed was replaced in 1952 following a 1949 fire and the city significantly expanded the market in the 1980s -- the community of vendors and locals continues to draw crowds of residents and tourists daily.]]>
2023-02-01T12:44:22-05:00

Dublin Core

Title

Lexington Market

Subject

Food
Baltimore's Slave Trade

Description

The "gastronomic capital of the world" declared Ralph Waldo Emerson on a visit to Lexington Market. Established in 1782 on land donated by John Eager Howard, Lexington Market was an overnight success as local farmers flocked to the site to sell their produce. Although the original intention of the market was to sell only Maryland-grown produce by the turn of the twentieth century, the market offered an international selection as thousands of immigrants moved to Baltimore and became both vendors and customers at Lexington Market.

The city kept the price to rent a stall at the market low to encourage aspiring business owners to get their start. This practice was particularly beneficial for immigrants who had few job opportunities upon entering the United States. As a result, immigrant communities grew around Lexington Market and helped establish a diverse community in West Baltimore. The new products offered at the market contributed to the international fame it would attain at the turn of the century.

While the form of Lexington Market has changed dramatically over the decades -- the early frame market shed was replaced in 1952 following a 1949 fire and the city significantly expanded the market in the 1980s -- the community of vendors and locals continues to draw crowds of residents and tourists daily.

Creator

Keegan Skipper
Theresa Donnelly
Richard F. Messick

Curatescape Story Item Type Metadata

Story

Lexington Market, originally known as Western or New Market, was started at the western edge of the city at the turn of the 19th century to take advantage of the trade with the recently opened Northwest Territory. The first market shed was built c. 1805 on land once belonging to John Eager Howard. It grew quickly along with the city, which was advantageously situated on the western most harbor along the East Coast. This access to transatlantic trade routes, then the railroads, were major factors to the growth of Baltimore through the 19th century. After a visit to the market, Ralph Waldo Emerson dubbed it the “gastronomic capital of the world.”

The larger and more established public markets, like Centre, Hanover, and Broadway markets, were often used for court ordered auctions of enslaved people. Having been located at the edge of the city, there is not much evidence that such sales were common at Lexington Market. The only information found so far indicates that at least one such auction did take place here in 1838. A monument was recently erected here to memorialize the woman sold at that court-ordered auction and a runaway enslaved man who had worked at the market. Their names were Rosetta and Robert.

Hotels and taverns proliferated near public markets, including this area around Lexington Market. It was a common practice during this time to arrange business meetings in hotels and taverns, to such an extent that bartenders and inn keepers would take and relay messages for regular customers. The meetings could be business or social. Transactions discussed could be anything from starting a chapter of a fraternal organization to the selling and buying of real estate, farm animals, or enslaved people. Many slave traders got their start in this manner--Slatter, Woolfolk, and Purvis to name a few. An example of an ad from the early 19th century informed buyers of people “to apply at Mr. Lilly’s Tavern, Howard Street” and another directed buyers to “Fowler’s Tavern near the New Market, Lexington Street.” The latter of these might be William Fowler’s Sign of the Sunflower, which was located in this area.

Although the original intention of the market was to sell Maryland-grown produce, by the turn of the twentieth century, the market offered an international selection as thousands of immigrants moved to Baltimore, becoming both vendors and customers. The city kept the price to rent a stall at the market low to encourage aspiring business owners. This practice was particularly beneficial for immigrants who had few job opportunities upon entering the country. As a result, immigrant communities grew around Lexington Market and helped establish a diverse community in West Baltimore. The new products offered at the market contributed to the international fame it would attain at the turn of the century.

While the form of Lexington Market has changed dramatically over the decades — an early frame market shed was replaced in 1952 following a 1949 fire and the city significantly expanded the market in the 1980s — the community of vendors and locals continues to draw crowds of residents and tourists daily.

Official Website

Street Address

400 W. Lexington Street, Baltimore, MD 21201
]]>
/items/show/61 <![CDATA[Maryland State Medical Society (MedChi) Building]]>
The society became the seventh of its kind in the country, and some of its notable achievements include the creation in 1807 of what became the University of Maryland School of Medicine, the establishment in 1830 of a medical library, and the creation of the 91ɫƵ College of Dental Surgery in 1839 that was the first institution of its kind in the world. MedChi has been in its current building since 1909 and Dr. William Osler, co-founder of the Johns Hopkins University School of Medicine, is given credit for the creation of the MedChi library that is still housed there today.

When Dr. Osler arrived in Baltimore in 1889 he was disappointed to find that the Society's library consisted of only 7,000 volumes of outdated and dilapidated books. He convinced the Society to purchase a building on Eutaw Street for use as a library but the collection soon outgrew the location.

The Society purchased a lot at 1211 Cathedral Street and dedicated the current building in 1909. Modeled after the medical society libraries of Boston, Philadelphia, and New York City, the building included a roof-top apartment (described by the Baltimore Sun as the "first penthouse in Baltimore") and a garden for a full-time, live-in librarian. The building was later renovated in 1962 by University of Maryland architect Henry P. Hopkins.]]>
2018-11-27T10:33:49-05:00

Dublin Core

Title

Maryland State Medical Society (MedChi) Building

Description

In January 1799, the Maryland Legislature approved a petition for a charter to incorporate a society of physicians in Maryland to be known as the Medical and Chirurgical Faculty of the State of Maryland. As written, this special act of the Maryland Legislature was intended to "prevent the citizens (of Maryland) from risking their lives in the hands of ignorant practitioners or pretenders to the healing art."

The society became the seventh of its kind in the country, and some of its notable achievements include the creation in 1807 of what became the University of Maryland School of Medicine, the establishment in 1830 of a medical library, and the creation of the 91ɫƵ College of Dental Surgery in 1839 that was the first institution of its kind in the world. MedChi has been in its current building since 1909 and Dr. William Osler, co-founder of the Johns Hopkins University School of Medicine, is given credit for the creation of the MedChi library that is still housed there today.

When Dr. Osler arrived in Baltimore in 1889 he was disappointed to find that the Society's library consisted of only 7,000 volumes of outdated and dilapidated books. He convinced the Society to purchase a building on Eutaw Street for use as a library but the collection soon outgrew the location.

The Society purchased a lot at 1211 Cathedral Street and dedicated the current building in 1909. Modeled after the medical society libraries of Boston, Philadelphia, and New York City, the building included a roof-top apartment (described by the Baltimore Sun as the "first penthouse in Baltimore") and a garden for a full-time, live-in librarian. The building was later renovated in 1962 by University of Maryland architect Henry P. Hopkins.

Creator

Johns Hopkins

Curatescape Story Item Type Metadata

Story

In January 1799, the Maryland Legislature approved a petition for a charter to incorporate a society of physicians in Maryland to be known as the Medical and Chirurgical Faculty of the State of Maryland. As written, this special act of the Maryland Legislature was intended to "prevent the citizens (of Maryland) from risking their lives in the hands of ignorant practitioners or pretenders to the healing art."

The society became the seventh of its kind in the country, and some of its notable achievements include the creation in 1807 of what became the University of Maryland School of Medicine, the establishment in 1830 of a medical library, and the creation of the 91ɫƵ College of Dental Surgery in 1839 that was the first institution of its kind in the world. MedChi has been in its current building since 1909 and Dr. William Osler, co-founder of the Johns Hopkins University School of Medicine, is given credit for the creation of the MedChi library that is still housed there today.

When Dr. Osler arrived in Baltimore in 1889 he was disappointed to find that the Society's library consisted of only 7,000 volumes of outdated and dilapidated books. He convinced the Society to purchase a building on Eutaw Street for use as a library but the collection soon outgrew the location.

The Society purchased a lot at 1211 Cathedral Street and dedicated the current building in 1909. Modeled after the medical society libraries of Boston, Philadelphia, and New York City, the building included a roof-top apartment (described by the Baltimore Sun as the "first penthouse in Baltimore") and a garden for a full-time, live-in librarian. The building was later renovated in 1962 by University of Maryland architect Henry P. Hopkins.

Official Website

Street Address

1211 Cathedral Street, Baltimore, MD 21201
]]>
/items/show/60 <![CDATA[Everyman Theatre]]>
By 1915 it had switched to a single screen movie theater with seats for over 1500. Movies did not fare well either, and after a brief stint back as a burlesque theater, the building was shuttered in 1927. In 1937 it reopened, but as a parking garage. For some reason, this use also did not stick, and in 1947 the building was rebuilt back into a theater. With architects Lucius White and John Zinc in the lead, the new theater was fully modern, with Art Moderne styling, amoeba-shaped wall decorations, and even a concession stand selling new fangled orange-coated ice cream treats called Dreamsicles.

The Town Theater, as it was then renamed, opened with a premier showing of "It's a Wonderful Life," complete with Jimmy Stewart in the audience. From the 1960s into the 1970s, the Town was Baltimore's only "Cinerama," a film technique where multiple film strips are shown on a single projector. This run didn't last either, and the theater closed again in 1990, about a week before the Hippodrome a block away also went dark.

Everyman Theatre has now taken over the Town and is conducting a thorough transformation of the interior and restoration of the exterior. Construction will include a 250 to 300 seat theater, a rehearsal hall, classrooms, and more. Construction has begun for an expected opening in 2011.]]>
2018-11-27T10:33:49-05:00

Dublin Core

Title

Everyman Theatre

Subject

Entertainment

Description

Constructed across from the venerable Ford's Theater in 1911, the Empire Theater (as the Everyman was first called) was designed in the Beaux Arts style by Baltimore architects William McElfatrick and Otto Simonson. Although its advertising slogan was appealing, "Better Burlesque," and it boasted its own soda fountain and billiard parlor, the theater never caught on with burlesque or a few years later, with vaudeville.

By 1915 it had switched to a single screen movie theater with seats for over 1500. Movies did not fare well either, and after a brief stint back as a burlesque theater, the building was shuttered in 1927. In 1937 it reopened, but as a parking garage. For some reason, this use also did not stick, and in 1947 the building was rebuilt back into a theater. With architects Lucius White and John Zinc in the lead, the new theater was fully modern, with Art Moderne styling, amoeba-shaped wall decorations, and even a concession stand selling new fangled orange-coated ice cream treats called Dreamsicles.

The Town Theater, as it was then renamed, opened with a premier showing of "It's a Wonderful Life," complete with Jimmy Stewart in the audience. From the 1960s into the 1970s, the Town was Baltimore's only "Cinerama," a film technique where multiple film strips are shown on a single projector. This run didn't last either, and the theater closed again in 1990, about a week before the Hippodrome a block away also went dark.

