As the company grew, they took on more and more intricate work restoring antique furniture, such as a sofa made by a coffin maker in the 1740s. It was signed by the maker as well as at least two of the craftspeople who reupholstered it over the next two centuries. The most recent reupholstering was done by Clifton in the 1990s for the Engineers Club on Mt. Vernon Place. And, yes, it was signed by the employee who worked on it, Harvey Teets.
Working in similar grand, historic homes in Baltimore can become a lesson in local history. For instance, Agora Publishing contracted Clifton to do some work at the Tiffany Mansion across from the Engineers Club. While working there, they learned one of the family members was a Rough Rider with Teddy Roosevelt. Also, as the work progressed, a tapestry was discovered in a 4’ x 15’ shadow box that had been covered over with drywall by a previous owner.
Furniture sometimes comes to them from around the world, such as the aforementioned 16th century French chairs, which were purchased by a consignor for a wealthy client. The ten chairs, which cost $230,000 a piece, now surround a dining room table in Singapore.
Less exotic, but no less interesting, is the work done on several films, most recently for Lady in the Lake. Other work includes the TV crime dramas, Homicide: Life on the Street, and The Wire, as well as several John Waters films, such as Dirty Shame. The latter included work on a special seat for a police car. The front seat had to accommodate a character who liked to wear diapers, which meant someone with a 54” waist. It was upholstered in teddy bear felt with baby blue vinyl.
The “steady” work continues to come in from local families who want a chair or couch reupholstered. Also, larger jobs are provided through their partnership with the Maryland Restaurant Association. Their work can be found all over the city in places as diverse as Ruth's Chris Steak House and Johns Hopkins Hospital.
It is never dull work. Even the mundane jobs sometimes turn into something of note, like the time they found $3,000 in cash under some couch cushions.
When John H. Murphy, Sr. purchased the Afro-American Newspaper in 1897, the idea of sending a poet to cover a civil war in Spain was probably far from his mind, especially a poet as distinguished as Langston Hughes. His paper, after all, had a humble beginning. The Afro, which recently celebrated its 130th anniversary, was founded in 1892 as a church newsletter. It changed hands a few times before being purchased by Mr. Murphy in 1897. He then took this small church paper and expanded the operation to over 100 employees before his death in 1922. His son, Carl Murphy, followed his father as chairman and expanded the operation even further, increasing the circulation to 235,000 by 1945.
It was Carl Murphy who made the decision to hire Huges to cover the Spanish Civil War in 1937. Though an unusual choice, it was not a singular one. Mr. Hughes joined a rarified group of literary writers who reported on various conflicts, Stephen Crane and Ernest Hemingway among them. The editor-publisher, Carl Murphy, had commissioned Hughes to report on the experience of “colored sympathizers from many lands” who fought on both sides of Spain’s Civil War. He wrote about people who wanted to fight for democracy against fascism. He also wrote about the “Moors” (Muslims from North Africa and Spain) who were used “as canon fodder for Franco.” This was one of the missions of the newspaper after all–to report on the lives of the ordinary “colored” person.
Another aspect of the paper’s mission has been to give fuller accounts of stories that historically the mainstream press has missed. The Afro was one of innumerable newspapers that covered two lynchings on the Eastern Shore of Maryland–Matthew Williams in 1931 and George Armwood in 1933. Their account of the treatment of Williams, for instance, was taken from a light-skinned, African-American who was able to blend into the white crowd and witness the events. This witness reported that Williams was thrown out of the window of a hospital where he was being treated and dragged to the courthouse where he was lynched. Whereas the Baltimore Sun’s account stated that Williams was “taken quietly” from the hospital and “escorted” to the courthouse square. The Sun published an editorial in 2018 apologizing for its woeful shortcomings in the reporting of these two lynchings in Maryland.
Innovative reporting and filling in the details of the lives of their readers are only two of the legacies of The AFRO. Today the 4th and 5th generations of the founder’s family continue to run an operation with offices in Baltimore and Washington, DC.