Everyman Theatre has now taken over the Town and is conducting a thorough transformation of the interior and restoration of the exterior. Construction will include a 250 to 300 seat theater, a rehearsal hall, classrooms, and more. Construction has begun for an expected opening in 2011.

Creator

Johns Hopkins

Curatescape Story Item Type Metadata

Story

Constructed across from the venerable Ford's Theater in 1911, the Empire Theatre (as the Everyman was first called) was designed in the Beaux Arts style by Baltimore architects William McElfatrick and Otto Simonson. Although its advertising slogan was appealing, "Better Burlesque," and it boasted its own soda fountain and billiard parlor, the theatre never caught on with burlesque or a few years later, with vaudeville.

By 1915 it had switched to a single screen movie theatre with seats for over 1500. Movies did not fare well either, and after a brief stint back as a burlesque theatre, the building was shuttered in 1927. In 1937 it reopened, but as a parking garage. For some reason, this use also did not stick, and in 1947 the building was rebuilt back into a theatre. With architects Lucius White and John Zinc in the lead, the new theatre was fully modern, with Art Moderne styling, amoeba-shaped wall decorations, and even a concession stand selling new fangled orange-coated ice cream treats called Dreamsicles. The Town Theatre, as it was then renamed, opened with a premier showing of "It's a Wonderful Life," complete with Jimmy Stewart in the audience.

It was during this period that a real life drama took place in 1953 when the FBI received a tip that a wanted criminal, John Elgin Johnson, was at the theatre. He was in a phone booth when the FBI approached and he opened fire, wounding agents J. Brady Murphy and Raymond J. Fox. Additional agents returned fire, killing Mr. Johnson. Agent Murphy later died from his wounds.

From the 1960s into the 1970s, the Town was Baltimore's only "Cinerama," a film technique where multiple film strips are shown on a single projector. This run didn't last either, and the theatre closed again in 1990, about a week before the Hippodrome a block away also went dark.

The building was given to the Everyman Theatre in 2006, which was then in search of a new home. After raising considerable capital for a major renovation, the restoration included both the historic exterior and a wholly new interior to accommodate modern performance requirements. The theatre now has 250 seats and a host of other spaces: a scene shop, dressing rooms, a green room, a rehearsal hall, classrooms, offices, costume shop, and a prop shop. The company's first performance in the new space was in January 2013.

Official Website

Street Address

315 W. Fayette Street, Baltimore, MD 21201
]]>
/items/show/59 <![CDATA[Miller's Court]]>
The H.F. Miller & Son Company building represented a significant era in the city's industrial history. In the late 19th century the company was one of the largest manufactures of tin boxes in the United States. Between 1890 and 1895 the company erected a state of the art industrial facility which incorporated new types of mechanization that greatly improved the efficiency of the can making industry. The company distributed its wares widely to Canadian, Mexican, European, African and South American markets, as well as in the U.S.

In 1953 the company ceased operations on the North Howard Street site. Between 1954 and 1985 the Miller Factory building was divided into several spaces. A series of businesses including the Commander Garment Company, Rombro Brothers, Ember Reuben and the Majestic Furniture Company occupied the building. During the 1990 census, the building served as the local headquarters of the U.S. Census Bureau.

Since the completion of the census, the building stood vacant until Seawall Development Company began renovations. Combining green construction and a focus on creating apartments for teachers, Miller's Court combines great historic preservation work with an interesting new approach to finding a new life for older buildings.]]>
2018-11-27T10:33:49-05:00

Dublin Core

Title

Miller's Court

Subject

Industry
Historic Preservation

Description

Erected in stages between 1890 and 1910, the former H.F. Miller & Son Company building consists of a 77,000 square foot brick manufacturing plant that occupies half of the city block bounded by 26th Street on the south, 27th Street on the north, North Howard Street on the west and Mace Street on the east. The complex incorporates the original, four story, "L" shaped brick building (1890-1895), a large three story brick addition (1910) and a two story brick stable that was remodeled as an open storage shed in 1928.

The H.F. Miller & Son Company building represented a significant era in the city's industrial history. In the late 19th century the company was one of the largest manufactures of tin boxes in the United States. Between 1890 and 1895 the company erected a state of the art industrial facility which incorporated new types of mechanization that greatly improved the efficiency of the can making industry. The company distributed its wares widely to Canadian, Mexican, European, African and South American markets, as well as in the U.S.

In 1953 the company ceased operations on the North Howard Street site. Between 1954 and 1985 the Miller Factory building was divided into several spaces. A series of businesses including the Commander Garment Company, Rombro Brothers, Ember Reuben and the Majestic Furniture Company occupied the building. During the 1990 census, the building served as the local headquarters of the U.S. Census Bureau.

Since the completion of the census, the building stood vacant until Seawall Development Company began renovations. Combining green construction and a focus on creating apartments for teachers, Miller's Court combines great historic preservation work with an interesting new approach to finding a new life for older buildings.

Creator

Johns Hopkins

Curatescape Story Item Type Metadata

Story

Erected in stages between 1890 and 1910, the former H.F. Miller & Son Company building consists of a 77,000 square foot brick manufacturing plant that occupies half of the city block bounded by 26th Street on the south, 27th Street on the north, North Howard Street on the west and Mace Street on the east. The complex incorporates the original, four story, "L" shaped brick building (1890-1895), a large three story brick addition (1910) and a two story brick stable that was remodeled as an open storage shed in 1928.

The H.F. Miller & Son Company building represented a significant era in the city's industrial history. In the late nineteenth century the company was one of the largest manufactures of tin boxes in the United States. Between 1890 and 1895 the company erected a state of the art industrial facility which incorporated new types of mechanization that greatly improved the efficiency of the can making industry. The company distributed its wares widely to Canadian, Mexican, European, African and South American markets, as well as in the U.S.

In 1953 the company ceased operations on the North Howard Street site. Between 1954 and 1985 the Miller Factory building was divided into several spaces. A series of businesses including the Commander Garment Company, Rombro Brothers, Ember Reuben and the Majestic Furniture Company occupied the building. During the 1990 census, the building served as the local headquarters of the U.S. Census Bureau.

Since the completion of the census, the building stood vacant until Seawall Development Company began renovations. Combining green construction and a focus on creating apartments for teachers, Miller's Court combines great historic preservation work with an interesting new approach to finding a new life for older buildings.

Official Website

Street Address

2601 N. Howard Street, Baltimore, MD 21218
]]>
/items/show/58 <![CDATA[Charles Theatre]]> 2020-10-16T13:02:17-04:00

Dublin Core

Title

Charles Theatre

Subject

Entertainment

Curatescape Story Item Type Metadata

Story

The Charles Theatre began not as a movie house but as a street car barn and powerhouse designed by architect Jackson C. Gott and built in 1892. The building then became a popular dance club hosting national acts such as Tommy Dorsey and the Glenn Miller Orchestra. The Times Theatre opened in the building in 1939 taking its name from its role as the city’s first “all newsreel movie house.” In 1959, the owners renamed the business the Charles Theatre. During the theatre’s early history it showed art house films and frequently screened early works by John Waters. The theatre was managed by Pat Moran, who went on to become a notable casting director, and the projectionist was Garey Lambert, a gay rights activist who John Waters called “the Harvey Milk of Baltimore.” In 1999, the theatre was expanded adding four additional screens with modern auditorium style seating and large concession area.

Watch our on this building!

Official Website

Street Address

1711 N. Charles Street, Baltimore, MD 21201
]]>
/items/show/57 <![CDATA[North Avenue Market]]> 2018-11-27T10:33:49-05:00

Dublin Core

Title

North Avenue Market

Subject

Food and Drink

Creator

Elise Hoffman

Curatescape Story Item Type Metadata

Story

Touted as "modern market in the country," and now considered an early prototype for suburban shopping centers, the North Avenue Market opened in 1928 with twelve retail stores and twenty-two lane bowling alley on the second floor at a cost of $1,850,000.The site of the market between Charles Street and Maryland Avenue had originally been the site of two country houses (including one used by Confederate General Robert E. Lee) but thanks the rapid development of north Baltimore in the early twentieth century the new market drew in fifty thousand visitors on its opening day and soon attracted more than two hundred grocery vendors.

After WWII, however, as many industrial businesses began to leave the area, the market began to decline and only thirty of the stalls were occupied when a destructive six-alarm fire in August 1968 shut down a portion of the market and led to substantial changes for the building. The fire, which started in the Woodlawn Lunch stall, was so hot that it cracked glass display cases and caused canned food to explode. A crowd of eight hundred residents gathered to watch the fire, tragically including elderly market manager, George Horshoff, suffered a heart attack and collapsed while viewing the damage and died shortly after. Two of the main factors in the extensive destruction caused by the fire were a lack of a sprinkler system and the sheet metal window guards, which obstructed fire fighters trying to enter the building.

After the fire, the market was purchased by James and Carolyn Frenkil, owners of the Center City, Inc., development company, who planned to reopen a portion of the market over the next six years and sold the northern portion of the building to be developed into high-rise senior citizen housing. The northern portion of the market was razed to accommodate the seventeen-story retirement home. The remaining part of the building was turned into a supermarket which opened in 1974.

Despite efforts to rejuvenate the building or redevelop any of the property, the heart of the building was closed off and vacant for nearly forty years following the fire. In 2008, a $1 million project for the building was launched to restore the building as an "arts-focused mix of shops, eateries, and offices." The rehabilitation process for the property is still ongoing, but has been successful so far. In 2012 the continued rehabilitation project for the market was awarded grant money from the Maryland Department of Housing and Community Development as well as from the Central Baltimore Partnership. The newest plans for the space include new paint, addition lighting, and re-opening exterior windows that were covered decades ago.

Related Resources

Street Address

12-30 W. North Avenue, Baltimore, MD 21218
]]>
/items/show/56 <![CDATA[First & Franklin Presbyterian Church]]> 2018-11-27T10:33:49-05:00

Dublin Core

Title

First & Franklin Presbyterian Church

Subject

Architecture
Religion

Creator

Johns Hopkins

Curatescape Story Item Type Metadata

Story

In 1761, a group of Scots-Irish "Dissenters" (opponents of the Church of England) came to Baltimore Towne from Pennsylvania to escape the French and Indian War. They founded the First Presbyterian Church, appropriately named as it really was the first, and remains the oldest, Presbyterian church in the city. The founding minister, Rev. Patrick Allison (1740 – 1802), was a Chaplain to the Continental Congress and was a personal friend of George Washington.

After locating in several places downtown, the congregation moved to Mount Vernon and built the current church between 1854 and 1859. With its New Brunswick freestone exterior and 273-foot tall steeple (still the tallest in the city), this Gothic Revival church dominates Midtown Baltimore.

Construction started in 1854 under the supervision of architect Nathan G. Starkweather, a native of Oxford, England, and finished by his assistant Edmund G. Lind. Famed bridge engineer Wendell Bollman and the Patapsco Bridge and Iron Works of Baltimore produced the structural cast iron used throughout the church including the spire, which was not added until 1873.

The church is a notable example of Gothic Revival architecture and a landmark in the City of Baltimore. The interior boasts a triple-vaulted sanctuary with massive plaster pendants and is considered one of the finest Victorian plaster interiors in the country. To pile on to this beauty, the church has many windows from Tiffany Studios, as well as a host of other companies from England, Italy, New York and Boston. In 2009, the church embarked on an extensive restoration plan under the guidance of Murphy and Dittenhafer architects.

In 1973, the First Presbyterian Church united with the Franklin Street Presbyterian Church to form The First and Franklin Street Presbyterian Church, and in 2012 the congregation voted to change it to the simpler First & Franklin Presbyterian Church.

Official Website

Street Address

210 W. Madison Street, Baltimore, MD 21201
]]>
/items/show/55 <![CDATA[Garrett-Jacobs Mansion]]> 2019-05-08T11:05:30-04:00

Dublin Core

Title

Garrett-Jacobs Mansion

Subject

Architecture

Creator

Johns Hopkins

Curatescape Story Item Type Metadata

Story

Beginning in 1872, the mansion was the home of Robert Garrett, president of the Baltimore & Ohio Railroad, and his wife Mary Frick Garrett. After Robert Garrett's death, Mrs. Garrett married Dr. Henry Barton Jacobs and the couple added the ballroom by purchasing the neighboring house and converting it into an space for entertaining.

The mansion is exceptional for many things, including that it can boast of being the product of two renowned architects, Stanford White and John Russell Pope. The building, and particularly the ballroom, was the location of many society balls and Gilded Age parties that included dinner, dancing, live music, theater, and other festivities often for hundreds of people.

After Mrs. Garrett passed in 1936 and Dr. Jacobs in 1939, the Mansion had a series of different owners. In 1961, The Engineer's Club leased the building from the City of Baltimore. The city had acquired the property as part of an urban renewal plan to demolish the south side of Mt. Vernon Place and make way for an expansion of the Walters Art Gallery. Fortunately, these plans never received the funding required and in 1962 the Engineer's Club purchased it outright beginning a dedicated effort to preserve and maintain the historic structure.

Related Resources

Official Website

Street Address

11 W. Mt. Vernon Place, Baltimore, MD 21201
]]>
/items/show/54 <![CDATA[Peabody Institute]]>
Inspired by the many cultural and educational opportunities available to residents in London, Peabody set out to bring these same opportunities to the United States through philanthropy. The most significant of these efforts remains the Peabody Institute, founded in 1857 through a donation of $1,400,000. The construction of a home for the new Peabody Institute was delayed by the start of the Civil War, the Conservatory building opened in 1866.

The Conservatory was joined in 1878 by the George Peabody Library, directly to the east, opened in 1878 and is one of the most spectacular enclosed spaces in our city. Designed by architect Edmund G. Lind, in collaboration with the first provost Dr. Nathaniel H. Morison, the library is distinguished by the unique interior architectural ironwork fabricated by the Bartlett-Robbins & Company. The Peabody Stack Room features five tiers of ornamental cast-iron balconies that rise to a skylight set 61 feet above the floor. The building is a rare example of Edmund Lind's architectural work as only a few other surviving buildings remain from his prolific 40-year career.]]>
2020-10-16T14:38:53-04:00

Dublin Core

Title

Peabody Institute

Subject

Education, Philanthropy, Music

Description

Established in 1857, the Peabody Institute is the second-oldest conservatory in the United States and a landmark at the southeast corner of the Washington Monument. Born in 1795 in Massachusetts, George Peabody lived briefly in Washington, DC, fought in the War of 1812, and, in 1816, settled in Baltimore where he lived for the next 20 years. Starting in the wholesale dry goods business and later through banking and finance, Peabody accumulated a tremendous fortune eventually moving to London to direct the banking firm of George Peabody & Co.

Inspired by the many cultural and educational opportunities available to residents in London, Peabody set out to bring these same opportunities to the United States through philanthropy. The most significant of these efforts remains the Peabody Institute, founded in 1857 through a donation of $1,400,000. The construction of a home for the new Peabody Institute was delayed by the start of the Civil War, the Conservatory building opened in 1866.

The Conservatory was joined in 1878 by the George Peabody Library, directly to the east, opened in 1878 and is one of the most spectacular enclosed spaces in our city. Designed by architect Edmund G. Lind, in collaboration with the first provost Dr. Nathaniel H. Morison, the library is distinguished by the unique interior architectural ironwork fabricated by the Bartlett-Robbins & Company. The Peabody Stack Room features five tiers of ornamental cast-iron balconies that rise to a skylight set 61 feet above the floor. The building is a rare example of Edmund Lind's architectural work as only a few other surviving buildings remain from his prolific 40-year career.

Curatescape Story Item Type Metadata

Story

Established in 1857, the Peabody Institute is the second-oldest conservatory in the United States and a landmark at the southeast corner of the Washington Monument. Born in 1795 in Massachusetts, George Peabody lived briefly in Washington, DC, fought in the War of 1812, and, in 1816, settled in Baltimore where he lived for the next 20 years. Starting in the wholesale dry goods business and later through banking and finance, Peabody accumulated a tremendous fortune eventually moving to London to direct the banking firm of George Peabody & Co. Inspired by the many cultural and educational opportunities available to residents in London, Peabody set out to bring these same opportunities to the United States through philanthropy. The most significant of these efforts remains the Peabody Institute, founded in 1857 through a donation of $1,400,000. The construction of a home for the new Peabody Institute was delayed by the start of the Civil War, the Conservatory building opened in 1866. The Conservatory was joined in 1878 by the George Peabody Library, directly to the east, opened in 1878 and is one of the most spectacular enclosed spaces in our city. Designed by architect Edmund G. Lind, in collaboration with the first provost Dr. Nathaniel H. Morison, the library is distinguished by the unique interior architectural ironwork fabricated by the Bartlett-Robbins & Company. The Peabody Stack Room features five tiers of ornamental cast-iron balconies that rise to a skylight set 61 feet above the floor. The building is a rare example of Edmund Lind's architectural work as only a few other surviving buildings remain from his prolific 40-year career.

Watch our on George Peabody!

Official Website

Street Address

1 E. Mount Vernon Place, Baltimore, MD 21202
]]>
/items/show/53 <![CDATA[Baltimore Design School]]>
Founded by prolific inventor William Painter in 1892, the Crown Cork & Seal Company centralized their operations on the 1500 block of Guilford Avenue in a new Romensque six-story warehouse in May 1897. William Painter died in 1906 but the business continued to grow and the Lebow Building was built in 1914 to serve as a machine shop. The design by architect Otto G. Simonson featured vast expanses of glass – windows made up nearly 75% of the exterior facade – and a unique ventilation system. Simonson had arrived in Baltimore in 1904 to work as the superintendent for the construction of the U.S. Custom House located at South Gay and East Lombard Streets. Born in Dresden, Germany, Simonson immigrated to Hartford, Connecticut at age 21 and worked for many years in the office of supervising architect of U.S. Treasury Department in the early 1880s, eventually becoming the superintendent of construction of public buildings.

The builder, Herbert West, had supervised the construction of Mount Sinai Hospital in New York before moving his architectural career to Baltimore in the aftermath of the Great Baltimore Fire of 1904 to focus on developing fireproof buildings. West became a leader in the local architectural community and helped to develop city building codes as president of the Building Congress and Exchange of Baltimore.

By the 1920s, the Crown Cork & Seal Company provided a full half of the world's supply of bottle caps. Between two and three hundred people worked at the machine shop and employees benefited from amenities including an outdoor rooftop recreation area for ladies and a separate area for men in the building's courtyard. In 1930, however, the company began to consolidate operations at their 35-acre factory complex in Highlandtown.

In 1950, the machine shop was leased to Lebow Brothers Clothing Company – a preeminent manufacturer of men's clothing at the time and especially well-known for their coats and suits. In 1982, private developer Abraham Zion purchased both the company and the building. However, Lebow Clothing ceased manufacturing and the building was shuttered in 1985.

In 2013, the abandoned building was transformed into the Baltimore Design School. The school focuses on creating a collaborative and progressive educational environment. The former loading dock is now an outdoor performance space for fashion shows. Salvaged equipment from the clothing factory is exhibited in the former freight elevator to honor the building’s previous life. The project met the Secretary of Interior Standards for historic preservation and received state and federal tax credits and is a LEED Silver certified green building.]]>
2018-11-27T10:33:49-05:00

Dublin Core

Title

Baltimore Design School

Subject

Industry
Education

Description

A survivor that has endured decades of abandonment, the 1914 Lebow Building is an impressive example of early 20th century industrial architecture that is just starting a new future as the Baltimore Design School. While it takes its popular name from the Lebow Brothers Clothing factory that occupied the building from the 1950s through 1985, the Lebow Building actually shares a common history with the Copycat Building next door and the artist-owned Cork Factory – all three were built by Baltimore's Crown Cork & Seal Company.

Founded by prolific inventor William Painter in 1892, the Crown Cork & Seal Company centralized their operations on the 1500 block of Guilford Avenue in a new Romensque six-story warehouse in May 1897. William Painter died in 1906 but the business continued to grow and the Lebow Building was built in 1914 to serve as a machine shop. The design by architect Otto G. Simonson featured vast expanses of glass – windows made up nearly 75% of the exterior facade – and a unique ventilation system. Simonson had arrived in Baltimore in 1904 to work as the superintendent for the construction of the U.S. Custom House located at South Gay and East Lombard Streets. Born in Dresden, Germany, Simonson immigrated to Hartford, Connecticut at age 21 and worked for many years in the office of supervising architect of U.S. Treasury Department in the early 1880s, eventually becoming the superintendent of construction of public buildings.

The builder, Herbert West, had supervised the construction of Mount Sinai Hospital in New York before moving his architectural career to Baltimore in the aftermath of the Great Baltimore Fire of 1904 to focus on developing fireproof buildings. West became a leader in the local architectural community and helped to develop city building codes as president of the Building Congress and Exchange of Baltimore.

By the 1920s, the Crown Cork & Seal Company provided a full half of the world's supply of bottle caps. Between two and three hundred people worked at the machine shop and employees benefited from amenities including an outdoor rooftop recreation area for ladies and a separate area for men in the building's courtyard. In 1930, however, the company began to consolidate operations at their 35-acre factory complex in Highlandtown.

In 1950, the machine shop was leased to Lebow Brothers Clothing Company – a preeminent manufacturer of men's clothing at the time and especially well-known for their coats and suits. In 1982, private developer Abraham Zion purchased both the company and the building. However, Lebow Clothing ceased manufacturing and the building was shuttered in 1985.

In 2013, the abandoned building was transformed into the Baltimore Design School. The school focuses on creating a collaborative and progressive educational environment. The former loading dock is now an outdoor performance space for fashion shows. Salvaged equipment from the clothing factory is exhibited in the former freight elevator to honor the building’s previous life. The project met the Secretary of Interior Standards for historic preservation and received state and federal tax credits and is a LEED Silver certified green building.

Creator

Elise Hoffman
Johns Hopkins

Curatescape Story Item Type Metadata

Story

A survivor that has endured decades of abandonment, the 1914 Lebow Building is an impressive example of early twentieth century industrial architecture that is just starting a new future as the Baltimore Design School. While it takes its popular name from the Lebow Brothers Clothing factory that occupied the building from the 1950s through 1985, the Lebow Building actually shares a common history with the Copycat Building next door and the artist-owned Cork Factory – all three were built by Baltimore's Crown Cork & Seal Company.

Founded by prolific inventor William Painter in 1892, the Crown Cork & Seal Company centralized their operations on the 1500 block of Guilford Avenue in a new Romensque six-story warehouse in May 1897. William Painter died in 1906 but the business continued to grow and the Lebow Building was built in 1914 to serve as a machine shop. The design by architect Otto G. Simonson featured vast expanses of glass – windows made up nearly 75% of the exterior facade – and a unique ventilation system. Simonson had arrived in Baltimore in 1904 to work as the superintendent for the construction of the U.S. Custom House located at South Gay and East Lombard Streets. Born in Dresden, Germany, Simonson immigrated to Hartford, Connecticut at age 21 and worked for many years in the office of supervising architect of U.S. Treasury Department in the early 1880s, eventually becoming the superintendent of construction of public buildings.

The builder, Herbert West, had supervised the construction of Mount Sinai Hospital in New York before moving his architectural career to Baltimore in the aftermath of the Great Baltimore Fire of 1904 to focus on developing fireproof buildings. West became a leader in the local architectural community and helped to develop city building codes as president of the Building Congress and Exchange of Baltimore.

By the 1920s, the Crown Cork & Seal Company provided a full half of the world's supply of bottle caps. Between two and three hundred people worked at the machine shop and employees benefited from amenities including an outdoor rooftop recreation area for ladies and a separate area for men in the building's courtyard. In 1930, however, the company began to consolidate operations at their 35-acre factory complex in Highlandtown.

In 1950, the machine shop was leased to Lebow Brothers Clothing Company – a preeminent manufacturer of men's clothing at the time and especially well-known for their coats and suits. In 1982, private developer Abraham Zion purchased both the company and the building. However, Lebow Clothing ceased manufacturing and the building was shuttered in 1985.

In 2013, the abandoned building was transformed into the Baltimore Design School. The school focuses on creating a collaborative and progressive educational environment. The former loading dock is now an outdoor performance space for fashion shows. Salvaged equipment from the clothing factory is exhibited in the former freight elevator to honor the building’s previous life. The project met the Secretary of Interior Standards for historic preservation and received state and federal tax credits and is a LEED Silver certified green building.

Official Website

Street Address

1500 Barclay Street, Baltimore, MD 21202
]]>
/items/show/52 <![CDATA[The Algonquin]]> 2024-04-08T14:10:27-04:00

Dublin Core

Title

The Algonquin

Subject

Architecture

Creator

Eli Pousson

Curatescape Story Item Type Metadata

Story

At the southwest corner of Chase and St. Paul in November 1912, the Algonquin Building Company completed a modern ten-story apartment house that neatly complements the historic 1903 Belvedere Hotel down the block. Architect William Nolting, of Wyatt & Nolting, evidently liked the building so much he moved in and lived there for nearly twenty years. The Algonquin Building Company was organized by Webb & White, a partnership of George R. Webb, a Baltimore capitalist who helped to consolidate the city's many street railway companies, and Theophilus White, a successful executive in the new telephone industry. The partnership purchased the building lot on Chase Street from General Francis E. Waters, a local lumberman and financier.

Designed by architects Wyatt & Nolting and built by J. Henry Smith & Sons Company at a cost of $200,000, the new building was nine stories high with terra cotta details on the first three floors. Each floor contained two "large housekeeping apartments and two bachelor suites."

The firm of Wyatt & Nolting began in 1887, a partnership of Baltimore native James B.N. Wyatt and William G. Nolting. The partnership also designed the Walbert apartments just up the street at Charles and Lafayette. Nolting not only designed the Algonquin but became one of its first residents, living in apartment E-8 from 1917 through 1936. After his death in 1940, the Baltimore Sun devoted an editorial to expressing regret for his passing, describing Nolting as "one of the very small group of architects–small nationally as well as locally–who by main strength lifted American architecture out of the doldrums in which it had rested during the latter part of the nineteenth century and gave it new vitality."

In the 1940s, the building converted its apartments to doctors' offices and became known as the Medical Arts Building. In 2015, after several years of vacancy, the building reopened with fifty-six new market-rate apartments. Waldon Studio Architects converted the original luxury apartments into smaller, energy-efficient units with a design that sought to comply with current codes while preserving original historic details.

Official Website

Street Address

11 E. Chase Street, Baltimore, MD 21202
]]>
/items/show/51 <![CDATA[The Latrobe Building]]> 2019-05-10T22:50:16-04:00

Dublin Core

Title

The Latrobe Building

Subject

Architecture

Creator

Eli Pousson

Curatescape Story Item Type Metadata

Story

At the northeast corner of Charles and Read Streets stands the beautiful Latrobe Apartment House. The name for the building comes from the original Latrobe House, built just after the Civil War and torn down in 1911 to make way for the new apartment building.

When John H.B. Latrobe built his home in Mt. Vernon in the 1860s, development had only recently started to migrate north from the fashionable area around the Washington Monument. John's son– future seven-term Baltimore mayor Ferdinand Latrobe–moved into the house with his wife Louisa Sherlock Swann, the daughter of Thomas Swann (a former Mayor of Baltimore and Governor of Maryland). Right next door to the Latrobe House was another 1860s mansion built by the family of Clinton L. Riggs, who moved to Baltimore as a young child. After Latrobe's death in 1911, Riggs decided to purchase the home and tear it down, along with his own family home, to build a modern nine-story apartment house.

Architects Glidden & Friz designed the building in an early Italian Renaissance style. According to the Baltimore Sun, it was "fitted with many of the latest conveniences" with "many quarters especially designed for bachelors." Edward Glidden had already made his mark in Mt. Vernon with the Washington Apartments on Mt. Vernon Place and the Rochambeau at Charles and Franklin (demolished in 2006). His partner Clyde Friz was just starting to develop the reputation that within the next few years would make him one of Baltimore's best-known Beaux Arts architects, with buildings like the Standard Oil Building on St. Paul Street (1922), the Scottish Rite Temple (1930), and the Enoch Pratt Free Library (1933).

Like many historic apartment buildings, the Latrobe Building experienced notable changes over the years, first converted to medical offices and then converted partially back to residences in the 1970s. The Latrobe Building underwent an expensive $3.5 million renovation supervised by architects Cochran Stephenson & Donkervoet in the 1980s and now serves as offices to many Baltimore non-profit organizations.

Street Address

2 E. Read Street, Baltimore, MD 21202
]]>
/items/show/50 <![CDATA[The Walbert]]> 2018-11-27T10:33:49-05:00

Dublin Core

Title

The Walbert

Subject

Architecture

Creator

Eli Pousson

Curatescape Story Item Type Metadata

Lede

The Walbert building stands out in the Station North skyline with a bright coat of paint and rich Beaux Arts details.

Story

The story of this landmark begins in 1907, when Charles J. Bonaparte—a great-nephew to Emperor Napoleon I of France, a prominent local lawyer and, at the time, attorney general under President Theodore Roosevelt—first announced plans for the building.

Acting as the trustee for the Walter R. Abell estate, which owned the property, Bonaparte commissioned the construction of an eight-story fireproof apartment house at the northwest corner of Charles Street and Lafayette Avenue. Working from a design by Baltimore architects Wyatt & Nolting, builder James Stewart & Co. soon completed the building at a cost of $190,000, with a fire-proof steel frame, pressed brick, and ornamental terra cotta details. The first floor featured several offices, designed for physicians or dentists, along with a large dining room. The largest and most luxurious apartments in the new building rented for as much as $900 or $1,000 per year (equivalent to over $23,000 today).

Baltimore native James B.N. Wyatt and William G. Nolting organized their partnership of Wyatt & Nolting in 1887. Wyatt was a close neighbor to The Walbert since 1876, when he designed and built a home for himself and his mother at Maryland and North Avenue across from the contemporary MICA Graduate Studio building. Charles Bonaparte also commissioned the firm to design his own home–Bella Vista–built in 1896 in 91ɫƵ County. Wyatt & Nolting went on from the Walbert to design the Algonquin Apartments at St. Paul and Chase in 1914, along with scores of other projects across the city.

The Walbert was later converted into an office building and remained in the ownership of Crane and Crane for years while falling into some disrepair. Fortunately, the building underwent a substantial renovation in the mid-1980s through a partnership led by Howard Brown of David S. Brown Enterprises and it remains in good condition today.

Official Website

Street Address

1800 N. Charles Street, Baltimore, MD 21201
]]>
/items/show/49 <![CDATA[Washington Apartments]]>
William Cochran was born to privilege–his grandfather, Alexander Smith, had amassed a fortune as a carpet manufacturer in Yonkers, New York. Cochran moved to Baltimore in 1902 after marrying Annie Lorraine Gill. Despite his comfortable position among the local high society, he found his personal wealth troubling, explaining in an address on the "Passing of the Idle Rich" at Westminster Church, "The joy of having abundance is terribly mitigated when one is confronted with the sight of and appeals from people living under the opposite conditions. It seems all wrong."

While Cochran was vocal about his socialist ideals, he also sympathized with in the wealthy Mt. Vernon residents who sought to control the character of their neighborhood's development. He explained his purchase of the property at 700 Washington Place, remarking, "A strong desire of property holders on Mt. Vernon Place to control the kind of building to be erected on this site led me to purchase it to prevent anyone from building a skyscraper." Cochran bought the vacant mansion, built for Edward McDonald Greenway in 1835, in April 1905 for $160,000 and soon starting planning for a modern apartment house that could meet with approval from the neighbors.

The architect Cochran selected for the job was Edward H. Glidden, a Cleveland native, who arrived in Baltimore around the same time as Cochran. Glidden had already started a career that led him to become one of the city's foremost architects for apartment buildings with projects including the Stork Apartment House (1903) at Park and Monument, the Marlborough Apartments (1906) on Eutaw Place, Homewood Apartments (1910) at Charles and 31st Street, The Latrobe, Canterbury Hall and Tudor Hall Apartments. Glidden even lived at Homewood Apartments at the time of his death in 1924.

Washington Apartments went up quickly in 1906 at a cost of $300,000. Its six stories included 28 luxurious apartments and 29 rooms for servants. Measuring 69 feet and 8 inches tall, the building stood just under the recently instituted 70-foot height limit. Less than a year after completion, however, Cochran sought a permit application to build one more story, eight feet tall and set back twenty feet, to contain additional rooms for servants. The permit was denied and Cochran went to court, lost, then lost again on appeal in June 1908 with an important decision that affirmed the ability of the city to regulate building heights.]]>
2018-11-27T10:33:49-05:00

Dublin Core

Title

Washington Apartments

Subject

Urban Planning
Architecture

Description

The Washington Apartment House at the northwest corner of Charles Street and Mt. Vernon Place is a one of the finest Beaux Arts apartment houses in Baltimore. After the controversial construction of The Severn in 1895, many Mt. Vernon residents were suspicious of new "skyscrapers." Just a month after the Great Baltimore Fire of 1904, the Baltimore Municipal Arts Society successfully pushed the Maryland State Legislature to pass an "Anti-Skyscraper Bill" prohibiting the construction of any building (other than churches) over seventy feet high within one block of the Washington Monument. William F. Cochran, the developer of the Washington Apartments, built right up to the limit of 70 feet before suing to erect an 8 foot addition. His lawsuit failed, reinforcing the restriction that became known as Maryland's first zoning law and was one of the earliest zoning laws in the United States.

William Cochran was born to privilege–his grandfather, Alexander Smith, had amassed a fortune as a carpet manufacturer in Yonkers, New York. Cochran moved to Baltimore in 1902 after marrying Annie Lorraine Gill. Despite his comfortable position among the local high society, he found his personal wealth troubling, explaining in an address on the "Passing of the Idle Rich" at Westminster Church, "The joy of having abundance is terribly mitigated when one is confronted with the sight of and appeals from people living under the opposite conditions. It seems all wrong."

While Cochran was vocal about his socialist ideals, he also sympathized with in the wealthy Mt. Vernon residents who sought to control the character of their neighborhood's development. He explained his purchase of the property at 700 Washington Place, remarking, "A strong desire of property holders on Mt. Vernon Place to control the kind of building to be erected on this site led me to purchase it to prevent anyone from building a skyscraper." Cochran bought the vacant mansion, built for Edward McDonald Greenway in 1835, in April 1905 for $160,000 and soon starting planning for a modern apartment house that could meet with approval from the neighbors.

The architect Cochran selected for the job was Edward H. Glidden, a Cleveland native, who arrived in Baltimore around the same time as Cochran. Glidden had already started a career that led him to become one of the city's foremost architects for apartment buildings with projects including the Stork Apartment House (1903) at Park and Monument, the Marlborough Apartments (1906) on Eutaw Place, Homewood Apartments (1910) at Charles and 31st Street, The Latrobe, Canterbury Hall and Tudor Hall Apartments. Glidden even lived at Homewood Apartments at the time of his death in 1924.

Washington Apartments went up quickly in 1906 at a cost of $300,000. Its six stories included 28 luxurious apartments and 29 rooms for servants. Measuring 69 feet and 8 inches tall, the building stood just under the recently instituted 70-foot height limit. Less than a year after completion, however, Cochran sought a permit application to build one more story, eight feet tall and set back twenty feet, to contain additional rooms for servants. The permit was denied and Cochran went to court, lost, then lost again on appeal in June 1908 with an important decision that affirmed the ability of the city to regulate building heights.

Creator

Eli Pousson

Curatescape Story Item Type Metadata

Story

The Washington Apartment House at the northwest corner of Charles Street and Mt. Vernon Place is a one of the finest Beaux Arts apartment houses in Baltimore. After the controversial construction of The Severn in 1895, many Mt. Vernon residents were suspicious of new "skyscrapers." Just a month after the Great Baltimore Fire of 1904, the Baltimore Municipal Arts Society successfully pushed the Maryland State Legislature to pass an "Anti-Skyscraper Bill" prohibiting the construction of any building (other than churches) over seventy feet high within one block of the Washington Monument. William F. Cochran, the developer of the Washington Apartments, built right up to the limit of 70 feet before suing to erect an 8 foot addition. His lawsuit failed, reinforcing the restriction that became known as Maryland's first zoning law and was one of the earliest zoning laws in the United States.

William Cochran was born to privilege–his grandfather, Alexander Smith, had amassed a fortune as a carpet manufacturer in Yonkers, New York. Cochran moved to Baltimore in 1902 after marrying Annie Lorraine Gill. Despite his comfortable position among the local high society, he found his personal wealth troubling, explaining in an address on the "Passing of the Idle Rich" at Westminster Church, "The joy of having abundance is terribly mitigated when one is confronted with the sight of and appeals from people living under the opposite conditions. It seems all wrong."

While Cochran was vocal about his socialist ideals, he also sympathized with in the wealthy Mt. Vernon residents who sought to control the character of their neighborhood's development. He explained his purchase of the property at 700 Washington Place, remarking, "A strong desire of property holders on Mt. Vernon Place to control the kind of building to be erected on this site led me to purchase it to prevent anyone from building a skyscraper." Cochran bought the vacant mansion, built for Edward McDonald Greenway in 1835, in April 1905 for $160,000 and soon starting planning for a modern apartment house that could meet with approval from the neighbors.

The architect Cochran selected for the job was Edward H. Glidden, a Cleveland native, who arrived in Baltimore around the same time as Cochran. Glidden had already started a career that led him to become one of the city's foremost architects for apartment buildings with projects including the Stork Apartment House (1903) at Park and Monument, the Marlborough Apartments (1906) on Eutaw Place, Homewood Apartments (1910) at Charles and 31st Street, The Latrobe, Canterbury Hall and Tudor Hall Apartments. Glidden even lived at Homewood Apartments at the time of his death in 1924.

Washington Apartments went up quickly in 1906 at a cost of $300,000. Its six stories included 28 luxurious apartments and 29 rooms for servants. Measuring 69 feet and 8 inches tall, the building stood just under the recently instituted 70-foot height limit. Less than a year after completion, however, Cochran sought a permit application to build one more story, eight feet tall and set back twenty feet, to contain additional rooms for servants. The permit was denied and Cochran went to court, lost, then lost again on appeal in June 1908 with an important decision that affirmed the ability of the city to regulate building heights.

Street Address

700 Washington Place, Baltimore, MD 21202
]]>
/items/show/48 <![CDATA[The Marlborough]]> 2020-10-16T13:06:42-04:00

Dublin Core

Title

The Marlborough

Subject

Architecture
Art and Design

Creator

Eli Pousson

Curatescape Story Item Type Metadata

Story

The Marlborough Apartments is an eleven-story landmark well-known for its architecture and as the home to the famous Baltimore art-collecting Cone Sisters. Before the construction of the Marlborough, the property was the site of a large mansion owned by the wealthy Popplein family. In 1880, only three years after Eutaw Place was extended up to North Avenue, Nicholas Popplein commissioned a massive 24-room brick mansion on Eutaw Place. Popplein was a wealthy paint manufacturer and a local leader in the area's development who owned Eutaw Place from McMechen all the way to Laurens Street. Unfortunately, Popplein died at home in 1885, shortly after construction of the new mansion was complete. His estate sold the mansion in the spring of 1901 to Dr. Thomas Shearer, a local specialist in homeopathy. An adjoining lot at the corner of Eutaw Place and Wilson Street sold to William Cochran in 1905. The two proposed to combine their investments and construct the Marlborough Apartment House, designed by architect Edward Glidden. Glidden designed an eleven-story apartment house, the largest in the city at the time. It was 141 feet wide on Eutaw Place and extended 130 feet back along Wilson Street. One of the first new buildings in Baltimore to be completely wired for electricity, the Marlborough even featured a rooftop garden. Among the 96 suites, a few apartments included as many as ten rooms. Among the many wealthy locals who moved in during the first few years were Dr. Claribel Cone (1864-1929) on the sixth floor and Miss Etta Cone (1870-1949) on the eighth. The sisters were born to Herman and Helen Cone, a German-Jewish family who immigrated to Baltimore in 1871. The family's wholesale grocery business, H. Cone and Sons, prospered and the sisters' older brothers relocated to Greensboro, North Carolina, where they started a successful textile business. While inheritances from their parents kept them comfortable, the profits from their brother's mills during WWI grew their wealth considerably. Etta was the first to start purchasing art, in 1898. She met both Picasso and Matisse while visiting friends Gertrude and Leo Stein in Paris, and was inspired to become Matisse's life-long patron. Claribel was a more experimental art buyer who sought out avant-garde works at high prices, like Matisse's Blue Nude for 120,760 francs. Eventually, the sisters covered nearly every space on every wall in their apartments with their collection. After Etta's death in 1949, the Cone Collection was donated to the Baltimore Museum of Art. It included over 3,000 works, 500 of which are by Matisse, with an estimated value of one billion dollars. The decades following the Cone Sisters were not kind the Marlborough. Absentee owners allowed the building to deteriorate severely by the early 1970s. A substantial renovation that converted the building apartments started in 1973.

Watch our on the Cone sisters!

Official Website

Street Address

1701 Eutaw Place, Baltimore, MD 21217
]]>
/items/show/47 <![CDATA[The Severn]]>
Baltimore builder Joseph M. Cone and architect Charles E. Cassell unveiled plans for a new ten-story apartment house in September 1895 at the northeast corner of Mt. Vernon Place and Cathedral Street. The new building would rise to a height of 122 feet, just 7 feet shy of the 1894 Hotel Stafford, a Richardsonian Romanesque landmark around the corner facing the north garden of Washington Place. Known as "The Severn," the proposed apartment house included twenty apartment suites for families and nine bachelor apartments, along with a drug store and a kitchen for room service.

The corner had been occupied by a beautiful townhouse first built as the home of Chancellor John Johnson, Jr., a notable Baltimore lawyer (whose portrait still hangs at the Clarence M. Mitchell Jr. Courthouse) and brother of well-known Maryland politician Reverdy Johnson. One of the last owners, Henry W. Rogers was a well-established real estate investor and, after his death in 1901, his son, himself a well known real-estate agent, sold the property to Joseph Cone.

Neighbors objected to the prospect of replacing the old house with the still unfamiliar form of an apartment house. Building came to a stop in the fall of 1895 as a group of area residents approached Joseph Cone to try to buy back the property. Their effort ultimately failed when they could not raise the necessary amount to buy out the builder. However, the Severn did motivate residents to successfully lobby the state legislature to pass a bill prohibiting development in Mt. Vernon taller than seventy feet.

By the 1970s, when The Severn was designated a National Historic Landmark, Mt. Vernon was not quite as grand as it had been in the past and the apartment building sold to developer Caswell J. Caplan for the modest sum of $250,000. Over the next several years, Caplan worked to modernize the apartments, preserving the original wood floors and tile while renovating the kitchens and other elements. The Severn continues to be owned by members of the Caplan family and is now appreciated more than scorned as one of Mt. Vernon's grandest historic apartment houses.]]>
2018-11-27T10:33:49-05:00

Dublin Core

Title

The Severn

Subject

Architecture

Description

"Huge and, alas! we must say ungainly," is how the Baltimore Sun described The Severn in 1907. Designated a National Historic Landmark in 1972, few locals would still dismiss the grand Severn Apartment House as an intrusion on Mt. Vernon Place, but in the 1890s the construction of the building created a real controversy among Mount Vernon's wealthy residents.

Baltimore builder Joseph M. Cone and architect Charles E. Cassell unveiled plans for a new ten-story apartment house in September 1895 at the northeast corner of Mt. Vernon Place and Cathedral Street. The new building would rise to a height of 122 feet, just 7 feet shy of the 1894 Hotel Stafford, a Richardsonian Romanesque landmark around the corner facing the north garden of Washington Place. Known as "The Severn," the proposed apartment house included twenty apartment suites for families and nine bachelor apartments, along with a drug store and a kitchen for room service.

The corner had been occupied by a beautiful townhouse first built as the home of Chancellor John Johnson, Jr., a notable Baltimore lawyer (whose portrait still hangs at the Clarence M. Mitchell Jr. Courthouse) and brother of well-known Maryland politician Reverdy Johnson. One of the last owners, Henry W. Rogers was a well-established real estate investor and, after his death in 1901, his son, himself a well known real-estate agent, sold the property to Joseph Cone.

Neighbors objected to the prospect of replacing the old house with the still unfamiliar form of an apartment house. Building came to a stop in the fall of 1895 as a group of area residents approached Joseph Cone to try to buy back the property. Their effort ultimately failed when they could not raise the necessary amount to buy out the builder. However, the Severn did motivate residents to successfully lobby the state legislature to pass a bill prohibiting development in Mt. Vernon taller than seventy feet.

By the 1970s, when The Severn was designated a National Historic Landmark, Mt. Vernon was not quite as grand as it had been in the past and the apartment building sold to developer Caswell J. Caplan for the modest sum of $250,000. Over the next several years, Caplan worked to modernize the apartments, preserving the original wood floors and tile while renovating the kitchens and other elements. The Severn continues to be owned by members of the Caplan family and is now appreciated more than scorned as one of Mt. Vernon's grandest historic apartment houses.

Creator

Eli Pousson

Curatescape Story Item Type Metadata

Story

"Huge and, alas! we must say ungainly," is how the Baltimore Sun described The Severn in 1907. Designated a National Historic Landmark in 1972, few locals would still dismiss the grand Severn Apartment House as an intrusion on Mt. Vernon Place, but in the 1890s the construction of the building created a real controversy among Mount Vernon's wealthy residents.

Baltimore builder Joseph M. Cone and architect Charles E. Cassell unveiled plans for a new ten-story apartment house in September 1895 at the northeast corner of Mt. Vernon Place and Cathedral Street. The new building would rise to a height of 122 feet, just 7 feet shy of the 1894 Hotel Stafford, a Richardsonian Romanesque landmark around the corner facing the north garden of Washington Place. Known as "The Severn," the proposed apartment house included twenty apartment suites for families and nine bachelor apartments, along with a drug store and a kitchen for room service.

The corner had been occupied by a beautiful townhouse first built as the home of Chancellor John Johnson, Jr., a notable Baltimore lawyer (whose portrait still hangs at the Clarence M. Mitchell Jr. Courthouse) and brother of well-known Maryland politician Reverdy Johnson. One of the last owners, Henry W. Rogers was a well-established real estate investor and, after his death in 1901, his son, himself a well known real-estate agent, sold the property to Joseph Cone.

Neighbors objected to the prospect of replacing the old house with the still unfamiliar form of an apartment house. Building came to a stop in the fall of 1895 as a group of area residents approached Joseph Cone to try to buy back the property. Their effort ultimately failed when they could not raise the necessary amount to buy out the builder. However, the Severn did motivate residents to successfully lobby the state legislature to pass a bill prohibiting development in Mt. Vernon taller than seventy feet.

By the 1970s, when The Severn was designated a National Historic Landmark, Mt. Vernon was not quite as grand as it had been in the past and the apartment building sold to developer Caswell J. Caplan for the modest sum of $250,000. Over the next several years, Caplan worked to modernize the apartments, preserving the original wood floors and tile while renovating the kitchens and other elements. The Severn continues to be owned by members of the Caplan family and is now appreciated more than scorned as one of Mt. Vernon's grandest historic apartment houses.

Street Address

701 Cathedral Street, Baltimore, MD 21201
]]>
/items/show/46 <![CDATA[Woman's Industrial Exchange/Maryland Women's Heritage Center]]>
The third oldest women's exchange in the country, Baltimore's exchange is the oldest in its original building. The building at 333 North Charles was constructed in 1815 and had been used as a boarding house before the Exchange bought it in the late 1880s. The Tea Room, consignment shop, and upstairs apartments all date to this period.

The Exchange underwent extensive renovations in 2004 (incidentally, winning a Baltimore Heritage historic preservation award for the work). The renovations maintained the original materials (and charm), while modernizing the apartments and commercial kitchen.]]>
2023-11-10T11:22:50-05:00

Dublin Core

Title

Woman's Industrial Exchange/Maryland Women's Heritage Center

Subject

Entrepreneurs
Art and Design

Description

Launched shortly after the Civil War by Mrs. G. Harmon Brown, the Woman's Industrial Exchange was founded "for the purpose of endeavoring by sympathy and practical aid to encourage and help needy women to help themselves by procuring for them and establishing a sales room for the sale of Women's Work." In 2007, the Exchange is still pursing this mission of helping small entrepreneurs, with over 250 consigners who make hand-crafted products especially for the non-profit organization.

The third oldest women's exchange in the country, Baltimore's exchange is the oldest in its original building. The building at 333 North Charles was constructed in 1815 and had been used as a boarding house before the Exchange bought it in the late 1880s. The Tea Room, consignment shop, and upstairs apartments all date to this period.

The Exchange underwent extensive renovations in 2004 (incidentally, winning a Baltimore Heritage historic preservation award for the work). The renovations maintained the original materials (and charm), while modernizing the apartments and commercial kitchen.

Creator

Baltimore Heritage

Curatescape Story Item Type Metadata

Story

Founded in 1880, the Woman's Industrial Exchange helped craftswomen discreetly earn a living and operated at 333 N. Charles Street in various forms. Launched by Mrs. G. Harmon Brown, the Woman's Industrial Exchange was founded "for the purpose of endeavoring by sympathy and practical aid to encourage and help needy women to help themselves by procuring for them and establishing a sales room for the sale of Women's Work." It was the third oldest women's exchange in the country. The building was constructed in 1815 and was used as a boarding house before the Exchange bought it in the late 1880s.

The Exchange underwent extensive renovations in 2004 (incidentally, winning a Baltimore Heritage historic preservation award for the work). The renovations maintained the original materials (and charm), while modernizing the apartments and commercial kitchen.

In June 2020, the Exchange stoped operating and the Maryland Women's Heritage Center (MWHC) moved into the building. The MWHC is the first comprehensive state-based women’s history center and museum of its kind in the nation. It has adapted the storefront of this landmark building into an exhibit center and small event space. Changing exhibits in the bay window facing North Charles Street feature various women artists and their creations. The center celebrates Maryland women —past and present, famous and not—and adds “HERstory to history to tell our story.”

Watch our on the building and organizations that operated here!

Official Website

Street Address

333 N. Charles Street, Baltimore, MD 21201
]]>
/items/show/45 <![CDATA[Masonic Grand Lodge]]> 2018-11-27T10:33:49-05:00

Dublin Core

Title

Masonic Grand Lodge

Subject

Architecture
Fraternal Organizations

Creator

Johns Hopkins

Curatescape Story Item Type Metadata

Story

In 1869, the Freemasons finished a new Grand Lodge for the State of Maryland on Charles Street in downtown Baltimore, with each room more decorated than the last. Originally designed by Edmund G. Lind, who also designed the Peabody Institute in the Mount Vernon neighborhood, the Masonic Temple is a testament to architectural wonder.

The building boasts what seem like miles of marble floors, stained-glass windows, painted ceilings, and decorative columns. The building's primary 19 rooms have names that portray a litany of architectural styles and historical frameworks that were important to the Masons: Oriental Room, Marble Room, Corinthian Room, and even an Edinburgh Hall. Each is done in a different architectural style and glamor. The building, completed in 1869, caught fire on Christmas Day 1890 and again in January of 1908. Although much of the interior was destroyed, the thick walls saved the structure and the decorations were brought back each time.

The Masons completed repairs to the building in 1909 following a design by Joseph Evans Sperry, who also designed the city's landmark Bromo Seltzer Tower. The building then spent over eighty years with little outward drama until the Masons moved out to a new headquarters in 1994. The city spent the next few years devising plans to raze the structure for a parking garage. Luckily, the William C. Smith Company bought the building in 1998 and with the help of architects Murphy and Dittenhafer, completed a complete overhaul following exacting preservation standards. The building today serves as a stunning conference facility.

Official Website

Street Address

225 N. Charles Street, Baltimore, MD 21201
]]>
/items/show/44 <![CDATA[Taylor's Chapel]]>
The Chapel has its origins in a Quaker meeting house that likely was built by Joseph Taylor in the mid-1700s on his property, called Taylor's Range (then in 91ɫƵ County). Joseph was disowned by the Society of Friends for "speaking evil" of some fellow Quakers and refusing to apologize, and went off and built his own Quaker meeting house a little further away on the corner of his property. The Taylor Family kept this wooden building as a meeting house for a number of generations. Interestingly, the Quaker family allowed Bishop Francis Asbury, a leader in the founding of Methodism in America, to preach there in 1777. The conversion was surely slower that Bishop Asbury would have liked, but about thirty years later, the worshippers at the wooden building did indeed switch from Quakers to Methodists.

In 1853, Elijiah Taylor inherited the property and tore down the log meeting house to build the Methodist chapel that stands today. By 1930, however, regular services had ceased and the building sat vacant until the early 1960s, when a group of volunteers from St. John's of Hamilton United Methodist Church began taking care of it. From parent to child over a number of generations, this group still acts as caretakers of this little known jewel, and opens it up for weddings, baptisms and other events. The building was listed on the National Register of Historic Places in 1983, and still contains the original 1853 frescoes on its walls, among many other original features.]]>
2021-02-22T09:35:25-05:00

Dublin Core

Title

Taylor's Chapel

Subject

Religion
Architecture

Description

Who knew that tucked away inside the Mount Pleasant public golf course off Hillen Road sits a remarkably well preserved 150 year-old Methodist chapel. Taylor's Chapel has its roots to the Taylor family, which is one of the oldest in Maryland, stretching back to the 1600s. As brothers, John Taylor was one of the first commissioners of 91ɫƵ County and Thomas Taylor ("Colonel Taylor" at the time) was a councilor to Lord Baltimore. The chapel was built on a tract Colonel Taylor's land called "The Ridge" where William Penn and Lord Baltimore first met to resolve their dispute over the boundary line between the colonies.

The Chapel has its origins in a Quaker meeting house that likely was built by Joseph Taylor in the mid-1700s on his property, called Taylor's Range (then in 91ɫƵ County). Joseph was disowned by the Society of Friends for "speaking evil" of some fellow Quakers and refusing to apologize, and went off and built his own Quaker meeting house a little further away on the corner of his property. The Taylor Family kept this wooden building as a meeting house for a number of generations. Interestingly, the Quaker family allowed Bishop Francis Asbury, a leader in the founding of Methodism in America, to preach there in 1777. The conversion was surely slower that Bishop Asbury would have liked, but about thirty years later, the worshippers at the wooden building did indeed switch from Quakers to Methodists.

In 1853, Elijiah Taylor inherited the property and tore down the log meeting house to build the Methodist chapel that stands today. By 1930, however, regular services had ceased and the building sat vacant until the early 1960s, when a group of volunteers from St. John's of Hamilton United Methodist Church began taking care of it. From parent to child over a number of generations, this group still acts as caretakers of this little known jewel, and opens it up for weddings, baptisms and other events. The building was listed on the National Register of Historic Places in 1983, and still contains the original 1853 frescoes on its walls, among many other original features.

Creator

Johns Hopkins

Curatescape Story Item Type Metadata

Subtitle

150 year-old Methodist Chapel at the Mount Pleasant Golf Course

Lede

Who knew that tucked away inside the Mount Pleasant public golf course off Hillen Road sits a remarkably well preserved 150 year-old Methodist chapel?

Story

Taylor's Chapel has its roots to the Taylor family, which is one of the oldest in Maryland, stretching back to the 1600s. As brothers, John Taylor was one of the first commissioners of 91ɫƵ County and Thomas Taylor ("Colonel Taylor" at the time) was a councilor to Lord Baltimore. The chapel was built on a tract Colonel Taylor's land called "The Ridge" where William Penn and Lord Baltimore first met to resolve their dispute over the boundary line between the colonies. The Chapel has its origins in a Quaker meeting house that likely was built by Joseph Taylor in the mid-1700s on his property, called Taylor's Range (then in 91ɫƵ County). Joseph was disowned by the Society of Friends for "speaking evil" of some fellow Quakers and refusing to apologize, and went off and built his own Quaker meeting house a little further away on the corner of his property. The Taylor Family kept this wooden building as a meeting house for a number of generations. Interestingly, the Quaker family allowed Bishop Francis Asbury, a leader in the founding of Methodism in America, to preach there in 1777. The conversion was surely slower that Bishop Asbury would have liked, but about thirty years later, the worshippers at the wooden building did indeed switch from Quakers to Methodists. In 1853, Elijiah Taylor inherited the property and tore down the log meeting house to build the Methodist chapel that stands today. By 1930, however, regular services had ceased and the building sat vacant until the early 1960s, when a group of volunteers from St. John's of Hamilton United Methodist Church began taking care of it. From parent to child over a number of generations, this group still acts as caretakers of this little known jewel, and opens it up for weddings, baptisms and other events. The building was listed on the National Register of Historic Places in 1983, and still contains the original 1853 frescoes on its walls, among many other original features.

Watch our on this site!

Related Resources

Street Address

6001 Hillen Road, Baltimore, MD 21239
]]>
/items/show/43 <![CDATA[Saint Mary's Seminary on Roland Avenue]]> 2018-11-27T10:33:49-05:00

Dublin Core

Title

Saint Mary's Seminary on Roland Avenue

Subject

Education
Religion

Curatescape Story Item Type Metadata

Story

Founded in 1791, St. Mary's Seminary and University was the first Catholic seminary in the United States. It was granted a civil charter by the State of Maryland in 1805 and in 1822, Pope Pius VII established it as the first seminary in the U.S. to grant ecclesiastical degrees, which it still does to this day. Originally on Paca Street, the seminary moved to its present location on Roland Avenue and Northern Parkway in Roland Park in 1929.

This massive building, designed by Boston architects Maginnis and Walsh, has a classical entrance. Immediately inside stands a statue of Mary, the patroness of the seminary, called Sedes Sapientiae, or Our Lady Seat of Wisdom. The main chapel, fitted in marble and oak, contains a Casavant pipe organ and stained glass windows imported from Paris. Today the seminary is cared for by the Sulpician Fathers and the building still houses seminarians following their calling.

Official Website

Street Address

5400 Roland Avenue, Baltimore, MD 21210
]]>
/items/show/42 <![CDATA[St. Mark's Evangelical Lutheran Church]]> 2019-05-09T21:21:57-04:00

Dublin Core

Title

St. Mark's Evangelical Lutheran Church

Subject

Religion
Architecture
Art and Design

Creator

Johns Hopkins

Curatescape Story Item Type Metadata

Story

There are few places where you can stand in the middle of a room and almost everything you see is made or decorated by Tiffany: glass, paint, finishes, etc. St. Mark's Evangelical Lutheran Church on St. Paul Street, with its entire interior designed by the Tiffany Company of New York, is one of them.

In the 1890's, the St. Mark's congregation engaged architect Joseph Evans Sperry (who would later go on to design Baltimore's Bromo Seltzer Tower, among other notable buildings) to help them build a new church. Sperry came up with a Romanesque design that is known for its heavy stones, arched doors and windows, and short columns. Romanesque design comes from central and western Europe, where many of St. Mark's congregants also traced their lineages. To this day, an Estonian congregation called EELK Baltimore Markuse Kogudus continues to use St. Mark's for worship each month. In 1898, the church was completed and since then has been one of Baltimore's outstanding examples of Romanesque architecture.

On the inside, St. Mark's engaged the Tiffany Glass Decorating Company, under the direction of Rene de Quelen (Tiffany's head artist), to come up with a plan that was equally fitting to the grand architecture. De Quelen used a Byzantine approach, with deep colors, lots of jewels, and many mosaics. Louis Comfort Tiffany, son of Tiffany's founder and then head of the company, had studied art in Paris and had spent time in Spain and North Africa where he learned about this approach to decorating, and is thought to have helped direct de Quelen in his approach. The interior boasts Tiffany windows and Rubio marble inlaid with mother of pearl for the altar, pulpit, and lectern.

Official Website

Street Address

1900 Saint Paul Street, Baltimore, MD 21218
]]>
/items/show/41 <![CDATA[Central Library, Enoch Pratt Free Library]]> 2022-01-15T10:21:29-05:00

Dublin Core

Title

Central Library, Enoch Pratt Free Library

Subject

Literature
Philanthropy
Architecture

Curatescape Story Item Type Metadata

Subtitle

Enoch Pratt's Library for "Rich and Poor"

Story

"My library shall be for all, rich and poor without distinction of race or color, who, when properly accredited, can take out the books if they will handle them carefully and return them."

These were the words of Enoch Pratt in 1882 when he gave a gift of over $1 million to 91ɫƵ City to create a central library and four branches. By 1894, the Pratt Library had the fourth largest collection in the country and one of the most active circulations.

With assistance from Andrew Carnegie, the library system and its branches grew tremendously in the early 1900s, expanding to over 20 neighborhood branches. In 1927, the citizens of Baltimore voted to spend $3 million in city funds to build a new Central Library building.

The construction of the current central library building on Cathedral Street began in 1931 and was completed in 1933. Architect Clyde N. Friz hoped to avoid the old-fashioned institutional character of the past in his design and instead to give the library "a dignity characterized by friendliness rather than aloofness," as Pratt Director Joseph Wheeler stated. The new building allowed the library to form specialized departments, such as "education, philosophy, and religion," "industry and technology," as well as the "popular library," now known as the fiction section.

Although allowing for expansion, the design of the new building retained one of Pratt's steadfast requirements: that there be no stairs leading into the main entrance. This seemingly odd requirement, and one that certainly went against the grain of architectural design for grand civic institutions at the time, was based Pratt's philosophy that the library should be open to all people. Pratt saw grand stairs as an impediment, especially to a growing segment of the reading population: women who may be pushing babies in strollers.

Far before the advent of the Americans with Disabilities Act and its accessibility requirements for public buildings, the main entrance to the library pointedly tell the story of Pratt's vision and commitment to inclusivity.

Watch our on the building!

Official Website

Street Address

400 Cathedral Street, Baltimore, MD 21201
]]>
/items/show/40 <![CDATA[Old Otterbein Church]]>
Old Otterbein got its start in 1771, when a group of Baltimoreans erected a temporary chapel to house the German Evangelical Reformed Church. A few years later, the church hired Philip William Otterbein as pastor. Otterbein had come from Germany to Pennsylvania, and accepted the position in Baltimore as his fifth pastoral duty.

Otterbein apparently took to Baltimore, preaching at the church for 39 years and staying in the city for the rest of his life. Otterbein was a remarkable man. In 1784, he assisted Francis Asbury in founding the Methodist Episcopal Church, and in 1800, he and Martin Boehm helped found the United Brethren in Christ, with Otterbein's church in Baltimore as the cradle of the new denomination.

Members of Baltimore’s German immigrant community played a central role in the defense of Baltimore during the War of 1812 from Peter Gold and George Decker who volunteered as superintendents overseeing the construction of fortifications, Brigadier General John Stricker who commanded the Maryland Militia at the Battle of North Point (and later became Vice-President of the German Society of Maryland), and the Baltimore Jagers and die Union Jagers - two companies of German immigrants commanded in the German language. Many of these men, along with their families, worshipped with Philip William Otterbein at what is now Old Otterbein Church. Otterbein himself died less than a year before the Battle of Baltimore and remains buried in the churchyard with a monument placed over his grave in 1913.

The present church structure was erected in 1785, with the nearby parsonage in 1811 and the city's first German Sunday School in 1827. The interior of the church has been remodeled at various times, but the sanctuary remains the oldest in continuous use in Baltimore.]]>
2018-11-27T10:33:49-05:00

Dublin Core

Title

Old Otterbein Church

Subject

Religion
Architecture
War of 1812

Description

Old Otterbein Church, built in 1785, is one of the oldest churches still standing in Baltimore. With its classic brick and white trim tower (with bells brought over from Germany), the church shows off its landmark stature for countless Orioles fans and anybody traveling around downtown and Camden Yards.

Old Otterbein got its start in 1771, when a group of Baltimoreans erected a temporary chapel to house the German Evangelical Reformed Church. A few years later, the church hired Philip William Otterbein as pastor. Otterbein had come from Germany to Pennsylvania, and accepted the position in Baltimore as his fifth pastoral duty.

Otterbein apparently took to Baltimore, preaching at the church for 39 years and staying in the city for the rest of his life. Otterbein was a remarkable man. In 1784, he assisted Francis Asbury in founding the Methodist Episcopal Church, and in 1800, he and Martin Boehm helped found the United Brethren in Christ, with Otterbein's church in Baltimore as the cradle of the new denomination.

Members of Baltimore’s German immigrant community played a central role in the defense of Baltimore during the War of 1812 from Peter Gold and George Decker who volunteered as superintendents overseeing the construction of fortifications, Brigadier General John Stricker who commanded the Maryland Militia at the Battle of North Point (and later became Vice-President of the German Society of Maryland), and the Baltimore Jagers and die Union Jagers - two companies of German immigrants commanded in the German language. Many of these men, along with their families, worshipped with Philip William Otterbein at what is now Old Otterbein Church. Otterbein himself died less than a year before the Battle of Baltimore and remains buried in the churchyard with a monument placed over his grave in 1913.

The present church structure was erected in 1785, with the nearby parsonage in 1811 and the city's first German Sunday School in 1827. The interior of the church has been remodeled at various times, but the sanctuary remains the oldest in continuous use in Baltimore.

Creator

Johns Hopkins

Curatescape Story Item Type Metadata

Story

Old Otterbein Church, built in 1785, is one of the oldest churches still standing in Baltimore. With its classic brick and white trim tower (with bells brought over from Germany), the church shows off its landmark stature for countless Orioles fans and anybody traveling around downtown and Camden Yards.

Old Otterbein got its start in 1771, when a group of Baltimoreans erected a temporary chapel to house the German Evangelical Reformed Church. A few years later, the church hired Philip William Otterbein as pastor. Otterbein had come from Germany to Pennsylvania, and accepted the position in Baltimore as his fifth pastoral duty.

Otterbein apparently took to Baltimore, preaching at the church for 39 years and staying in the city for the rest of his life. Otterbein was a remarkable man. In 1784, he assisted Francis Asbury in founding the Methodist Episcopal Church, and in 1800, he and Martin Boehm helped found the United Brethren in Christ, with Otterbein's church in Baltimore as the cradle of the new denomination.

Members of Baltimore’s German immigrant community played a central role in the defense of Baltimore during the War of 1812 from Peter Gold and George Decker who volunteered as superintendents overseeing the construction of fortifications, Brigadier General John Stricker who commanded the Maryland Militia at the Battle of North Point (and later became Vice-President of the German Society of Maryland), and the Baltimore Jagers and die Union Jagers - two companies of German immigrants commanded in the German language. Many of these men, along with their families, worshipped with Philip William Otterbein at what is now Old Otterbein Church. Otterbein himself died less than a year before the Battle of Baltimore and remains buried in the churchyard with a monument placed over his grave in 1913.

The present church structure was erected in 1785, with the nearby parsonage in 1811 and the city's first German Sunday School in 1827. The interior of the church has been remodeled at various times, but the sanctuary remains the oldest in continuous use in Baltimore.

Official Website

Street Address

112 W. Conway Street, Baltimore, MD 21201
]]>
/items/show/39 <![CDATA[Mount Vernon Mill No. 1]]> 2019-07-20T12:57:05-04:00

Dublin Core

Title

Mount Vernon Mill No. 1

Subject

Industry
Historic Preservation

Creator

Kyle Fisher

Curatescape Story Item Type Metadata

Subtitle

At the heart of textile manufacturing along the Jones Falls

Story

Mill No. 1 sits on the site of Laurel Mill, a late 18th-century flour mill originally owned by prominent businessman and abolitionist Elisha Tyson. In 1849, the newly chartered Mount Vernon Company built a textile mill on the site. Mill No. 1 stood at the threshold of a burgeoning textile empire that would control most of the world’s cotton duck production, a heavy canvas used primarily for ship sails.

The textile mill and neighboring village Stone Hill shared a close relationship well into the 20th century. Residents renting company-owned housing in Stone Hill were required to be employed in the mill to live there. The mill's bell called workers to the factory floor for their twelve hour shifts. Mill boss David Carroll lived in a mansion at the top of the hill overlooking the village and mill his wealth built. The extant mansion later became the Florence Crittenton Home.

In the mid-1800s, about 400 men, women and children—some as young as eight years old—worked in and lived next to the mills. The company expanded in 1853 with the construction of Mill No. 3 across the street. In 1855, the Mt. Vernon Company controlled six mills in the Jones Falls Valley from Mt. Washington to Remington, and established adjoining villages that would grow into the neighborhoods of Hampden and Woodberry. When Mill No. 1 burned in 1873, it was replaced with the larger factory that stands on this site today. Inside the mills, the cotton looms made a lot of noise, and dust from the cotton was always in the air. Excess cotton had to be swept off the floor and cleaned off the looms to prevent fire. Workers heard the constant loud humming of the looms and breathed in the cotton dust. An entire paycheck could go to rent for the company houses and toward groceries purchased from the company store.

In 1899, area mills merged to form the Mount Vernon-Woodberry Cotton Duck Company, at the time the world’s foremost manufacturer of cotton duck, with mills from South Carolina to Connecticut, and a board of directors based out of New York City. By 1915, the Mt. Vernon-Woodberry Cotton Duck Company broke apart and was reformed as Mt. Vernon-Woodberry Mills, which controlled mills in Hampden and Woodberry, South Carolina, and Alabama, and employed about 2,200 workers locally. Production boomed during World War I and workers leveraged demand to gain a 10 percent wage increase, a reduced 55 hour work week, and cleaner facilities.

Demand for cotton duck dropped immediately after the war, and management cut wages by one-third and increased hours. Tensions within the company culminated in a 1923 strike, when 600 workers voted to reject the offer of a 54-hour work week and 7.5 percent pay increase and demanded a 48-hour work week with a 25 percent pay increase. Despite support from local clergy and the Textile Workers Union of America, the workers were forced by necessity to return to the mills. The company began to sell off its housing and move its operations to Alabama and South Carolina where labor was cheaper and less organized. During the Great Depression, many mill workers were laid off. Many went on welfare. Others, however, refused to go on welfare, and searched for additional jobs to support themselves. At this time most workers made between five and seven dollars per week and worked ten hours a day.

World War II created new demand for canvas. Tarps, rope, netting, mailbags, tents, and stuffing (made from cotton bits called ‘shoddy’) were all in demand from the military. Synthetic fabrics, which required bricking up the mill's windows to control humidity levels, emerged as new products. Many people from the South came to work in the mills at this time. After the war, production declined, never to regain its earlier levels. The Mount Vernon Company finally closed its Baltimore mills and moved all operations to North Carolina in 1972.

Some industry persisted in the mill buildings. Life-Like Products, a maker of model train sets and styrofoam coolers, was one. The international textile firm Rockland Industries, with origins upstream, used Mill No. 3 to store its textile supply after the Mount Vernon Company left. In 2013, Mill No. 1 was redeveloped by developer Terra Nova Ventures and now includes apartments, office space, a restaurant, and an event venue. Although they no longer function as mills, these buildings continue to serve as places of housing, food, and work within Hampden.

Official Website

Street Address

2980 Falls Road, Baltimore, MD 21211
]]>
/items/show/38 <![CDATA[Mother Seton House]]> 2018-11-27T10:33:49-05:00

Dublin Core

Title

Mother Seton House

Subject

Religion
Architecture

Creator

Johns Hopkins

Curatescape Story Item Type Metadata

Story

On June 16, 1808, Elizabeth Bayley Seton arrived at St. Mary's Seminary in Baltimore on the same day that Bishop John Carroll, the first bishop in the Unites States, dedicated the seminary's newly built chapel. Elizabeth came to Baltimore from New York to set up a boarding school for girls. During her one-year stay in what is now the Mother Seton House, she took the vows of a Daughter of Charity, thus cementing her conversion and commitment to Catholicism. Following her start in Baltimore, Mother Seton, as Bishop Carroll dubbed her, went on to found Saint Joseph's Academy and Free School in Emmitsburg, Maryland, the first free school for girls in America, and the Sisters of Charity of St. Joseph, the first apostolic community of women in the United States.

The St. Mary's Spiritual Center, as the location is now called, is also the original home of St. Mary's Seminary, the first seminary in America. The seminary has trained a number of notables, including: Mother Mary Elizabeth Lange, a Haitian immigrant who founded the Oblate Sisters of Providence (the first African American Catholic community) and St. Francis High School; Father Gabriel Richard, who is called "The Second Founder of Detroit"; and Father Michael McGivney, who went on to found the Knights of Columbus in Connecticut.

Official Website

Street Address

600 N. Paca Street, Baltimore, MD 21201
]]>